“These sharp, compelling essays respond to the current state of American politics, which is characterized by politicians abandoning shame, news media trivializing political news, and commentators screaming at one another. . . . Many young Americans consider satirical television news their primary source of news, and this volume helps one understand why. Stewart, Colbert, et al. take news seriously. They may be the only ones left on television who do. . . . Highly recommended.”
“The authors of Satire TV make no bones about it: Satire is a gateway drug that does more good for democracy than harm....This book offers historical depth and theoretically sophisticated approaches to satire TV’s contemporary breadth.”
-Journal of Communication Inquiry
“It has been said that if you have to explain a joke, it’s not funny. This wonderful collection proves that nothing could be farther from the truth. Satire TV takes the study of comedy in new directions, expanding beyond earlier work done on classical Hollywood cinema and the sitcom. In politically trying times, the contributors to this volume reveal through analysis of programs such as South Park, The Daily Show, and The Colbert Report, laughter is not the best medicine—it is the surgeon’s scalpel.”
-Heather Hendershot,editor of Nickelodeon Nation: The History, Politics and Economics of America’s Only TV Channel for Kids
“This smart and savvy crew has noticed something creeping up on us, something with bite. Now we have to take satire TV seriously; it turns out to be the bearer of the democratic spirit for the post-broadcast age. In this field-shaping book, some of the brightest talents in TV studies show us how the marginal has become the model for a much-needed media make-over. See what happens when entertainment bares its teeth.”
-John Hartley,author of Television Truths
“. . . the book has succeeded. It made me think outside the points made by the various essayists. It made me think about how I now consume the news.”
Jonathan Gray is Associate Professor of Media and Cultural Studies at the University of Wisconsin, Madison. He is the author of Television Entertainment and Watching with The Simpsons: Television, Parody, and Intertextuality and co-editor of Satire TV: Politics and Comedy in the Post-Network Era and Fandom: Identities and Communities in a Mediated World.
Jeffrey P. Jones is Associate Professor of Communication & Theatre Arts at Old Dominion University. He is the author of Entertaining Politics: New Political Television and Civic Culture and co-editor of The Essential HBO Reader.
Ethan Thompson is Associate Professor at Texas A&M University–Corpus Christi. He is the author of Parody and Taste in Postwar American Television Culture, and co-editor of Satire TV: Politics and Comedy in the Post-Network Era.