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12 of 13 people found the following review helpful:
3.0 out of 5 stars
Interesting, June 11, 2007
This review is from: Saturn Returns (Astropolis) (Paperback)
This was an impulse choice for me at the local B&N. Sean Williams other works with Sean Dix haven't ever done very much for me. But this one, it was interesting.
Its a murder mystery - one trying to solve a murder approximately 200 millennia old though. This is an interstellar setting, but one where light speed is the absoloute limit and mankind has reached throughout the galaxy and diversified in many, many ways. In some ways its like Alastair Reynolds Revelation Space series, but not quite. One major difference is the way humans characterize themselves - singelton (single ID, capable of gestalt), Prime (old style human) and fort. The dominant form of mankind are the forts, gestalt humans that have slowed their time sense to a galactic scale (yet are still able to interact with and beat normal or accelerated humans (I know I had a hard time with it too)).
In Saturn Returns, Imre Bergamasc gets his old unit the Corps back together after being reconstructed from a partially destroyed recording beyond the galaxy's rim to determine who killed him. Along the way we get a decent look at the Mandala supersystem.
It's interesting, it deals with identity, what it is and what makes a person - memory, experience, time sense, etc. For that its interesting and worth checking out the expected sequel (the ending opens it up with Earth as a destination). But, I think Williams needs to work a little more on explaining his setting somewhere and perhaps firming up his neuroscience.
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7 of 8 people found the following review helpful:
4.0 out of 5 stars
Australian SF Reader, July 31, 2007
This review is from: Saturn Returns (Astropolis) (Paperback)
The old wake up in the future, sex changed, memory lost, surrounded by bizarre intelligences story.
Oh, wait, that's a new one on me. It also doesn't get any less crazypants or frantic from there.
Now admittedly a couple of things in this were distracting. The name of the main character, Imre, now a woman, and the word Saturn. This means in my brain, or close enough too, Saturn Girl, Legion of Superheroes. Imre is a posthuman, yes, hanging out with Lightning Lad and from Titan, no.
Also the Luminous thing, having just looked at that book by Greg Egan for another reason today, and having a few posthuman similarities that was a bit distracting.
Basically, Williams has delivered the goods again. Packed into what is these days a short book (although part of a trilogy it appears) is a whole heap of good New Space Opera. Not as bleak as Reynolds, there are still plenty of surprises, different forms of humans, both normal and post, spaceships, Warhammeresque religions, huge distances and shooting at people. Take Reynolds, blend with a bit of Stross, maybe add a pinch of Simon R. Green's Deathstalker and you might get a bit of an idea of the flavour of this novel.
Towards the end you start to get a look at what the various characters from Imre's earlier life really were up to, and the same for his particular incarnation. Being posthumans, this could mean what several different varieties of their selves had been up to, in various times and parts of space.
Now all he has to do is keep it up for the next book, something I will definitely be looking forward too, despite not being a Gary Numan fan.
Given the stuff packed into this book, most of us will find his appendix and its information quite useful, I think.
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3 of 3 people found the following review helpful:
2.0 out of 5 stars
What is there to say..., September 9, 2009
This review is from: Saturn Returns (Astropolis) (Paperback)
I loved Sean Williams' "Metal Fatigue", but I'd pretty much skipped everything else by him until now, picking up "Saturn Returns" on the basis of the first few pages.
The goods seemed to be there - hard science fiction; a thriller subtext of memory loss and emotional disconnection from the past; and enough introspection from Imre Bergamasc, our obviously flawed mercenary cum hero, to really get inside his head.
And while I've read it, the whole premise of the novel makes absolutely no sense at all. Because it's supposedly 150 THOUSAND years into this guys future - and I went back and checked that I'd got that right a couple of times to see if this nonsensical novel was tricking me in a subtle way - and despite his being rebuilt from some scratchy old DNA recording of his life, all of his friends (and enemies) are still just hanging around, waiting for him to come home. That's despite a galaxy spanning disaster that knocked everything back to some kind of technological dark ages. Oh yeah, don't forget to add in the thousand or so years it takes him to travel some serious parsecs at something less than the speed of light, during which our hero Imre just slows down his body clock so centuries of travel whip past in the blink of an eye. Great party trick, but it still doesn't mean that time stops in the rest of the Universe as well.
Then there was the concept of ages-old, galaxy spanning intelligences that use a single method of communication and literally fall to pieces when their transmitters go down, as if that's not going to happen as an everyday occurance! What about distributed processing, store-and-forward messaging and redundancy? The speed of light has explicitly not been transcended in this novel - no warp drives or hyperjumping here - yet Williams glosses over the consequences of this and strangely writes as if everyone would have real time communication between star systems and beyond. Or not, because sometimes he declares the issues of cosmic distance yet gleefully ignores them a few pages on.
In the end I found it impossible to reconcile the concept of this being Imre's deep, deep future when everyone treated it like he'd popped out to the corner store for milk and bread and came back a bit later than expected because he'd been nattering with the neighbours on the way. But hang on, to them that's exactly what's it like, because there are other copies of Imre floating around, doing evil and generally causing mayhem. But, and this is where it really started to creak and groan for me, Imre(s) and his motley crew(s) stick together pretty much all through those 150,000+ years, so that when our flawed Imre arrives back "home", nothing much actually is different. So all the interesting implications and observations that someone displaced by so much could reflect on are ignored. Considering that language evolves enough in the span of centuries that casual readers now struggle with Shakespeare, the idea that Imre could even communicate with anyone is farcial.
Ultimately the structural flaws in "Saturn Returns" were way too much bother to overcome. Evolution of any kind - apart from Imre's personal journey of ethics - is ignored to the point that, disappointingly, I'm not even a little bit compelled to buy the concluding books in this series. It's basically another good kids SciFi book that will help get them hooked on the genre, but there's not much here for adults.
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