From Publishers Weekly
Sex oozes from every page of this erotic futuristic thriller. In a far-future class-driven android society, most of the populace are slave-chipped and owned by wealthy aristos. When low-caste but unenslaved android Freya offends an aristo and needs to get off-world, she takes a courier position with the mysterious Jeeves Corporation, but the job turns out to have dangers of its own. Designed as a pleasure-module, Freya isn't quite as obsolete as she could be, as androids have sex with each other incessantly. Hugo-winner Stross (Halting State
) has a deep message of how android slavery recapitulates humanity's past mistakes, but he struggles to make it heard over the moans and gunshots. Readers nostalgic for the SF of the '60s will find much that's familiar (including Freya's jumpsuit-clad form on the cover), but that doesn't quite compensate for the flaws. (July)
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Charles Stross is a unique voice among today’s wave of “New British SF” writers, but he also knows his history. Saturn’s Children
is dedicated to old lions Robert Heinlein and Isaac Asimov, and the ghosts of both (especially Heinlein) can be felt in the latest effort. Reviews of the novel vary wildly, which may suggest as much about the tastes of particular SF readers as it does about the specific case. The combination of sex and violence clashes a bit with some deep philosophizing on identity and purpose, though Stross’s sense of humor and Freya’s rollicking adventure transcend what SF Reviews
deems “some bizarre cross-genre hybrid.” Many SF readers will appreciate the novel, deemed as one of Stross’s more accessible, and revel in the author’s numerous nods toward his influences; others might want to give it a pass.
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