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Savage Night [Import] [Paperback]

Allan Guthrie (Author)
5.0 out of 5 stars  See all reviews (6 customer reviews)


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Book Description

March 31, 2009
How much blood would you spill to avenge those you love? Andy Park passes out at the sight of blood, but he thinks he's discovered a way to make his family's enemies pay. He isn't prepared for the fall-out, though. Before long, his teenage son is in mortal danger, and his daughter and her fiance are knee-deep in corpses. Meanwhile, a masked man known as Mr Smith is blackmailing Tommy Savage - for what, he has no idea. After an attempt to gain the upper hand has near-fatal results, Tommy and his brother find themselves heading to a graveyard with only a couple of swords and a bag of cash for company. A blood-pumping tragi-comedy of love and violence, "Savage Night" unfolds over six frenetic hours in Scotland's capital city.

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Editorial Reviews

From Booklist

Guthrie writes a brand of crime novel that recalls the film Reservoir Dogs. You know the characters are going to meet a bad end—the only question is what will happen to them on the way. They’re not sympathetic, either, but for those inclined toward schadenfreude, there’s good fun in watching their bad decisions pile up until the resulting garbage heap tips over and crushes them all. Closer in tone and concept to Hard Man (2007) than to the more restrained and superior Kiss Her Goodbye (2005), Savage Night suggests a Scottish Hatfield-McCoy feud as two criminally minded clans, the Savages and the Parks, square off over a misunderstanding that flares into all-out war. Guthrie twists the plot, chops up the timeframe, and toys with point-of-view, so much so that it sometimes takes us a moment to figure out which doofus we’re watching now. Never a dull moment, but we still couldn’t help but feel that it should be either funnier or—God help us—even darker. Chase with a pint and a packet of crisps. --Keir Graff --This text refers to the Hardcover edition.

Review

'Black comedy akin to the work of Christopher Brookmyre ... If you have a robust sense of humour, you'll love this.' The Observer

Product Details

  • Paperback: 351 pages
  • Publisher: Polygon Press (March 31, 2009)
  • Language: English
  • ISBN-10: 1846970962
  • ISBN-13: 978-1846970962
  • Product Dimensions: 6.8 x 4.3 x 1 inches
  • Shipping Weight: 7.8 ounces
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #3,836,310 in Books (See Top 100 in Books)

More About the Author

I was born on Orkney, a small island group off the north coast of Scotland. I went to school in Kirkwall, where my primary five teacher allowed me to write during art classes, given my woeful lack of talent for visual art. I was, however, not too bad a musician, playing piano and bassoon to a half-decent standard. I became a founder member of the National Youth Orchestra of Scotland when I was twelve, and was whisked off to music school in Manchester as a fourteen-year-old.

After leaving school, I attended university in Aberdeen, where my plan to support my studies by playing piano in a posh restaurant took a nosedive when I was sacked on my second night because my hair was too long. After a year, I left Aberdeen, degreeless, and moved to Edinburgh.

Having lots of spare time on my hands, I taught myself how to program computers and spent the following twelve years working in IT. It was good while it lasted, but I started to feel the pinch and found a part-time job in a bookshop, where I was so happy I would have worked for free. For a while, at least!

Before long, I was employed full-time in the book trade, and over the nine years that followed I worked in various jobs, from stockroom supervisor to IT trainer, moving between exotic locales such as Brussels, Cork and Stirling, before giving up my day job in 2006 to work as a writer, editor and literary agent.

I'd married in 2000 and it was my wife, Donna, who was instrumental in encouraging me to take my writing seriously. After being short-listed for the CWA Debut Dagger for a book called Blithe Psychopaths in 2001 (renamed Two-way Split for later release), I started to think she might have a point. Three years and hundreds of rejection slips later, I wasn't so sure!

Eventually Two-way Split and Kiss Her Goodbye were picked up (within weeks of one another, oddly enough) by two independent small US presses. In 2006 Kiss Her Goodbye was nominated for an MWA Edgar Award, an Anthony Award and a Mystery Ink Gumshoe Award. Two-Way Split went on to win the Theakstons Crime Novel of the Year in 2007.

Since then I've published another three novels, most recently, Slammer, which describes the descent into hell of a young prison officer. I've also published three novellas, the most recent being Bye Bye Baby, a police thriller and a Kindle top ten bestseller in the UK.

 

Customer Reviews

6 Reviews
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Average Customer Review
5.0 out of 5 stars (6 customer reviews)
 
 
 
 
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2 of 2 people found the following review helpful:
5.0 out of 5 stars Excellent., March 7, 2009
This review is from: Savage Night (Hardcover)
This book was a very well written thriller that that was hard to put down. The story went on and did not tire at all. The ending was great and went over well compared to other endings of books like this. If you like this also check out Point Fury by John Maxwell.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars A Tough Night to Follow, July 8, 2009
Amazon Verified Purchase(What's this?)
This review is from: Savage Night (Paperback)
Allan Guthrie takes you through a noir night that can only be the product of familial love which exists without criminal bounds. Every tragic and horrible twist of this well executed is founded in the family binds that tie into a cat's cradle.

Here is the special treat for anyone into this genre: find the two shout outs to Duane Swiercynski. One is a perfect reference to Secret Dead Men.

Bravo to Allan Guthrie for writing this and having the respect to say hello to an influence.
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5.0 out of 5 stars ultra-noir, daring, great craic!, November 14, 2011
This review is from: Savage Night (Hardcover)
A shocker, hypnotically scary-funny. As the ultra-violent plot of Allan Guthrie's SAVAGE NIGHT powers along to regale us with a tangled case of feuding lower class families, plenty of butchery and missing body parts, we feel like indulging into some gross misbehavior: eg ever giggled during an eulogy? Ever laughed so hard you doubled over and fell off a church pew, and in doing so spit out a piece of a Kit Kat bar?

Don't get me wrong - SAVAGE NIGHT's gory, Edinburgh-based goings-on in the pulpiest tradition possible are far from including religion, or sweet treats. But this almost cheerfully blunt, carefree noir keeps feeding and teasing vague, aforementioned moments of unease, of an odd sense of guilt on the reader's side. How so?

Guthrie's multi-angle narrated story focuses on the Parks and the Savages, on filthy lucre, greed, family honor spun out of control, strange weapons, blackmailing and clueless people viewed through the prism of blood revenge. It makes sure to kick us hard in the shins. It also triggers our subconscious attempts to reverse unbearable plot details into some safety, normality - into something, anything that would weigh us down less, that would entitle us to laugh out loud by common moral standards.

But this outstanding novelist and publisher of ebooks (...), who has one of the most daring, experimental sensibilities at large in current noir writing, does not give us a break. Shock image after shock image looms up large, and equips SAVAGE NIGHT with a firm toehold on recognizable human bestiality. We have nowhere to hide, not even in our nightmares, and end up sickened, surprised, disgusted and grimly entertained at the vivid, sensory descriptions of physical torment. There isn't a better world behind to soften these blows: SAVAGE NIGHT builts up a helluva hostile momentum simply to provide us with an extraordinary realistic sense of loss, a void, a hysterical laugh.

The darker-than-a-raven's-neck story about two rival families at deadly odds also contains a dimension I find fascinating: its cartoon-esque characters basically understand concepts like risk, honor, pain or fear, but they are all beyond what empathy in the broadest sense of the word could mean. Allthough the chief personage emerges into three dimensions, the protagonists are hardly fully alive, but rather seem to act out of habit, out of a cold determination to win at all costs. The human condition as such has lost the power to touch them, which is why soulless slapstick is one of Guthrie's key elements here. Empathy on the author's side does emerge all right, a miracle this because there is no time really: things are happening too fast in this pacy, amoral Scottish night of obsession, violence and uncontrollable fear.

Throughout the book, the tone is at once ironic and eerie; it blankets SAVAGE NIGHT like white linen covers an unused piano. The straightforward, as such non-linear plotting works like a never tiring neon sign spelling out the triumph of death in the wickedest possible way. This novel is so brutal, intense and yes, comical over and over again that the reader comes away with surreal collages in his head like a blend of countless genre references, plus hints of Bruegel's work, Harris' Hannibal Lecter, De Sade, Monty Python, Tarantino, Thompson, Bruen, Duke Mitchell, Kubrick, Mamet to name but a few.

SAVAGE NIGHT doesn't help to people its plot - for many characters, the only escape is the grave. Guthrie shows a certain intelligent, strategic toughness in not trying to soften the characters. The blackmailed former smuggler Tommy Savage, his small-time crook son Fraser, balaclava-clad Mr. Smith who puts the shake on, Andy Park who appears to be troubled by the mere sight of red body fluid: SAVAGE NIGHT boldly rises with the aggressive, over the top world of a bunch of low lives to have the reader hang on their every word in a teeth-gnashing, mesmerized way.

I once used SAVAGE NIGHT as a jolly perverse antidode (ha ha ha!) to pull through SLAMMER, Guthrie's most confident masterpiece (yeah, stripped of funny texture and laughs, this one). However, rest assured that both books are not afraid to stand some of the old genre rules and conventions on their head - this author sets the whole noir theme in vibration with repeated assaults on taboo and tender nerves. Thus? Go dare to get a hold of Guthrie's stuff. Ok, you will probably wind up poorer in Kit Kats, but hey...

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