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Saving Daylight [Paperback]

Jim Harrison (Author)
5.0 out of 5 stars  See all reviews (5 customer reviews)

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Book Description

September 1, 2007

Named to the Notable Books of the Year lists from The Kansas City Star and the Michigan Library Association.

“Jim Harrison is a writer with immortality in him.”—The Times (London)

“This is [Harrison’s] most robust, sure-footed, and blood-raising poetry collection to date.”—Booklist

Jim Harrison—one of America’s most beloved writers—calls his poetry “the true bones of my life.” Although he is best known as a fiction writer, it is as a poet that Publishers Weekly famously called him an “untrammeled renegade genius.”

Saving Daylight, Harrison’s tenth collection of poetry, is his first book of new poems in a decade. All of Harrison’s abundant passions for life are poured into suites, prose poems, letter-poems, and even lyrics for a mariachi band.

The subjects and concerns are wide-ranging—from the heart-rending “Livingston Suite,” where a boy drowns in the local river and the body is discovered by the poet’s wife—to some of the most harrowing political poems of Harrison’s career. There is also a cast of creature characters—bears, dogs, birds, fish—as well as the woodlands, thickets, and occasional cities of Arizona, Montana, Michigan, France, and Mexico.

“Imagination is my only possession,” Harrison once said. And Saving Daylight is an imagination in full, exuberant bloom.

Jim Harrison is the author of over thirty books of poetry, fiction, and nonfiction. His work has been translated into dozens of languages. Born and raised in Michigan, he now lives in Montana and Arizona.


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Editorial Reviews

From Publishers Weekly

Mountains and forests from the American West, oneiric apparitions and a hard-won, slightly bitter wisdom pervade this 10th book of poems from the prolific Harrison (Shape of the Journey), whose many prose works include Legends of the Fall. Harrison's passionate, sometimes uncontrolled poems portray his upbringing in northern Michigan and his long residence in the wilds of Montana, where "The moose/ down the road wears the black cloak of a god," and any small "community can drown in itself,/ then come to life again." His tough-guy tone and terse descriptions, along with his unpretentious free-verse line, might recall Gerald Stern or even Richard Hugo. Yet his leaps from topic to topic, his declamations and spontaneous, mystical utterances, suggest instead a Latin American influence—several poems appear both in English and in Spanish in facing-page translations, and several more pay tribute to the wild intuitions of Pablo Neruda. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.

From Booklist

Harrison's poetry is earthy in the fullest sense of the word: it is of the earth, stoked by the senses, in sync with the beat of life, and salty in its forthrightness. Harrison gleans lessons from rivers, the moon, birds, and dogs, and puzzles over the elusive nature of time, tagging clocks as "the machinery of dread." He writes sharply of war, the "loathsome" government, the distortions of religion, and humankind's "will toward greed and self-destruction." A veteran fiction writer, Hollywood darling, hard-living and deep-thinking poet, Harrison brings tough love to the puzzles of existence and a meditative perspective to life's mysteries as he evokes the wilds of Montana and cherished small towns. He remembers the dead, savors life's bittersweetness, its push and pull, its "swish and swash," and knows in his very cells that "salvation isn't coming. It's always been here." Harrison may be under doctor's orders to count his drinks and measure the sugar in his blood, but this is his most robust, sure-footed, and spirit-raising poetry collection to date. Donna Seaman
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.

Product Details

  • Paperback: 124 pages
  • Publisher: Copper Canyon Press (September 1, 2007)
  • Language: English
  • ISBN-10: 1556592671
  • ISBN-13: 978-1556592676
  • Product Dimensions: 8.9 x 6.1 x 0.4 inches
  • Shipping Weight: 7.2 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #104,341 in Books (See Top 100 in Books)

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Average Customer Review
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35 of 36 people found the following review helpful:
5.0 out of 5 stars Inspiring and Transcendent, May 15, 2006
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This review is from: Saving Daylight (Hardcover)
I read this in three sittings over 2 days and I have to say it is the best poetry I have read in a long time. Subtle hints of Whitman and Neruda are folded into an American West verbage that sweeps you away to wherever Jim was when he wrote. I am rereading it now and I think I may eventually test the physical longevity of this hardback.
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36 of 39 people found the following review helpful:
5.0 out of 5 stars There will never be another, May 8, 2006
This review is from: Saving Daylight (Hardcover)

There is not enough red wine in the world to make one strong enough to withstand these confessions. Jim Harrison has restored poetry to its original face, and brought it into the present, the future. He stands alone, miles from the hordes that squabble over the scraps of pop culture. Saving Daylight is not just a book: it is an oasis, a place to rest and resurrect.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars gritty, wine-soaked wisdom, April 15, 2011
This review is from: Saving Daylight (Paperback)
Harrison writes poetry for those who prefer a woodsy creek-bed to the local coffee house. He writes with a rough and romantic simplicity which belies the power underneath, and he can manage in a few short lines to spark your mind and tingle your guts. Poetry like this is rare, and Harrison a rare breed.

This collection specifically is, in my opinion, his strongest. He conjures pinyon jays and coyotes under the moon, contemplates time and death, joy and regret. This has been my go-to poetry for many camping trips, and my natural refuge while living in a lifeless major city. It has been an awakening, and a meditation, and I think it would be quite something to be able to see the world through his magical glass eye. When Harrison stops writing poetry, the world will be a duller, murkier place.
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