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From Sawdust to Stardust: The Biography of DeForest Kelley, Star Trek's Dr. McCoy
 
 
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From Sawdust to Stardust: The Biography of DeForest Kelley, Star Trek's Dr. McCoy [Paperback]

Terry Lee Rioux (Author)
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Book Description

Star Trek February 1, 2005
In the forty-year history of Star Trek®, none of the television show's actors are more beloved than DeForest Kelley. His portrayal of Leonard "Bones" McCoy, the southern physician aboard the Starship Enterprise™, brought an unaffected humanity to the groundbreaking space frontier series.

Jackson DeForest Kelley came of age in Depression-era Georgia. He was raised on the sawdust trail, a preacher's kid steeped in his father's literal faith and judgment. But De's natural artistic gifts called him to a different way, and a visit to California at seventeen showed a bright new world.

Theater and radio defined his early career -- but it was a World War II training film he made while serving in the Army Air Corps that led to his first Paramount Studios contract.

After years of struggle, his lean, weathered look became well known in notable westerns and television programs such as You Are There and Bonanza. But his work on several pilots for writer-producer Gene Roddenberry changed his destiny and the course of cultural history.

This thoroughly researched actor's life is about hard work and luck, loyalty and love. It is a journey that takes us all...from sawdust to stardust.


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Editorial Reviews

Review

"For those interested in the life and work of actor DeForest Kelley, they cannot do better than consult From Sawdust to Stardust, Terry Lee Rioux's thorough and engaging life story of the beloved actor."

-- Nicholas Meyer, screenwriter and film director



"A baseball coach of some note once opined, 'Nice guys finish last.' Terry Lee Rioux's well-researched and readable From Sawdust to Stardust is warm, charming and inspirational -- especially for those who work just out of the limelight, and never curse their luck. For Star Trek fans, it's a chance to re-enter the final frontier with a really nice guy."

-- Ronald J. Drez, author of Voices of Valor and Remember D-Day

Excerpt. © Reprinted by permission. All rights reserved.

Chapter I: The Preacher's Son

"It was a hard row to hoe, to be perfect."

DeForest Kelley, 1992

Reverend Ernest David Kelley began his ministry to the congregation of Conyers, Georgia, on January 12, 1930. At first meeting, the new shepherd made a mild impression, fine-boned with smooth skin, spectacles, and a bald head. By surface appearances, he was a timid man, but his quick, sharp eyes and the fire of his sermons revealed that he was not. His greatest gifts were the content of his sermons and the strength of his presence in the pulpit. His own soul knew the bitter taste of daily trials, and so he was a genuine witness in his mission to frail humanity. His was a constant litany, crying out about the perfect soul-gathering rescue of Jesus Christ and the joys to be found in him.

Reverend Kelley could speak directly to the souls of these Georgia people. His heritage was close to that of his congregants. The Kelley family origins were proud, Irish, and Southern. From Virginia in the 1750s, the Kelleys found their way into Georgia, to Franklin County and the small hill town of Toccoa. Theirs was the rugged earth of north Georgia hill country, a land of Cherokee people and hardscrabble settlement. A century later, the region became a favorite highway for the mean ruin of Union forces during the Atlanta campaign. Two young witnesses to the Civil War, Mary Emily Payne and Emory Jackson Kelley, later married and raised nine children surrounded by the deprivations of Reconstruction. Ernest David, born in 1883, was called to ministry in 1911. Ordained through the Broad River Baptist Church, Reverend Kelley chose to serve the common man on the sawdust trail. He met and married Clora Casey of Cedartown, eleven years his junior, and his first son, Casey, was born in 1917. Jackson DeForest came along in 1920. In 1925, Reverend Kelley earned a graduate degree in theology from Mercer University. He served churches with names like Zebulon, Attica, County Line, and Penfield. With Clora at his side, he ministered all over the interior of Georgia.

Now at the height of his physical and spiritual strength, Reverend Kelley shared the gospel in Conyers. Educated and poor, after nearly fifteen years of preaching, the Reverend knew the hearts and minds of men and the dangers of a worldly life. His call for unswerving Christian faith was mixed with Christian warning: he made it very clear to his congregation and to his children that there were grave consequences for sinful yet ordinary behaviors such as going to dances and movies and drinking and smoking. The saved and those yet to be salvaged were invited to find and renew their spirit in a Baptist way of life with the Kelleys. While the Reverend ministered with his sermons and mastery of the Bible, his wife ministered by loving example and gentle touch.

Reverend Kelley kept his boys, Ernest Casey and Jackson DeForest, close to the church. He made them learn the responsibilities of the elect; the boys knew they were representing something far larger than their own small lives. The mission of the father was the mission of the family. As a preacher's kid, DeForest was bound to the sawdust trail of his father's ministry. Athens, Woodville, and so on, they moved from one Georgia mill town to the next. Reverend Kelley shaped his sons with an eye on the promise of heaven and the literal existence of hell. He ruled with the steady hand of the righteous, while Clora worked to soften that hand with humor and diplomacy. However, the traditional round of Bible study, quotation and recitation, psalms at supper, Wednesday evening prayer meetings, and Sundays filled with classes and multiple services challenged the obedience of even the most respectful child. DeForest's brother, Casey, chafed under the restrictions of the household and seemed quite unable to please anyone completely. He was already a teenager, vexed by many things his little brother couldn't begin to imagine. DeForest, like his mother, sought to keep the peace. DeForest's first role was his portrayal of the Good Son.

Sometimes DeForest spent long hours playing outside, and when it was time, from deep in the shadows of the porch, Clora would call out, "DeForest!...DeForest!" and the boy's name rang out all around the big house and yard. DeForest loved that sound of his mother's calling. Other times, the little boy stayed close to his mother to keep her company as she worked. While she did her chores, his eyes were often drawn to her only finery, an ice-bright diamond ring. Clora wore it always, while washing, ironing, and scrubbing, "and it was all smooth...and the prongs wore down slowly," the boy remembered. She cherished that ring, and so did her son. Her brother, the mysterious Herman Casey, won the ring in a card game in France and gave it to her. Her boy DeForest wanted to give her something, too; he wanted to give her the world. As young as he was, he knew her life was hard, and he wished to make it easier for her somehow, and so he became her sunshine.

DeForest was immersed in the Reverend's mission in Conyers. There his sermons were thundering appeals delivered in lightning. He called all to a worldly mission to "seek and save the lost." To join him, one must be filled with the Holy Spirit, and for that to happen, one must surrender. "Are you willing to crucify self?" the Reverend challenged every member. He promised them that failure would mean "wreck and ruin."

Ten-year-old DeForest began to think that there could be only hellfire and damnation for someone as weak and selfish as he knew himself to be, and his father gave no indication otherwise. DeForest worked ever harder at being the good son. With some resignation, he recalled, "It was a hard row to hoe, to be perfect."

2 Before their first year in Conyers was over, Reverend Kelley introduced the congregation to DeForest's musical talents. In the words of Erskine Davis, DeForest's friend during those years, the boy had a "very good voice for singing. He often sang a solo at the morning church service. Two of his favorites were 'Living for Jesus' and 'Jesus Is All the World to Me.' While DeForest sang, Reverend Kelley would beam with pride and joy. Sometimes he would stand by DeForest while he sang." The Reverend made good use of DeForest's gifts and seemed determined to forge the boy into an instrument of ministry. For the holidays, the Reverend presented a Christmas exercise. DeForest received "a great hand, the solo work of this 10-year-old boy being especially good," according to the local paper. DeForest's uncle, Dr. Luther H. Kelley, "slipped in and took a back seat just like most doctors do at church and grand opera."

DeForest's performances, his manners, and his charm made him popular in Conyers. He was a sensitive boy who appreciated neatness, process, and order; messes and contrariness disturbed him. Contrariness, indeed! One grandmother drove DeForest to distraction by insisting on calling him Forrest, as in Nathan Bedford Forrest, the Civil War hero. When he tended to her, she would look at whatever he might bring her and say, "Set it down here, Forrest." And he'd put her tray down. Finally, he brought her a gift and told her if she would say his name right, he would give her his gift. Smiling, she agreed. He gave it to her; she admired it and handed it back to him: "Set it down here, Forrest." Everyone knew, and she did, too, that he was named for Lee DeForest, the genius of the new century who made the radio possible, as well as talking movies and all kinds of things. Dr. DeForest traveled the country, promoting his work and inspiring the common man to look forward to the new world just taking shape in the early twentieth century. Reverend Kelley was very impressed with the mind and inventions of Dr. DeForest, and his second son was given a name fit for the future.

But the present times were hard. To help out, DeForest hunted squirrel, rabbit, and possum -- anything that might fill the family table -- but he had no taste for killing and never hunted unless he had to. Reverend Kelley took on a second church, the Rockdale Baptist Church a few miles west of town, for the small sum that congregation could offer. While the Reverend preached, DeForest hunted and sometimes hosed down the coal laborers at the Conyers rail depot for a coin or two, but these small amounts could not do much to relieve the Kelleys' ministerial poverty. There was no shame in their lack, and it was no sin to do without.

In Conyers, one of DeForest's favorite playmates was the small son of Emma Banks, who did some day work for Clora Kelley. Emma's house was little more than a shack in West Conyers, but her yard was interesting, with an outdoor laundry kettle, chickens, and a woodpile where DeForest and sometimes his brother Casey would go to play and be with Emma. She made a deep impression on DeForest, and he took her into his heart.

DeForest took pleasure in his life in Conyers, trapping rabbits, fishing, wading in the water to catch tadpoles and bugs. He loved Sandy Kelley, the little brown dog that kept close tabs on the young master, waiting for him while DeForest was in school. Toward the end of every school day, DeForest would go near the classroom's open window and sharpen his pencil, signaling Sandy that dismissal time approached. He remembered, "That little dog's tail would raise up, and off he'd go, down the street, through the window without the screen, and all around the house; then he'd come back and lead me home."

School lunches could be dreary, but Erskine Davis's mother baked a yeast loaf for his sandwiches. Erskine's father was a dairy farmer and grew wheat for the family bread, taking it to the local mill to be ground. The smell and taste of the bread were just wonderful. "DeForest would come around at lunch recess and swap two of his sandwiches for one of mine," Davis remembers. A boy who knew quality had to be willing to pay up for it, and DeForest was such a boy.

DeForest's elementary-school teacher, Mary J. Cowan, gave him stellar reports for neatness, promptness, attendance, and conduct. He di...


Product Details

  • Paperback: 362 pages
  • Publisher: Pocket Books (February 1, 2005)
  • Language: English
  • ISBN-10: 0743457625
  • ISBN-13: 978-0743457620
  • Product Dimensions: 9 x 6.1 x 1 inches
  • Shipping Weight: 13.6 ounces (View shipping rates and policies)
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (30 customer reviews)
  • Amazon Best Sellers Rank: #510,553 in Books (See Top 100 in Books)

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48 of 51 people found the following review helpful:
4.0 out of 5 stars Inspirational and Moving, February 16, 2005
By 
Jacqueline Bundy (Calabasas, CA USA) - See all my reviews
(REAL NAME)   
This review is from: From Sawdust to Stardust: The Biography of DeForest Kelley, Star Trek's Dr. McCoy (Paperback)
When you finish reading a really well done biography, you are left feeling as if you have gotten to `know' the subject of the book. As if you have not only gained insight into the person, but also the era in which they lived and the factors that helped shape their life. Based on that criterion, From Sawdust to Stardust: The Biography of DeForest Kelley, Star Trek's Dr. McCoy by Terry Lee Rioux is better than well done; it is excellent.

For most of us, when we think of DeForest Kelley, we think of "Bones" McCoy but Jackson DeForest Kelley already had over 20 years in Hollywood under his belt before Gene Roddenberry tapped him to play the crusty southern doctor on Star Trek. Terry Lee Rioux traces that career through its ups and downs, all the while building a portrait of a gentle, caring man of deep beliefs and strong convictions. Meticulous research and countless hours of interviews with numerous friends and collegues who were close to the Kelley's have enabled Rioux to provide a revealing narrative that is rich with previously unknown details about DeForest Kelley's life and career.

Despite his humble beginnings in Conyers, Georgia, De Kelley had big dreams. He took his first steps toward realizing those dreams as a member of the Long Beach Community Players and gradually learned his craft under the ever looming shadow of war. His service in World War II, his marriage to Carolyn, the years of struggle as a contract player at Paramount and the failure of the studio system are all covered in the first two parts of the four parts that make up the book.

A fortune teller once predicted that De's real success would come after he turned 40, and indeed DeForest Kelley was contemplating retirement when Gene Roddenberry came calling. At 46 years of age he reported for work on Star Trek on May 23, 1966 hoping the show would last the seven episodes he had contracted for. The rest, as they say, is history.

From Sawadust to Stardust is not your typical Hollywood biography. It is an impressive piece of scholarship and writing that has broad appeal beyond the obvious allure it will hold for Star Trek fans. Inspirational and moving, it is an outstanding portrait of a true gentleman, Jackson DeForest Kelley, the kind of person you would be proud to know, and if you read From Sawdust to Stardust, you will `know' DeForest Kelley.
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26 of 26 people found the following review helpful:
4.0 out of 5 stars The Accidental Healer, July 1, 2006
By 
Yeshe Choden (Seattle, WA USA) - See all my reviews
This review is from: From Sawdust to Stardust: The Biography of DeForest Kelley, Star Trek's Dr. McCoy (Paperback)
He did not write his own biography, unlike everybody else on the Enterprise. But he left his papers and memorabilia organized so that somebody else could. Terry Lee Rioux has done a commendable job drawing together details from Kelley's papers and interviews with people who worked with him in TV and movies, or were his friends during his early years in Long Beach.

Our crusty Dr. McCoy isn't someone you can really imagine having a dewy-cheeked youth. He was the Star Trek character we knew the least about, and Kelley was the most private of all the cast. So this book does a great service in opening up his life to us, in a remarkably tender and sensitive way. In fact, Rioux does something daring for an actor's biography: she acknowledges that humans have spiritual lives, and that Kelley's upbringing as a poor preacher's son in Conyers, Georgia gave him a faith and a spirituality that both protected and haunted him.

The other remarkable accomplishment of the book is that, in following Kelley's development as a young Georgia boy coming of age in Long Beach, California (beaches, surfing, racial diversity, gambling, drink, tobacco, and girls), rapidly discovering himself as an actor with real talent, Rioux recreates the energy and atmosphere of a sunny Navy port town just before World War II breaks out - and how it all changes after Pearl Harbor. She works the same magic with the crumbling of the Hollywood studio system, the blossoming of television, and the rise and fall of TV westerns, all seen from the POV of a struggling actor who seems to keep missing the big break.

The book's verbal failings - such as rushed, cliché'd sketching of world events - can be attributed to editorial pressure to get the word count down. More glaring is the lack of photographs. There are no portraits of Kelley as a boy, nor of his family: the Reverend David Kelley, mother Clora, and older brother Casey, who became a successful businessman. Nor are there stills from Kelley's work: the early movie break, Fear In the Night, or TV episodes from Bonanza, You Are There, and Gene Roddenberry's lawyer series pilot starring Kelley, 333 Montgomery. Rioux gives such careful attention to the development of Kelley's craft and his struggle to get work, it's shocking to not have visual proof of that effort.

Rioux' theme of spiritual strength, often embodied in Kelley's 57-year love affair with his wife, Carolyn, can take on a tone that slides into worship. But as a theme, it pays off. After Star Trek ended, Kelley's encounter with a dying child whose one wish was to meet "Dr. McCoy" apparently changed the actor's attitude about his iconic role and his purpose in forever being "Bones."

There's another connection that Rioux doesn't make, but jumps out at any reader who has done time in therapy. She makes the arresting statement that when soldiers (Kelley among them) returned from World War II, they wanted to get back to living and "forget the war ever happened. " It's telling, then, that the Western had phenomenal popularity in the late 40s and all through the 50s. Westerns are morality tales about good and evil, right and wrong, choices with life-and death consequences, men with guns and the bonds that form between them in desperate situations. This kind of morality play became the foundation of "Star Trek," and Gene Roddenberry even described his idea as "Wagon Train to the stars" so TV executives would understand what he was talking about. Cheap, B-movie Westerns on screen and TV were Kelley's bread and butter in the 50s and early 60s, his face and voice were recognized as part of that imaginary world. In a way, these morality plays helped expose and heal the soul-wounds of war. One can say that Kelley's familiar humanity helped carry a world's wounded consciousness forward to a hopeful future, in Star Trek.

I closed this book feeling that DeForest Kelley, actor, was truly a healer. Not a doctor - but thank God he played one on TV.
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34 of 37 people found the following review helpful:
5.0 out of 5 stars If you want to KNOW De Kelley, then read this book, May 6, 2005
This review is from: From Sawdust to Stardust: The Biography of DeForest Kelley, Star Trek's Dr. McCoy (Paperback)
Okay, I admit I'm biased. I was vice president of his fan club for years. But for those who are shooting this book down because it doesn't cover enough Star Trek for you.. a subtle reminder. Star Trek was NOT De Kelley's career. Star Trek came at a time near the end of De's career. Yes, it is what caused fans to love him and recognize him, but it was not his career. His career started long before Star Trek was a glimmer in Roddenberry's mind.

And as a person who was very fortunate enough to call the Kelleys friends, I can assure you that this book does let you in on the quiet nature of his life and the special person he indeed was. De was about the little stuff, not the big stuff. And that is how this book is written. He wasn't out for the publicity or the acknowledgement. He just did things because they were "the right things to do"... not because he would gain stardom, press, publicity or attention. In fact, he hated attention. He hated talking in front of people. So why did he go to conventions? Because he did love his fans. He loved hearing from them. And he wanted to acknowledge THEM. Not get the attention for himself.

Anyway.. if you want a biography that is factual with a bunch of dates and such.. no this perhaps isn't the book for you. But it was never meant to be that type of book.

But if you want a book that delves into the life of a very quiet, charming "county boy from Georgia" who just happened to become one of most beloved doctors on television, then please, read this and share it with friends.

He deserves nothing less.
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Inside This Book (learn more)
First Sentence:
Reverend Ernest David Kelley began his ministry to the congregation of Conyers, Georgia, on January 12, 1930. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
bad hombre, interview with author, production file
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Star Trek, Long Beach, Anne Jolly, Tony Kirk, Los Angeles, New York, Barney Girard, Reverend Kelley, Kris Smith, Aileen Pickering, Gene Roddenberry, Joe Laden, Leonard Nimoy, John Walton, Jane Ann, Harve Bennett, Warner Brothers, San Francisco, Bill Shatner, Community Playhouse, Don Smith, Sue Keenan, Tom Drake, Army Air Corps, Grace Hartung
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