Rollins broke out of his shell on this 1956 recording, which illustrates his considerable skills in composition, interpetation and improvisation.
Though he lacked the improvisational fire of John Coltrane
or the restless curiosity of Miles Davis
, Sonny Rollins played with a rich, round tone that complemented his melodic inclinations, making him the most accessible of the postbop musicians. Saxophone Colossus
is the most successful of the late 1950s albums that made his reputation. Rollins's playing never falters; he's backed by the redoubtable Max Roach
on drums, Tommy Flanagan
on piano, and Doug Watkins on bass. Rollins is equally at home with the lilting Caribbean air of "St. Thomas," standards ("You Don't Know What Love Is"), blues ("Strode Rode," featuring a driving Flanagan solo), and a smoldering version of Brecht-Weill's "Moritat" (better known as "Mac the Knife"). If you are new to jazz, there is no better place to start than Saxophone Colossus
. --Steven Mirkin