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The Scandal of Pleasure: Art in an Age of Fundamentalism [Paperback]

Wendy Steiner (Author)
4.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

November 24, 1997 0226772241 978-0226772240
Surveying a wide range of cultural controversies, from the Mapplethorpe affair to Salman Rushdie's death sentence, from canon-revision in the academy to the scandals that have surrounded Anthony Blunt, Martin Heidegger, and Paul de Man, Wendy Steiner shows that the fear and outrage they inspired are the result of dangerous misunderstanding about the relationship between art and life.

"Stimulating. . . . A splendid rebuttal of those on the left and right who think that the pleasures induced by art are trivial or dangerous. . . . One of the most powerful defenses of the potentiality of art."—Andrew Delbanco, New York Times Book Review

"A concise and . . . readable account of recent contretemps that have galvanized the debate over the role and purposes of art. . . . [Steiner] writes passionately about what she believes in."—Michiko Kakutani, New York Times

"This is one of the few works of cultural criticism that is actually intelligible to the nonspecialist reader. . . . Steiner's perspective is fresh and her perceptions invariably shrewd, far-ranging, and reasonable. A welcome association of sense and sensibility."—Kirkus Reviews, starred review

"Steiner has succeeded so well in [the] task she has undertaken. The Scandal of Pleasure is itself characterized by many of the qualities Steiner demans of art, among them, complexity, tolerance and the pleasures of unfettered thought."—Eleanor Heartly, Art in America

"Steiner . . . provides the best and clearest short presentation of each of [the] debates."—Alexander Nehamas, Boston Book Review

"Steiner has done a fine job as a historian/reporter and as a writer of sophisticated, very clear, cultural criticism. Her reportage alone would be enough to make this a distinguished book."—Mark Edmundson, Lingua Franca

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Editorial Reviews

From Publishers Weekly

Reviewing the controversy over Robert Mapplethorpe's many photos of sadomasochistic scenes and Andres Serrano's iconoclastic sculpture, University of Pennsylvania English professor Steiner argues that art, however disturbing, cannot be obscene because artworks, as thought-experiments, are always open to personal interpretations. The anti-pornography campaign of Catharine MacKinnon and Andrea Dworkin ignores reports that no solid evidence exists to link pornography with rape or child abuse, declares Steiner, who castigates their militant feminism as an "unholy alliance between the far left and the far right." Interpreting Salman Rushdie's Satanic Verses as a satirical attack on Islamic fundamentalism, she defends his artistic integrity and reads his novel as a work of magic realism. She also ponders the failure of teachers to live up to their precepts, as exemplified by philosopher Martin Heidegger, a dues-paying Nazi. Her brilliant, incisive essays breathe fresh air into the debate over artistic freedom and political correctness.
Copyright 1995 Reed Business Information, Inc. --This text refers to the Hardcover edition.

From Library Journal

Steiner (English, Univ. of Pennsylvania) takes on the Mapplethorpe/Serrano/NEA blowup, the Ayatollah's death sentence on Salman Rushdie for The Satanic Verses, the Dworkin-MacKinnon anti-pornography movement, political correctness, and the disparity between the scholarly and political activities of Anthony Blunt, Martin Heidegger, and Paul de Man. Her intelligent, evenhanded presentation of the events and issues involved in each argues against the literalism of the Left and Right, which both see art as identical to reality. Steiner instead emphasizes that art is a virtual reality whose pleasurable enjoyment can enable us to master the difference between fantasy and reality. Her book is calm and rational?qualities in short supply in the current climate of hysteria over the questions she treats. For literature collections.?Richard Kuczkowski, Dominican Coll., Blauvelt, N.Y.
Copyright 1995 Reed Business Information, Inc. --This text refers to the Hardcover edition.

Product Details

  • Paperback: 263 pages
  • Publisher: University Of Chicago Press (November 24, 1997)
  • Language: English
  • ISBN-10: 0226772241
  • ISBN-13: 978-0226772240
  • Product Dimensions: 9 x 6.4 x 0.6 inches
  • Shipping Weight: 1 pounds (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,076,621 in Books (See Top 100 in Books)

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6 of 8 people found the following review helpful:
4.0 out of 5 stars First half excellent; second half good., April 16, 2000
By A Customer
This review is from: The Scandal of Pleasure: Art in an Age of Fundamentalism (Paperback)
Ms. Steiner eloquently upholds and defends freedoms protected by the First Amendment in the first part of the book. The second part seems less focused, and she seems to want it both ways - freedom of speech AND political correctness. She should remember that although racism and prejudice are bad, the ends do not justify the means, and she turned me off in the second half by seeming to say that political correctness are the only acceptable alternative to all these various -isms at work today. But, on the whole, because the first part is so good, I give it four stars.
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Inside This Book (learn more)
First Sentence:
On the witness stand in Hamilton County, Ohio, a well-dressed woman, under oath, sat torturing a handkerchief. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
aesthetic fetishism, obscene art, satanic verses, controversial art, imaginary homelands, obscenity trial
Key Phrases - Capitalized Phrases (CAPs): (learn more)
The Satanic Verses, New York, Robert Mapplethorpe, Paul de Man, Jesse Helms, Salman Rushdie, The Perfect Moment, Sally Mann, Robert Hughes, Piss Christ, York Times, Allan Bloom, First Amendment, Andy Warhol, Anthony Blunt, National Socialism, World War, Dinesh D'Souza, Janet Kardon, Andres Serrano, Carole Vance, David Wojnarowicz, Dennis Barrie, Martin Heidegger, New Criticism
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