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Scanners (Blu-ray + DVD)


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Frequently Bought Together

Scanners (Blu-ray + DVD) + Videodrome (The Criterion Collection) [Blu-ray] + The Devil's Backbone (Criterion Collection) [Blu-ray]
Price for all three: $76.41

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Product Details

  • Actors: Jennifer O'Neill, Stephen Lack, Patrick McGoohan
  • Directors: David Cronenberg
  • Format: Multiple Formats, Blu-ray, Color, Widescreen, NTSC
  • Language: English
  • Region: Region A/1 (Read more about DVD/Blu-ray formats.)
  • Aspect Ratio: 1.77:1
  • Number of discs: 3
  • Rated: R (Restricted)
  • Studio: Criterion Collection (Direct)
  • DVD Release Date: July 15, 2014
  • Run Time: 103 minutes
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (138 customer reviews)
  • ASIN: B00JPUUQVE
  • Amazon Best Sellers Rank: #18,925 in Movies & TV (See Top 100 in Movies & TV)

Special Features

DIRECTOR-APPROVED DUAL-FORMAT BLU-RAY AND DVD SPECIAL EDITION FEATURES
  • New, restored 2K digital film transfer, supervised by director David Cronenberg, with uncompressed monaural soundtrack on the Blu-ray
  • The “Scanners” Way, a new documentary on the film’s special effects
  • New interview with actor Michael Ironside
  • The Ephemerol Diaries, a 2012 interview with actor and artist Stephen Lack
  • Excerpt from a 1981 interview with Cronenberg on the CBC’s The Bob McLean Show
  • Stereo (1969), Cronenberg’s first feature film
  • Trailer
  • One Blu-ray and two DVDs, with all content available in both formats
  • PLUS: A booklet featuring an essay by critic Kim Newman

  • Editorial Reviews

    SCANNERS (BLU-RAY/DVD COMBO/1981/WS 1.78/3 DISC)HORROR

    Customer Reviews

    I would recommend this movie to any horror fan and especially to all you sci-fi lovers out there.
    K.L. CocKayne
    What is interesting in the film is the high level of controled suspense and the very good make-up special effects.
    Jacques COULARDEAU
    I won't say any more so that it won't spoil the movie, but lets just say he gets a bit to excited ha ha ha.
    Johnny

    Most Helpful Customer Reviews

    62 of 67 people found the following review helpful By Jeffrey Leach HALL OF FAME on October 25, 2003
    Format: DVD
    Every once in awhile I like to dip my toe into a David Cronenberg film. I have seen quite a few of them at this point, from some of his earliest stuff like "Rabid" to his seminal reworking of "The Fly" starring Jeff Goldblum and Geena Davis. One thing you will always get out of a Cronenberg film is a serious look at how technology and human beings interact. Like science fiction author J.G. Ballard, Cronenberg's viewpoint towards a synthesis of man and machine is always exceedingly grim, not to mention gory as all get out. The overarching theme in his cinematic examinations seems to be that humans simply do not know enough about the technology they develop, or if they do, their arrogance in the ultimate abilities of mankind never prevents them from charging into potentially damaging experiments. That we are just not far seeing enough to predict the outcome of using new drugs or messing around with human genetics may be a good message to take from a Cronenberg film. "Scanners" should fall into a "Cronenberg 101" class about these messages. Released in 1981, this film helped bring Cronenberg into the mainstream, as well as spawning a host of cheap sequels and a possible remake due sometime next year. Of course, this movie also provides the rabid horror fan with what is possibly the sickest gore scene in cinematic history.
    "Scanners" tells the story of Cameron Vale, a man who has spent most of his life in a perpetual fog. Roaming through the streets of the city as a homeless person, Vale suffers from a plethora of voices constantly yammering away in his head. He cannot hold a job or have a regular life with this problem, so he copes the best way he can by always staying on the run.
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    17 of 18 people found the following review helpful By A. Sandoc on August 6, 2006
    Format: DVD
    Scanners marks the emergence of David Cronenberg from low-budget horror auteur to one of the most unique voices in filmmaking of the last thirty or so years. He first came onto the scene directing such low-budget horror films such as Shivers, Rabid and The Brood. These three films were later said to have had that Cronenberg propensity to show the horror of the body-politic at its most basic. Cronenberg pretty much points out of how true horror might not be lurking on the outside, but within the the human body. Cronenberg makes the human body as forever changing and mutating against the individual person's wants and desire of what was suppose to be the ideal. The horror that we as a people do not and will never have control over our own body was where the true horror lie.

    In 1981, Cronenberg moves from the purely physical horror to one where the technology man was forever trying to create and achieve perfection would turn on the biological aspect of the human condition. This new form of techno-organic mutation was as terrifying as it was seductive in its potential to those afflicted with it. Cronenberg begins this phase in his filmmaking voice with his excellent, underappreciated and cult-classic Scanners.

    The premise for Scanners had alot in common with Stephen King's novel Firestarter in the fact that in dealt with an omnipresent and powerful organization: the CIA's shadowy branch that dealt with experimental weapons programs for Firestarter and the ultra-powerful CONSEC multinational corporation in Scanners. These two organizations experiment on random select individuals using experimental drug treatments under the guise of helpful medications. What results from these experiments are more than what was truly expected by their handlers.
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    9 of 10 people found the following review helpful By Eliphas Levi on September 5, 2001
    Format: DVD
    This is one of Cronenburg's best efforts--imaginative and very entertaining. Unfortunately, the DVD edition is not-so-hot (the stars reflect the DVD quality, not the film itself). The last forth of the movie has a terrible soundtrack matching, such that the last 20 minutes is like watching a dubbed Kung-Fu movie. I suppose I am surprised, since matching the soundtrack and visual seems like a BASIC necessity, but this sloppy redering is a mis-match. Let us hope one day someone will give this movie the right treatment (Criterion?).
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    7 of 8 people found the following review helpful By Draconis Blackthorne on July 20, 2006
    Format: DVD
    A top secret government program is installed to develop the psychic powers of a certain breed of special individuals known in the underground as 'scanners', who can be used for espionage as well as super-human weapons; yet there is a rift even here between them. The most potent of these scanners named "Darryl Revok' {Michael Ironside, here displayed with a scar on his forehead where his 'third eye' would be, self-inflicted in an attempt to keep 'the people' out, during his formative development} seeks world domination, and is fully aware of the artificially pharmaceutical origins of these elite mind gods. After forming his own organization, he searches decades for his long-lost younger brother Cameron Vale, whom Revok finally locates in the custody of a Dr. Paul Ruth {"father"}, after being discovered as a vagrant whose powers were spurious at best. With the help of Dr. Ruth, Vale begins developing his abilities to a razor's edge and soon comes into his own meeting with other scanners to find an understanding for his condition.

    These scanners are stalked by Revok's goons who dispatch every one they see, so that Revok may finally build that society in which he is lord of all. Vale meets Kim Obrist {Jennifer O' Neill}, and they fall in love by mutual survival. He meets artist Trevellyan who deals with his scanners talents through his wonderfully dark art, but is assassinated - here, Vale defends himself in a most magnificent scene.

    Revok and Cameron finally meet in a covert meeting arranged through subterfuge, and even though Revok reveals the truth of those who would keep he and his brother as veritable mind slaves, a psychic war ensues between them which ends in a very surprising manner.
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