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Scar Night Hardcover – December 26, 2006


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Product Details

  • Hardcover: 432 pages
  • Publisher: Spectra (December 26, 2006)
  • Language: English
  • ISBN-10: 0553384163
  • ISBN-13: 978-0553384161
  • Product Dimensions: 9.3 x 6.4 x 1.2 inches
  • Shipping Weight: 1.6 pounds
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (57 customer reviews)
  • Amazon Best Sellers Rank: #1,030,828 in Books (See Top 100 in Books)

Editorial Reviews

From Publishers Weekly

Starred Review. Campbell sets his stunning debut fantasy in Deepgate, a town wreathed in chains that keep it hanging suspended over a bottomless abyss, peopled by worshippers of Lord Ulcis, the god of chains, and tormented by a mad angel named Carnival. The author, who was a video game designer, renders Deepgate beautifully. It's a complex city of creaking metal links, stone and shadow, inhabited by priests, assassins and the boy-angel Dill, who will lead a journey into the abyss in a desperate attempt to save the city. Campbell has Neil Gaiman's gift for lushly dark stories and compelling antiheroes, and effortlessly channels the Victorian atmospherics of writer and illustrator Mervyn Peake as well. This imaginative first novel will have plenty of readers anxiously awaiting his follow-up. (Jan.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

A vast network of ponderous chains suspends Deepgate over a dark chasm. The church of Ulcis dominates the skyline and the citizens' lives. When a Deepgate denizen dies, the body is cast, with appropriate rites, into the chasm. According to the church, Ulcis lies in the abyss. When he has enough of the sanctified dead to support him, he and they will rise and overthrow Ulcis' mother, Ayen, who bars men from the joys of Paradise. In the meantime, Deepgate battles intermittently with the nomadic heathens of the surrounding deserts, who worship Ayen. Deepgate is home to two angels, the 16-year-old male last descendent of one of Ulcis' companions, and the mad female Carnival, who, once a moon, hunts down and drains someone's blood and soul to remain alive. Almost torturously crafted in characterization, plot, and setting,Campbell's debutmay appeal most to those who like novels in the manner of Dickens, whose highly evocative, occasionally overripe, memorable style Campbell's recalls. Frieda Murray
Copyright © American Library Association. All rights reserved

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Customer Reviews

And very very interesting.
Carly
The plot made sense throughout the book, but seemed forced or rushed at times, especially when it jumps around from character to character in later chapters.
Blizzerd03
This book is a wee bit slow getting started but when it does, it succeed pretty well.
David Keith

Most Helpful Customer Reviews

23 of 23 people found the following review helpful By Bookreporter on January 12, 2007
Format: Hardcover
Oftentimes when the term "fantasy" is bandied about, people conjure up immediate Tolkien-esque images: wizards, Elvish warriors, Rings of Power, trolls, and other elements of the genre that have become very typical. It is because that imagery is so commonplace that when someone comes along like, say, Mervyn Peake or China Mieville, and darkens the notion of fantasy with grit, gloom and intensity, readers really take notice.

Alan Campbell may soon tire of comparisons to Peake and Mieville, but that doesn't mean they are not deserved. Campbell weighs in to the fantastic, giving us the dreary and spectacular city of Deepgate in his debut novel, SCAR NIGHT. This endeavor, upon first inspection, could have been buried by its premise, but instead Campbell deftly weaves a startling and mysterious story through the dark streets of an equally mysterious city and leaves readers groaning for the sequel.

Deepgate is like no other city you've visited. It hangs suspended over a black abyss that is supposedly the realm of Ulcis, a God known as the Hoarder of Souls. Great chains hold the city in place...though what they're connected to none can rightfully say. Airships bring business and travelers to and fro, though why anyone would come here is another story. Deepgate is a wound, a dilapidated and sinister city where every road is an alley and every walk out is a potential last trip.

Then there is Scar Night. The foolish fail to stay hidden behind locked doors, for on this night, as she has for thousands and thousands of years, the angel Carnival comes to Deepgate to feed.

While this all may seem enough for a novel, there is oh so much more. Enter Dill, the last archon and now just old enough to begin his duties.
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12 of 12 people found the following review helpful By Jessica L. on December 27, 2006
Format: Hardcover
I picked this book up because it had a concept I've never seen before, and the author made it work very, very well. The idea of a city, suspended over a seemingly bottomless abyss full of ghosts, twisting and groaning on its rusty chains and fraying ropes that do not always hold being the BEST place to live throws you into a completely foreign world that I've not seen the like of. And don't forget to surround this city by deserts and other inhospitable regions peopled by radicals opposed to everything the city stands for.

It is a dark place. Despite Campbell's periodic references to the brightness of the sun and the cloudless skies it always felt to me like they were in a pit or a cave. Perhaps this was a result of the underlying despair of the "last" angel Dill and his inability to meet his self-imposed expectations, the novice Spine assassin who wants and loathes her job simultaneously, the vampiric angel Carnival who enjoys the hunt and the kill every month until the deed is done and then she loathes herself, the bitter and slightly mad poisoner Devon who believes the whole city owes him an impossible debt and knows nothing will bring his beloved wife back, and the obvious despair of the man who lost his daughter's soul to a murderer and is consumed with first of all avenging her, and then bringing her back.

Campbell seems to take a somewhat dim view of organized religion and his gods are much more like those from Greece, Rome, and Scandanavia then any now worshipped.
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19 of 22 people found the following review helpful By K. Sozaeva VINE VOICE on January 14, 2007
Format: Hardcover
I agree with the reviewer from Beaverton, OR - although the ideas presented in this book are intriguing, it does feel like a video game. The characters are mostly one-dimensional, the action is uneven and the dialogue is stiff. That said, the idea is quite intriguing and I hold hope that future books in the series will help Campbell's vision to come clear. As another reviewer said, the city in chains, on chains, over the abyss, is a bold statement and the story feels very dark. I can imagine the many buildings - all crowding together and continually building up and up so the richer people can be up in the sun - the constant creaking of the chains, the rust and decay everywhere . . . it is a richly imagined world. Dill, the last angel in a long line going back to the great angel and battle Archon Callis who helped first drive the barbarians away from the city 2000 years ago, chafes against his duties in the temple and longs to be a battle archon, as his ancesters were. However, the priests of Ulcis, the god of chains and the Soul hoarder - especially the head priest, Presbyter Sypes - claim that the barbarians would never dare attack the city again and are kept under control with the constant barrage of poisons and toxins the people of Deepgate keep sending at them in their airships (similar to dirigibles) as created by Devon; plus they fear the loss of their last angel - so they keep Dill in isolation to "protect" him, keeping him innocent and naive. Devon, the head poisoner, is slowly dying from the constant exposure to the toxins he is responsible for creating, and bitterly mourns the wife he lost to the same type of lingering death (from the sound of it, she may have been the former Head Poisoner).Read more ›
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