| |||||||||||||||||||||||||||||||||||||||||||
Product Details
Would you like to update product info or give feedback on images? |
The humidor's exterior is hand painted and polished with Marshall's trademark ""1000"" coat brilliant finish, and its interior is made of untreated Spanish cedar complete with an analog hygrometer, guaranteed to properly condition and age approximately 100 cigars at optimal humidity levels. Expertly fitted with brass hinges in exemplary Daniel Marshall style and embellished with a custom medallion inspired by the iconic film, each humidor carries a numbered plaque, a certificate of authenticity with the designer's signature, and the Limited Edition Scarface Blu-ray encased in collectible SteelBook packaging with a digital copy of the film, a DVD of the 1932 version of Scarface plus 10 original art cards. The action-packed Blu-ray features an all-new eye-popping remastered picture, explosive 7.1 audio track and never-before-seen bonus features."
With every viewing, I come to appreciate Brian DePalma's Scarface more and more. Although not perfect, there is much more right with this film than wrong. It helps to compare it with its countless imitations: where most subsequent crime films rush headlong from one bloody gunfight to the next, Scarface takes its time. Its languid, gliding camera has a certain elegance in the way it reveals story points without relying on clunky Dick-and-Jane dialog or overwrought MTV pyrotechnics. A prime example is the infamous scene where Tony Montana (Al Pacino) attemps to buy two kilos of cocaine from some Coloumbians for his boss, Frank Lopez (Robert Loggia). Watch the way the camera drifts from the Miami Beach hotel room, across a peaceful sun-drenched street, over to the car where Tony's associates are waiting for him, then slowly back up to the bathroom window, where the sound of the idling chainsaw grows louder. Creepy. Insinuating. It's comparable to the best work of Hitchcock - a day-lit nightmare where the ordinary becomes sinister. Watch closely as the Columbian dismembers Tony's friend limb by limb. In spite of the scene's reputation, we never actually see what's happening. Like the shower murder in Psycho, all the violence is implied - so strongly, in fact, that DePalma had to fight the MPAA in a well-publicized battle to keep Scarface from receiving an X rating.
It's interesting the way that the improved picture and sound seem to contribute to every aspect of the film.
... Read more ›
|