Most Helpful Customer Reviews
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8 of 8 people found the following review helpful:
5.0 out of 5 stars
One of the Most Satisfyingly Unique Albums for Lieder Lovers, July 1, 2005
Tenor Werner Gura and pianist Christoph Berner have collaborated in created a true salon recording embracing history and artistry of the highest order. "Schöne Wiege meiner Leiden" represents an in-depth study of the relationship of Johannes Brahms with Robert and Clara Schumann by means of correspondence, biographies and comments in the included superb booklet, a fine accompaniment to this outstanding recital.
The inner connection among Brahms and the Schumanns is rich in history and conjecture, but one aspect of their friendship is clear: each could write songs very well! This splendid recording offers generous selections from Robert Schumann's Liederkries, Opus 24 as well as seven songs by Clara Schumann and ten songs by Brahms. Werner Gura is a new tenor to this listener. He has a fine, clear, effortless manner of singing that allows him to confidently project the texts of these psychological songs with convincing fervor. In the more languid songs his elegant tenor voice finds just the right degree of tranquility and repose and his technique is superb.
Throughout this recital pianist Christoph Berner proves he is as apt a collaborator, fully joined at the hip with Gura, as he is a fine concert pianist. For this CD he plays a late-nineteenth century piano that offers an authentic clarity, so right for Gura's tenor voice. The sound range of the recording is superb and the accompanying booklet should be expanded and sold in a full book form. Highly recommended! Grady Harp, July 05
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1 of 1 people found the following review helpful:
5.0 out of 5 stars
Very simply the best Lieder recital I have ever heard., February 25, 2009
Three very different approaches to the Lied from very different singers came out in the last months: all-Schumann discs with baritones Christian Gerhaher (RCA) and Matthias Goerne (Decca) as well as the concept album Schöne Wiege meiner Leiden with tenor Werner Güra and pianist Christoph Berner, containing songs by Johannes Brahms (ten of the Volkslieder), seven songs by Clara Schumann, and her husband's Liederkreis, op. 24.
The close relation between the three composers and their Lieder output is emphasized by letters between the three, included in the gorgeous booklet. Starting with Brahms, the selection includes the most beautiful, charming, slightly melancholic songs of the collection of German folksongs. The Clara Schumann songs are based on poems by Rückert, Rillett, and Heine, and the Liederkreis, too, represents the finest of the sweetest of the German Lied.
Da unten im Tale is easily my favorite Brahms song. Neither his deepest, nor his most intricate, nor likely his best song, but unsurpassed in simple beauty and earthy intelligence stemming from the combination of melody and text (in dialect) that breathes the relaxed, subtle wisdom of ages; gentle, but disarmingly realistic. If all you know of Brahms songs are his Vier ernste Gesänge, this will be the cure you needed to love, rather than admire, Brahms's songs.
Werner Güra, meanwhile, offers one of the most pleasing tenors in songs that I have heard in a long time. Admittedly, I am (positively) biased towards lower registers, and perhaps it is the low center of gravity of his voice (not a low range, mind you) that gives his notes, even the high ones, a well-rounded quality. There isn't the clarity of a young Peter Schreier or Ian Bostridge, but audible comfort, an armchair of a voice, miles away from shrill or high-strung. Meanwhile, Christoph Berner supplies felt and sensitive playing on an 1877 Friedrich Ehrbar piano (which takes care of the balance automatically, it seems), as well the booklet notes which are, as well as the letters, provided in English, German, and French.
Clara Schumann's Warum willst Du and're fragen? shows that she could, in Romantic songs, match her husband step for step in beauty and effect. The Liederkreis provides most satisfactory listening; maturity and romantic yearning in equal measure. Pronunciation is not an issue for Güra; diction impeccable. The interpretation is closer to the lyrical Bostridge (EMI) than the declamatory, sober Fischer-Dieskau (EMI).
As the booklet notes, "this CD relates an astonishing musical conversation between the three [Brahms and the Schumanns] of them. Here in songs and letters is a musical and literary journey into Romanticism at its most exalted." True enough; and a very successful concept album for once. While booklet notes, no matter how extensive, cannot pretend to give a detailed picture of the correspondence between the three and is more a whetting of the appetite than it is a full fledged "literary journey," it is splendid for what it is. As an introduction to German art song, I could not think of a better CD in existence. But even to veterans of the Lied it is worth a listen for both the luscious selection of songs and the luscious tenor of Mr. Güra. An hour of pure enjoyment--highly recommended!
Amazon ratings should be taken with caution, because 1- and 2-star reviews are often auto-censored, but in this case the 5 stars are fully deserved.
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~ Robert Schumann
~ Goerne
~ Hugo [Composer] Wolf
~ Wolfgang Amadeus Mozart
~ Anne Sofie von Otter
See all 26 tracks on this disc
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