Schoenberg: Piano Concerto, Op. 42; Liszt: Piano Concertos Nos. 1 & 2

Franz Liszt (Composer), Arnold Schoenberg (Composer), Esa-Pekka Salonen (Conductor), Philharmonia Orchestra of London (Orchestra), Emanuel Ax (Performer) | Format: Audio CD

Product Details

• Performer: Emanuel Ax
• Orchestra: Philharmonia Orchestra of London
• Conductor: Esa-Pekka Salonen
• Composer: Franz Liszt, Arnold Schoenberg
• Audio CD (December 14, 1993)
• Number of Discs: 1
• Label: Sony
• ASIN: B0000028XU
• In-Print Editions: MP3 Download
• Average Customer Review: 4.4 out of 5 stars  See all reviews (5 customer reviews)
• Amazon Best Sellers Rank: #45,253 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

9 of 9 people found the following review helpful:

5.0 out of 5 stars A great introduction to Schoenberg for the 12-tone phobic!, July 8, 2000

By 

[e-mail] (Houston, TX) - See all my reviews

This review is from: Schoenberg: Piano Concerto, Op. 42; Liszt: Piano Concertos Nos. 1 & 2 (Audio CD)

Though the name "Schoenberg" makes some people cringe, the Schoenberg piano concerto is a wonderful and highly expressive work. Though composed in the 12-tone style, it contains the same degree of lyricism and rhythmic drive that other, non-12-tone pieces have. Ax gives this concerto what it deserves- a highly sensitive performance that shows the concerto is a true piece of music rather than the product of a mechanical compositional process.

I'll admit I bought this disc primarily for the Schoenberg, but have enjoyed listening to both Liszt concerti as well. Though these works are at times looked down upon as inferior pieces, Ax reminds us that Liszt opened up an entirely new world of piano technique and sound. His performance is full of color, energy, and excitement.

4 of 4 people found the following review helpful:

4.0 out of 5 stars great CD, July 17, 2004

By A Customer

This review is from: Schoenberg: Piano Concerto, Op. 42; Liszt: Piano Concertos Nos. 1 & 2 (Audio CD)

I'm not very familiar with Schoenberg, but this is an attractive recording. As for the Liszt, of which I've heard a few recordings, I have to say this one is not bad at all. Quite compelling, in fact. Esa-Pekka educes a vivacity necessary for these Romantic concertos, and Ax does nothing to dampen the spirit. The recording is surprising clear, as well. All in all, a worthwhile CD, especially for the price.

1 of 1 people found the following review helpful:

5.0 out of 5 stars Glittering Liszt, but the standout is a riveting Schoenberg concerto, March 10, 2010

By 

Santa Fe Listener (Santa Fe, NM USA) - See all my reviews
(TOP 500 REVIEWER)    (HALL OF FAME REVIEWER)   

This review is from: Schoenberg: Piano Concerto, Op. 42; Liszt: Piano Concertos Nos. 1 & 2 (Audio CD)

The marketing tactic here was to sweeten the abstruse Schoenberg Piano Concerto, the height of intellectualism (by reputation) with the all but mindless fun of the two Liszt concertos. And why not? If they come for Liszt but stay for Schoenberg, some good has been served. Yet Ax's electrifying reading of the Schoenberg is the real standout here. Abetted by a brilliantly clear recording that makes the score sound as luscious as Mahler, and a conductor who's a true modernist, this recording doesn't make the dissonance easier on the ear, but it tells a story. Both conductor and soloist know the music so well and approach it so naturally that you can follow the truly lovely lyrical gestures, dramatic interludes, covert romanticism, and gorgeous orchestration even when your ear is harmonically lost. I'm not sure that's what the composer intended when he aimed to liberate the dissonance, yet he had skills in so many other departments that this music can be relished half in the dark, so to speak. A top recordings.

and the sweeteners? Ax's two Liszt concertos are certainly competitive--he plays with glittering brilliance, and the fastest passagework sounds as civilized as Chopin. I'm not sure these brass-plated warhorses deserve to go to a tea party, though. Ax doesn't act like he's in the middle of a three-ring circus, which is what Liszt intended and what he himself loved. If you are tired of showboating at the keyboard, then Ax's cool but splashy readings, with a notable absence of rubato, are right for you.

In all, given that this CD sells so cheaply at Amazon Marketplace, it's fairly unmissable.