Most Helpful Customer Reviews
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10 of 10 people found the following review helpful:
5.0 out of 5 stars
Hang on tight, March 18, 2005
Truly a head trip of an album. Vivid acoustic melodies repeat on end, sent adrift through dense layers of ambient drones and rolling freeform drums as overdriven squalls of electric guitar erupt haphazardly throughout. Acoustic plucking serves to anchor each of the tracks, providing the listener something familiar to latch on and cling too as otherworldly soundscapes roll in and threaten to wipe out any traditional song elements. In terms of psychedelic presentation, this stuff works to wonderful effect. A few of the tracks are more traditional folk numbers, that though not quite as interesting as the others, provide nice reprieve, with Ben Chasny's (aka Six Organs of Admittance) own sublime vocals supplying much needed human contact. All together, this makes for beautiful, ominous, and assuredly psychedelic folk rock that doesn't require any hallucinogenic supplements to be enjoyed, though that's not to say that they might not be warranted under the right circumstances ;).
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19 of 23 people found the following review helpful:
5.0 out of 5 stars
Whoa., October 13, 2005
I don't usually go for contemporary folk music. That term itself, "folk music," conjures up images of oh-so-sensitive and self-important, delicate artistes. Lame hippy crap in the same bland mold as Dave Matthews, minus the big budget and slick production, that clings to some simple-minded notion of "purity" by virtue of the fact that it's just one painfully earnest dude with an acoustic guitar. To most of these types I'm inclined to say, "Dylan, Goodman or Prine you ain't; get off my lawn and go take a bath."
But this, this is something altogether different. Initial listenings sounded like a cool juxtaposition of fingerpicked acoustic guitar and electronic white noise. While that juxtaposition remains central to my interest in "School of the Flower," it grabbed me upon closer inspection how well this guy does both elements. No matter how harsh and grating the noise gets, it never overwhelms the record's peaceful heart; no matter how reassuring the acoustic sounds the noise is never too far away. I've really never heard anything quite like it: at its noisiest, "School of the Flower" posesses an unruffled placididity that evinces a Buddhist sense of detachment in spite of its own internal distractions. Plus, I like the way the vocals are pushed down in the mix and heavily echoed on some songs.
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6 of 6 people found the following review helpful:
5.0 out of 5 stars
Unpretentious and Stunning Music, April 24, 2005
At times trance-like Western ragas, if you will -particularly in "Procession of Cherry Blossom Spirits"- and then simply gorgeous folk -"Lisboa"- which can also erupt into furious electric interludes -"School Of The Flower"- or be enriched with great vocals, like "Thicker Than A Smokey."
It is not that easy to describe, nor are Chasny's influences that obvious. I guess this is what happens when someone ventures and succeeds at making original music.
If I were to name other people, for the sake of reference, John Fahey would come to mind, yet not so much due to a similar guitar style but because of a common gift for conjuring up a powerful spirit.
All in all, an authentic and imaginative new sound, music -thinking of this album's title- that is definitely schooled in the wildness and beauty of flowers.
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~ Six Organs of Admittance
~ Six Organs of Admittance
~ Six Organs of Admittance
~ Six Organs of Admittance
~ Six Organs of Admittance
by Six Organs of Admittance 
