Schumann - The Symphonies ~ Barenboim

Robert Schumann (Composer), Daniel Barenboim (Conductor), Staatskapelle Berlin (Orchestra) | Format: Audio CD

Product Details

• Orchestra: Staatskapelle Berlin
• Conductor: Daniel Barenboim
• Composer: Robert Schumann
• Audio CD (January 6, 2004)
• SPARS Code: DDD
• Number of Discs: 2
• Label: Warner Classics / Teldec
• ASIN: B00012HQVI
• In-Print Editions: MP3 Download
• Average Customer Review: 4.1 out of 5 stars  See all reviews (12 customer reviews)
• Amazon Best Sellers Rank: #183,616 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

15 of 15 people found the following review helpful:

5.0 out of 5 stars Barenboim clears the cobwebs with this great cycle, April 27, 2004

By 

John Kwok (New York, NY USA) - See all my reviews
(VINE VOICE)    (HALL OF FAME REVIEWER)    (REAL NAME)   

This review is from: Schumann - The Symphonies ~ Barenboim (Audio CD)

Daniel Barenboim's riveting interpretations of Schumann's symphonies are among the finest ever recorded. Here he makes a very persuasive case for Schumann's great talents as an orchestral composer, which sadly have been often overlooked or dismissed (Indeed no less an authority than George Szell made "improvements" to the score in his critically acclaimed Schumann symphony cycle with the Cleveland Orchestra recorded back in the early 1960's.). These are startlingly fresh, intriguing interpretations that are far removed from more conventional accounts from the likes of Masur, Haitink, to name but a few, and are as fresh as Gardiner's. Barenboim's interpretations may lack the exuberance of a Bernstein or a Sinopoli, but they still glisten with much empathy and admiration for Schumann and his music, emphasizing the rich sonic architecture of each score, most notably those for the 1st, 2nd and 4th symphonies. My only disappointment is the opening movement of the 3rd "Rhenish" Symphony, which isn't played with as much gusto as those I've heard from Bernstein, Sinopoli, Sawallisch or Kubelik. Each performance is graced with admirably warm, elegant playing from the Berlin Staatskapelle, which sounds nearly as fine as recordings of these symphonies by the likes of the Vienna Philharmonic (Bernstein) and Bavarian Radio Symphony Orchestra (Kubelik). Indeed, the Berlin Staatskapelle's performances resemble mostly those of the Dresden Staatskapelle (Sawallisch, Sinopoli), with nearly the same ambient warm tones emanating from the strings and woodwinds. This admirable two-CD set shows the finest performances I have heard from the Berlin Staatskapelle under Barenboim's baton. Without question, it is not only Warner Classics' best orchestral classical recording from 2003, but truly one of the finest of that year; I regard it as one of the truly definitive Schumann symphony cycles ever recorded, alongside those from the likes of Bernstein (both, but especially with the Vienna Philharmonic Orchestra) and Kubelik (both, but especially with the Bavarian Radio Symphony Orchestra).

21 of 24 people found the following review helpful:

5.0 out of 5 stars Give Barenboim time to grow on you, May 13, 2004

By 

IronCladOpinions "ICO" (Lawrenceville, GA United States) - See all my reviews

This review is from: Schumann - The Symphonies ~ Barenboim (Audio CD)

I have been waiting a long time for a quality, up to date rendition of the Schumann symphonies, and this one fits the bill. Not everything is perfect--Barenboim tends to stretch and distend several passages (especially in Symphony 1) that really don't need it, and retains his penchant for mad-dash-to-the finish finales. Some sections are over-pointed, as if Barenboim felt there was an implicit weakness in the music that needed altering. But Schumann can take all of this, especially in light of the dumbing down of interpretations that we have seen in other cases (notably Zinman, Muti, and Masur), where the romantic ethos is chucked for a more "contemporary" feel.

And that is disasterous for Schumann. Fortunately, Barenboim is having none of it, and his readings seeth with passion and excitement. This orchestra, having already turned in the single best set of Beethoven symphonies on the market, has one of the darkest sounds of any European or internationalized band, and it uses the color to grand effect. And kudos to Barenboim for splitting the strings and highlighting the brass--so vitally important in this music. Thank God he didn't choose to record this in Chicago.

This recording gives the lie to Schumann as a bad orchestrator. His textures prove more flexible and clear than Brahms ever was. Barenboim lets the orchestra rip, and it is one thrilling ride. The more relective movements, like III in 2, and IV in 3, and simply exquisite, aided by some wonderful, crystal clear sound. Though some of Barenboim's choices seemed to me a litte wayward at first hearing, repeated listening has sold me on his vision.

Alternatives? Bernstein (NY and Vienna) are essential listening, as no one really understands this composer like him. Sawallisch offers a good, middle of the road rendition that has held up for a long time (some may prefer his Philly release more than the Dresden). Harnoncourt's is a unique vision. The period versions are, well, just that, if you like that sort of stuff. If you can only afford one set, Barenboim is your man. Otherwise, he and Bernstein make great companions, digging into the spiritual essence of Schumann.

11 of 13 people found the following review helpful:

5.0 out of 5 stars The problems of Schumann's symphonies are swept away, May 30, 2005

By 

Daniel Graser "saxgod685" (Wappingers Falls, New York United States) - See all my reviews
(REAL NAME)   

This review is from: Schumann - The Symphonies ~ Barenboim (Audio CD)

For this recording, Barenboim has found the ideal orchestral color to effectively make a case for the Schumann symphonies. The color of the winds is especially warm and focused with wonderful horns and fantastic blend from the strings. The mood of each of the pieces is captured quite well. The first is appropriately vibrant as is the epic third which features unbelievable horn playing. Throughout, rhythmic security is maintained at all dynamics and tempos as is sustained presence of melody and balance with accompaniment. There is no note here without direction and focus. I would definitely recommend this as a first recording of the symphonies, followed closely by Szell's classic recordings.