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Most Helpful Customer Reviews
2 of 2 people found the following review helpful:
4.0 out of 5 stars
What I Tell You Three Times Is The TRUTH!!!,
By A Customer
This review is from: Scissors Cut Paper Wrap Stone (Mass Market Paperback)
This book is great. This book is great. This book is great. The only problem with it is the same problem with just about any great cyberpunk novel, the ending is weak and unimaginative. I read it three months ago and I don't remember how the bloody thing ends. Ian McDonald has done an outstanding job with this novella though. I highly recommend it to anyone, even if you don't like sci-fi.
0 of 1 people found the following review helpful:
5.0 out of 5 stars
Beautiful.,
This review is from: Scissors Cut Paper Wrap Stone (Mass Market Paperback)
I'm a big Ian McDonald fan, and this is my favorite Ian McDonald book -- even if it is just a novella.
2 of 6 people found the following review helpful:
3.0 out of 5 stars
Interesting, but not very original,
By
This review is from: Scissors Cut Paper Wrap Stone (Mass Market Paperback)
This is the J.G. Ballard version of Count Zero, or maybe it's the Ballard condensed Snow Crash, which is to say that McDonald continues in his tradition of writing in the style of another writer while sampling the plot and characters of yet another. His publisher should make more of this: IAN MCDONALD--the best science fiction rapper! In this one, lead character Ethan Ring is a Molly-like (from Neuromancer) freelancer who is on a pilgrimmage to try and recover his lost "soul," taken from him when he became a tool of the EC. This is latter-day cyberpunk, where the computer revolution has once again become a thing of fear rather than the power of freedom that was implied in the early days of the subgenre. McDonald also takes a page from Sterling by mixing in an incredible post-political world that isn't all that unbelievable.What struck me most about the book was the Ballardesque nature of it. McDonald's always been enamoured of style, and as style in SF goes, Ballard is somewhere between the high priest and the holy ghost. McDonald uses the quick flips between scenes, the sentence fragments that contain only the most important nouns and verbs, and paring down the plot so that the book contains only the most important scenes and actions, the in-between bits to be filled in by the reader's imagination. However, a true Ballard pastiche would have been only 13 pages rather than the 130 here (see Brian Aldiss' recent Ballardesque "FOAM"). McDonald hasn't given up totally on the idea that a story is told in length. SCPWS is not bad, but still not the startingly original novel that I'm expecting one of these days from McDonald.
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