|
|
20 of 20 people found the following review helpful:
5.0 out of 5 stars
Waugh's Comic Assault on Wartime Journalism, November 25, 2001
By A Customer
In October 1935, Italy invaded the independent African nation of Ethiopia. The Italo-Ethiopian War lasted less than eight months, Emperor Haile Selassie's kingdom falling quickly before Italy's modern weaponry. It was a little war that, nonetheless, implicated the great powers of Europe and foreshadowed the much bigger war to follow.Evelyn Waugh was in his early 30s, already the author of four remarkable comic novels, when he accepted an assignment to cover the Italo-Ethiopian War for a London newspaper. The enduring result of that assignment was Waugh's fifth novel, "Scoop," a scathing satirical assault on the ethos of Fleet Street and its war correspondents, as well as on Waugh's usual suspects, the British upper classes. The time is the 1930s. There is a civil war in the obscure country of Ishmaelia and Lord Copper, the publisher of the Beast newspaper, a newspaper that "stands for strong, mutually antagonistic governments everywhere," believes coverage of the war is imperative: "I am in consultation with my editors on the subject. We think it a very promising little war. A microcosm you might say of world drama. We propose to give it fullest publicity. We shall have our naval, military and air experts, our squad of photographers, our colour reporters, covering the war from every angle and on every front." Through the influence of Mrs. Algernon Stitch, Lord Copper soon identifies John Courteney Booth, a best selling popular author, as the right man to cover the war in Ishmaelia. Neither Lord Copper nor his inscrutable editorial staff, however, is especially well read or familiar with the current socially respectable literati. Amidst the confusion, Mr. Salter, the foreign editor, mistakenly identifies William Booth, country bumpkin and staff writer for the Beast, as the "Booth" to whom Lord Copper was referring: "At the back of the paper, ignominiously sandwiched between Pip and Pop, the Bedtime Pets, and the recipe for a dish named `Waffle Scramble,' lay the bi-weekly column devoted to nature: -- Lush Places. Edited by William Boot, Countryman. " `Do you suppose that's the right one?' " " `Sure of it. The Prime Minister is nuts on rural England.' " " `He's supposed to have a particularly high-class style: `Feather-footed through the plashy fen passes the questing vole' . . . would that be it?' " " `Yes,' said the Managing Editor. That must be good style. At least it doesn't sound like anything else to me.' " Thus, William Boot, Countryman, soon finds himself on his way to Ishmaelia to cover the civil war for the Beast. Boot hooks up with an experienced wire reporter named Corker along the way. Corker teachers Boot the ins and outs of covering the war, a war in which reportage comes from little more than the imagination of the journalists sent to cover it and the editorial policies of their papers. The real nature of the war correspondent's profession is suggested when Boot and Corker go to the Ishmaelia Press Bureau to obtain their credentials: "Dr. Benito, the director, was away but his clerk entered their names in his ledger and gave them cards of identity. They were small orange documents, originally printed for the registration of prostitutes. The space for thumb-print was now filled with a passport photograph and at the head the word `journalist' substituted in neat Ishmaelite characters." Boot, despite his naivety and ignorance of the war correspondent's trade, inadvertently succeeds in trumping his more experienced journalistic competitors in reporting the war. Along the way, his adventures in Ishmaelia provide the perfect Waugh vehicle for a satiric dissection of the journalistic trade and of what passes as governance in the less developed parts of the world, where tribalism and nepotism more often than not underlie the veneer of ostensibly functioning political systems. Boot, of course, returns to England, where he is now a household name. But one Boot is just as good as another, or so it seems. In the confusion of Boots, William, the real war correspondent, thankfully returns to his country home while his doddering, half-senile Uncle Theodore fulfills his role as the center of attention at the Beast and the prominent author John Courteney Booth (the man who started all this) mistakenly ends up with a knighthood intended for William. "Scoop" is another brilliant Waugh comic send-up based on real-life experience, in this case his experience as a war correspondent in Ethiopia. It also is one of his best works, a little comic novel that will keep you in stitches from beginning to end.
|
by Evelyn Waugh
by Evelyn Waugh
by Evelyn Waugh
by Evelyn Waugh
by Evelyn Waugh
See all 18 books this book cites
