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Screen Style: Fashion and Femininity in 1930s Hollywood
 
 
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Screen Style: Fashion and Femininity in 1930s Hollywood [Hardcover]

Sarah Berry (Author)
5.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

Commerce and Mass Culture February 4, 2000
Greta Garbo, Joan Crawford, Marlene Dietrich-all were icons of beauty and glamour in 1930s Hollywood. Screen Style reveals the impact of celebrities like these on women filmgoers, looking beyond the surface of the films and fashions of the era-often described as forms of escapism from the difficult realities of the Depression-to show how Hollywood presented women with models for self-determination during a time of rapid social change. Revealing the public and cinematic fascination with the strong-willed women featured in so many movies-ambitious gold diggers, career-minded working girls, social climbers, dangerous androgynous females, and other exotics-Sarah Berry presents a lively look at films, fan magazines, and advertising of that time.

Sarah Berry writes on film, media, and cultural studies and designs interactive multimedia projects. She teaches film studies at Portland State University.

--This text refers to an out of print or unavailable edition of this title.


Editorial Reviews

From Library Journal

In the second in the "Commerce and Mass Culture" series, Berry (film and media studies, Coll. of Staten Island, CUNY) attempts to explore "the relationship between popular fashion and Hollywood films of the 1930s," arguing that both were significant aspects of "the decade's shifting definitions of femininity." She discusses popular fashion, costume as spectacle, beauty and cosmetics, and the popularity of trousers for women in the context both of film and the fashion and cosmetics industries, as well as styles that became popular in the 1930s. Although Berry has obviously done her research, her writing style leaves something to be desired. She fails to define some terminology and provides weak transitions between subjects. Her undirected narrative seems disjointed, and it is difficult to determine the point, and point of view, of each chapter. Furthermore, the initial argument seems rather obvious. This academic book may be useful for students of popular culture, but it is not very accessible to the lay reader in spite of the popular-interest topic. Recommended for academic libraries or libraries with a large motion picture or fashion collection.
-Julia Stump, Voorheesville P.L., New York
Copyright 2000 Reed Business Information, Inc.

Product Details

  • Hardcover: 256 pages
  • Publisher: Univ Of Minnesota Press (February 4, 2000)
  • Language: English
  • ISBN-10: 0816633126
  • ISBN-13: 978-0816633128
  • Product Dimensions: 8.9 x 6 x 0.8 inches
  • Shipping Weight: 1.1 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,897,121 in Books (See Top 100 in Books)

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9 of 9 people found the following review helpful:
5.0 out of 5 stars An outstanding contribution to fashion & cinema history., June 4, 2000
This review is from: Screen Style: Fashion and Femininity in 1930s Hollywood (Hardcover)
This survey of women's fashion issues in 1930s Hollywood provides a fine social history of 1930s film style, survey the impact of female celebrities on fashion and showing how Hollywood used actresses as models during a time of social change. Screen Style explores changes in fashion marketing approaches during the 1930s and is a recommended pick for students of fashion history.
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Inside This Book (learn more)
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Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
consumer fashion, publicity photograph, fashion types
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Greta Garbo, Joan Crawford, Warner Bros, United States, Queen Christina, Marlene Dietrich, Letty Lynton, The Bride Wore Red, New York, Dolores del Rio, Katharine Hepburn, Max Factor, Bette Davis, World War, Norma Shearer, Travis Banton, Cinema Fashions, Howard Greer, Joan Bennett, Lost Horizon, Hollywood Fashions, The Good Earth, Dorothy Lamour, Loretta Young, Jean Harlow
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