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Sea Gate [Paperback]

Jocelyn Emerson (Author)
5.0 out of 5 stars  See all reviews (3 customer reviews)

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Book Description

September 1, 2002
Sea Gate is an extended meditation on the provisional, fleeting nature of the self. Elegiac and intensely musical, Jocelyn Emerson's poems draw on geology, cosmology, theology, and physics to render visible the complex relationship between spirit and the material world. These poems question our various definitions of permanence and, ultimately, they find solace in the life of the senses and in the ever-renewing possibilities of language itself. from "Sea Gate": Understand the troubling lexicon of an intractable body, its measured interdiction joined to odds of sight in this fluorescent verisimilitude without mirror across the water and crossing the water before me. A particular skill to become the symmetry of radium and wing (and not intervene) learning the new motions of a multiple and parabolic construction, the wild hypotheses of the inner ear, the illness and equilibrium of unseasonable whiteness-- that unseen provenance I cannot still-- "Attending to both John Clare and to Emmanuel Levinas, Sea Gate advances gracefully the project of recent American poets who have sought through poetry to know this world, this universe, its traces, and living engagements: 'And the stellar breeze of a misnamed / phenomenon can be seen well / in a nebula's cast-off shroud.' Reasserting a dialogue between truth and beauty, Jocelyn Emerson has given us renewed grandeur and consolation."

--Bin Ramke


Product Details

  • Paperback: 80 pages
  • Publisher: Alice James Books; First Edition edition (September 1, 2002)
  • Language: English
  • ISBN-10: 1882295358
  • ISBN-13: 978-1882295357
  • Product Dimensions: 8.5 x 6.1 x 0.3 inches
  • Shipping Weight: 4.5 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #4,541,426 in Books (See Top 100 in Books)

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Customer Reviews

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Average Customer Review
5.0 out of 5 stars (3 customer reviews)
 
 
 
 
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4 of 4 people found the following review helpful:
5.0 out of 5 stars A welcome addition to contemporary American poetry, June 6, 2003
By A Customer
This review is from: Sea Gate (Paperback)
Sea Gate is a beautiful book that I would highly recommend to anyone. On first reading, the lyrical language sweeps one away, like the image of the sea that runs throughout the book. On second and third readings, the book opens more and more to its readers, displaying a world of love and loss, fullness and an emptiness pierced by personal utterance. The book is rewarding not only because the experience of reading it is pleasurable, but also because the book stands up to serious attention and consideration without ever being overly intellectual.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars About Sea Gate, June 11, 2003
By A Customer
This review is from: Sea Gate (Paperback)
A friend gave me Sea Gate for my birthday, and I'm really happy he did. It's a book to read slowly and linger on every word and phrase. I keep going back and back to different poems to savor. Each poem is vivid and multi-layered. I'd recommend it highly!
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1 of 1 people found the following review helpful:
5.0 out of 5 stars a book full of rich and strange beauty, June 26, 2003
By 
This review is from: Sea Gate (Paperback)
Jocelyn Emerson is one of the most talented poets writing today, a writer for whom mind and music are one. Sea Gate melds the intellectual and the sensuous, the rigorous and the lyrical, in poems that both contain and transcend their occasions.

Sea Gate combines Dickinson's obliquity and abrupt surprise (in such lines as "Encumbered water, salt drift and reticent" or "like hungry wind/working leaves to contingency"), Stevens' marriages of image and idea in new wholes partaking of both (in such lines as "from an idleness inside the havoc of August/into the slack gutturals of autumn" or "a river there below to suck in all/the air-notes and with them,/a visible world turning inward"), and Hart Crane's sheer linguistic exuberance-not to mention his infatuation with the sea (in such lines as "a burning-cold and salt wave's/illegible contradiction//is splintering in tumult,/self-disclosed bright staves//spilling a sea-harvest/of insinuations").

For Emerson, thinking and feeling and making are one: the poem is an act and a figure of thought, a spill of ideas and emotions like precious stones. But she is also an intensely musical poet: the mysteries her work unfolds are as much the mysteries of word as of world, and also of the intermingling of the two. The admonition in her poem "Where Breath Most Breathes" may be taken as her work's motto: "Listen to the scale of varied day,/shaken singer, to the charred song of the particle and of the mineral ash,/still and elemental in the whistling dark." Hers is a poetry in which the dark whistles and the ash sings, and momentarily the charred and broken are made whole.

Sea Gate is a luminous book, dazzling as sunlight on churned water.

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