Customer Reviews

The Sea and Poison (Revived Modern Classic)

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My compliments to the reviewers who have contributed to the further publicity of this harrowing and psychologically complex novel, an exploration of those who have denounced their spirituality in exchange for social acceptance, and the consequences they have to suffer. I would like to just add one side note. There is an excellent film adaptation of SEA AND POISON, directed by Kumai Kei in 1986. Because of the controversial subject matter, no major studio would finance the film and it took Kumai years to finish it. (It would certainly not be made in today's Japan, considering the strength of revisionists and glorifiers of the imperial past) This movie has also been nearly completely neglected in the US, no doubt due to its unflinching realism, thoroughly unexotic visuals and political content, something we do not expect from the country mostly known to us through bubblehead animation, Power Rangers and Godzilla. Please do seek it out, if you have wherewithal to do so, and show it to as many Americans (and Chinese, etc.) as you can. I believe the US distrubtor in 1987 was Gates Films.

Obedience to authority and power leads people to harm others, and not being able to resist authority of someone higher is human weakenss. It seems that the Intern named Toda is the one Endo wanted to emphasize upon. The charactor of Toda remainds me of Albert Camus's "The Stranger," and Dostoevsky's "Devils," and it can also be related to other charactors Endo draws in his other novels. Can people feel guilty without punishment of the society? What is morality? What is "right" and "wrong" in such an absurd world like today?

There is a sequel to The Sea and Poison. I do not believe that it is published in the United States, but it is about Dr. Suguro's later life. People judge him and punish him under the name of "democracy" and its "justice." Dr. Suguro ends up hanging himself. Can people judge and punish others? If judging and blaming are the meaning of justice, how does it differ from what is unjust?

I am Japanese, and I personally think that Endo is the best writer from our country. I strongly recommend all his work to Americans.

Endo creates a haunting portrait of characters caught up in the vivisection of an American prisoner of war during the latter days of the Pacific War and their reactions to their crime. Through the separate narrations of each character, we see how the nihilism that swept Japan's prewar intelligentsia prepared each character for his or her role in the vivisection. Evocative of the understatement in Camus's "The Stranger," Endo's characters relate their stories in straight line, cinematic narrations which reveal the desensitivity to life and suffering that Japan's prewar society had conditioned them to, and in doing so Endo offers readers a sober warning of the dangers of living in a moral vacuum.

Condition of human hearts is so fragile yet too stubbon. This is a fiction losely based on what happened in Unit 731 (Japanese Imperial Army) in Manchuria where live vivisection and human experimentation were performed for development of biological weapon. Doctors were young, innocent and ambitious then and commited henious sins on POWs sometimes willingly but somtimes under pressure. This type of internal human battle does not stop here, it's in every hearts in every countries. Endo is a devoted chatholic and he looks into human hearts from an angle where we don't want God to see.

Edmund Burke would have agreed with Endo's novel "The Sea and Poison". Although a short novel, it is one that delves into some very deep issues about morality and the ethics of passively accepting evil in one's presence.

Contrary to another review, "The Sea and Poison" is not based on the activities of Unit 731 in Manchuria at all. The novel is based on the vivisection of 8 B29 crewmen at Fukuoka Imperial University. These experiments involved removal of lung tissue, puncturing hearts and other experiments, while the airmen were alive. None survived the experiments.

Returning to the novel, Endo focuses on a medical intern, Suguro, and his friend Toda. Both characters represent very different responses to the proposal to vivisect the airmen. Toda feels no guilt or remorse, and has no issue with taking part. It is not even matter of justifying it to hinmself: he just has little response in his conscience. Suguro, on the other hand, is flooded with doubt, ethical problems, and his own conscience. Shown to be a basically kind man, the novel reinforces Burke's suggestion that all evil needs is for good men to do nothing.

A burning look into the morality of the passive, "The Sea and Poison" will challenge and provoke. Despite its brevity, it packs a punch, and will leave you thinking for long after you have turned the last page. As usual, Endo has written a fantastic novel with real weight.

When the sanctity of life is not honored, no one is safe, as the characters keep saying -- "Today everybody's on the way out. ... What's the point,then, of pitying ... ." As Endo implies, everybody is ALWAYS on some point of the continuum from birth to death so we are all in jeopardy when the Modernist utilitarian philosophy is applied. It is only a matter of changing the definition of who is no longer "qualified" to live. People steeped in such a system have no defense, no final moral keep or fortress from which to defy a system based on such principles and say "No." All social interaction and politics becomes mere maneuvering to control the decision-making machinery to avoid being politcally or legally "defined" out of humanity. After reading Gitta Sereny's "Into That Darkness (a biography of Treblinka Commandant Franz Stangl), Endo's fiction rings out as basic human truth.

SEA AND POISON by Shusaku Endo

Reading Shusaku Endo's Sea and Poison was such a delightful experience I was reluctant to close the book. Granted, it is sad to read about cruel and heartless experiments on living human beings but that is not what the book is about. From the vantage point of Japanese/Christian culture Endo courageously shines his compassionate light into the dark crevices of our souls and makes us confront our own demons nesting there. In doing so he helps us become better persons. Robert Wright in his often quoted The Moral Animal points out that "Human beings are a species splendid in their array of moral equipment, tragic in their propensity to misuse it, and pathetic in their constitutional ignorance of the misuse." Endo does us a service by diminishing our "constitutional ignorance of the misuse" [of our moral equipment]"

Endo traces the inner development of his characters with such a deep understanding of the human condition that I was astounded and moved to tears and joy. He placed two aspiring medical doctors, Toda and Sugura in a University hospital in southern Japan now seemingly under the control of the military establishment. The end of the Japanese/American war was quickly approaching. Daily bombing of the nearby city flattened the city and killed thousands of civilians and gave rise to implacable hatred directed towards two enemy airmen the military captured and brought to the hospital for experiments to determine how much could be surgically removed from a person before the person died. Toda and Sugura are assigned to assist the chief medical doctor who controls the future of the two aspiring doctors. Endo explores how Toda and Sugura deal with the conflicting demands of society, the medical establishment the nation and their conscious. Endo gently opens a window into their souls and allows us to witness the mighty clash between the demands of self preservation and the importuning of their conscious.

Endo writes so evocatively, with such elegance and grace and without a trace of judgment or preaching it was like reading a book length haiku. I recommend that the readers read Bushido the Soul of Japan by Inazo Nitobe, (it's in the public domain and several sources allow a free download). Reading Inazo gave me a deeper and broader understanding of Endo's perspective and I intend to return to reading his books.

This dark novel by Endo explores the anguished feelings of various doctors and nurses in a fictional Japanese hospital during the second World War. In a series of increasingly numb monologues, the characters explain their perceptions concerning the brutal pathology and senselessness of life. The book culminates with all of the characters taking part in the horrendous vivisection of an American prisoner of war. Although the prose of the novel is as concise and brutal as a scalpel, it never loses its disquieting beauty.This work is a searing tragedy about the death of goodness as a result of ambition, exigency, and human weakness.

This short, dark, psychologically gripping novel is an indictment of militarism and its corrupting effect on the individual and society. The old, the young, the innocent, the pure of heart, caregivers, families, traditions, institutions - all will be degraded if not destroyed by it. It is, for me, Endo's most important and accessible work; it is also that rare thing, a Japanese artist's unsparing summation of the worthlessness and hideousness of The Fifteen Year War.

Although the characters and setting of the story are fictional, the incident involved (ie. performing experiments on POW's) actually occurred. Endo shows the different reactions which many Japanese felt in response to the experiments. There is a medical viewpoint and a military viewpoint as well as a religious aspect and viewpoint of "normal" citizens. It is scarey that something of such horrendous caliber could ever occur. Endo describes with enough detail to convey the atrocity, but the focus is upon the morality of the issue.