Customer Reviews

Seaborn

5 star:		(5)
4 star:		(1)
3 star:		(1)
2 star:		(1)
1 star:		(2)

 

 

Seaborn has taught me a valuable lesson: never underestimate Juno Books. For some reason I had assumed that Juno Books was a publisher of romance novels with a genre twist, but the reality is that Juno Books is not that much different from any other publisher of fantasy, except that they publish novels with strong female leads. And Seaborn certainly has a cast of strong female leads.

Seaborn follows Kassandra, the granddaughter of the current King of the Seaborn and the Wreath-wearer, a person of extraordinary power. King Tharsaleos is a murderer and Kassandra wants revenge not only for the House of Rexenor, but for her family as well. As she gears up for war, she has to learn to control her newfound power. Then there is Corina, a California native who loves to scuba dive, but unwittingly releases Aleximor, last of an ancient line of seaborn sorcerers with the power to control the dead who was imprisoned by the Seaborn royalty. The problem, however, is that Corina has released Aleximor within her, and he's taken over, imprisoning Corina within her own mind. And Aleximor is also on a path to revenge. When his path crosses with Kassandra's, will they work together and will they become enemies?

Chris Howard is someone I will be paying close attention to from this day forward. As a debut novel Seaborn succeeds where many others in the same class have not. It puts together a fascinating new world (within our own), drawing from Greek mythology and developing that into its own unique fantasy creation. Interesting too is that Howard has brought together two separate views of this fantasy world as a junction between the world as we know it and the world as Kassandra knows it. Corina is our outside connection, pulling us into the complexities and strangeness of theSeaborn as she is pulled into it. We are able to share our learning experience with her as her imprisonment draws her deeper into the Seaborn mythos.

Not all of Howard's novel is centered on worldbuilding, though. Seaborn is an action-packed fantasy thriller with a touch of the macabre. My expectation of the slightly flowery romantic fantasy (the literary romance, not the genre) was shattered by Howard's unrestrained presentation of the darker aspects of his world. Kassandra is not a perfect being with untold power; she's flawed and struggles against factors that might drive most of us insane. Aleximor , likewise, is a cunning, twisted individual whose passions for the macabre offer to the reader a gruesome (though not overboard) visual of death and reanimation. Corina, who is perhaps the most sympathetic character of the novel, is the odd-girl-out, being the only one who is "normal" by our standards. Her development throughout the novel keeps this fantasy world connected to ours (this feat is also maintained through Kassandra, who does interact with ussurfacers).

If it isn't obvious at this point, I enjoyed Seaborn a great deal. The novel isn't perfect, as most debuts never are. Some of the names can be a pain in the butt to pronounce. I assume they are based on Greek mythology of some sort and unfortunately my Greek mythology is wholly insignificant to have caught all the references. Also, the ending did feel a bit rushed to me, although perhaps that has more to do with the fact that I enjoy a lot of description for scenes involving battles and the like. Regardless, the novel kept me entertained from start to finish and even snatched me up in the first few pages, which is something a lot of novels have failed to do for me in recent years. Seaborn never felt like a chore and often times surprised me in its presentation--Kassandra, especially.

I look forward to reading more of Howard's work in the future. If Seaborn is what Howard can churn out as a debut, I suspect this may be the beginning of a long and fruitful writing career, with even greater novels finding their way into our libraries, personal and otherwise.

Not just born of the sea, Kassandra comes from Seaborn royalty as her grandfather rules the species. However, in spite of her regal sea blood, Kassandra has spent much of her living amidst the surfacer (land people) for she is unique as the powerful wreathbearer who possesses the spirits of her ancestors guiding her to free the Seaborn from her sadistic dictatorial grandfather whose weapon of choice to hold onto the throne is mass murder.

Four centuries of incarceration by the Seaborn has devastated the mental state of the previously unbalanced evil sorcerer Aleximor. He has finally escaped and taken control of the body of California surfer college student Corina Lairsey with plans to raise a new deadly force to destroy the surfacers and the seaborn. Kassandra with her family at her side must prevent Aleximor from succeeding, but Corina may be collateral damage; while also at the same time open up a second front war: a coup d'etat to liberate her people.

This is an exciting extremely graphic fantasy, which needs a warning label not to eat while reading SEABORN; Chris Howard is explicit with vivid violent descriptions to torture and mutilation. The story line is entertaining but driven by the heroine who has known since birth she has a quest to bear and now has no time left to learn her skills since her mission has turned out to be on two fronts. Readers who appreciate the realism brought to an epic "military" fantasy by broken bodies, blood and gore will want to read SEABORN, a well written opening saga.

Harriet Klausner

Seaborn is a riveting adventure story -- complete with underwater kingdoms, royal rivalries, familial betrayal, and epic battles -- but it's much more, too. It's a rich portrayal of two young women who, in different ways, find themselves in situations not of their choosing and have to use their smarts and strength to persevere. Corina's battle is literally over the ownership of her body - who's ultimately going to inhabit it? For her part, Kassandra's inherited a powerful legacy that, while it brings many gifts, is also fraught with responsibility and pain. The complexity of these women's characters and the beauty of the prose make this book a complete pleasure to read.

_Seaborn_ is a unique fantasy; it's unlike anything else I've read. Chris Howard tells a compelling story of merpeople and of two women who struggle to become their own woman (or mermaid) in the face of opposition.

Our heroines are Corina Lairsey, a California girl who becomes possessed by a megalomaniacal merman while scuba-diving; and Lady Kassandra, an exiled princess of the Seaborn who is hatching a plan to overthrow her usurping grandfather. Howard does a great job with Corina's plight, vividly showing us Corina's terror at finding herself taken over by another being, her heartbreak and horror as her body is used to commit unspeakable acts of violence, and her struggle to free herself. Kassandra can be harder to get a grip on; her behavior and moods are a bit on the erratic side. There's a reason for that, though. Like Corina, Kassandra isn't alone in her head. She carries the voices of her ancestors within her, and their reactions occasionally land Kassandra in trouble. _Seaborn_ follows these two women as they try to seize control of their own lives.

Howard does a fine job of describing the beauty and danger of the sea, and the culture of the Seaborn. Their society is largely based upon ancient Greece, as is their magic. Chris Howard clearly knows a great deal about ancient Greek mythology and occultism. There's a certain satisfaction, to a mythology buff like me, in reading a novel by someone who knows who Melinoe is, and in getting out my books after finishing _Seaborn_ to see whether the character of Akaste is based on a real mythological figure. (Answer: She is.)

There are a few issues. There's a bit of head-hopping. I'm not talking about the shifting POV that Howard uses intentionally to show the battle for dominance inside Corina's head; that's done well. It's the random head-hopping that's the problem; for example, when the POV switches abruptly from Kassandra to a police officer.

Also, there's a fine line between "lush, descriptive prose" and "purple prose," and that line isn't in the same place for every reader. Some of the prose in _Seaborn_ went over my "thin purple line," though this was mainly in the first scene (which is also where the most obvious head-hop occurs). There's some good stuff in that scene too, though. I loved the image of all the pathways to the sea revealing themselves to Kassandra in an attempt to beckon her home. Elsewhere in _Seaborn_, the prose is evocative, and strange in a way that serves to highlight the alien nature of the Seaborn's realm. I could almost smell the sea.

The final issue is that, occasionally, a word or two of modern usage slips into the dialogue of characters who wouldn't be using it.

These small gripes aside, I thoroughly enjoyed _Seaborn_. As I mentioned before, it's unique, and never feels like a warmed-over version of anything else. It's for anyone who loves the sea, and anyone who likes stories about young women striving for independence and their own power.

Maps and family trees are available at Chris Howard's website. I only wish they'd been in the book!

This is a wonderful book by author Chris Howard. It is hard to believe this is his first book. The story is completely enchanting and transports the reader into an amazing underwater world populated by characters that leap off the page. It is dramatic, moving, and a great adventure that carries you from chapter to chapter. It is particularly endearing because of its images of strong young women learning to wield their power. After I read Seaborn I passed it on to my two adult daughters, who both loved it... read it - you will be glad you did!

Chris Howard takes urban fantasy where it doesn't usually tread: underwater.

Even the underwater world has its own kingdom. Kassandra Alkimides, a member of Seaborn royalty, has been exiled to the surface for most of her life, but she's coming down to wage war on her grandfather. Meanwhile, Corina Lairsey is scuba-diving when she's grabbed and taken over by a Seaborn sorcerer.

I can't elaborate on the plot as I had a lot of trouble with this novel. It isn't bad - just isn't my kind of thing, so my attention and concentration were scattered. I would've given up but I persevered, though I don't have much to show for it.

But it goes without saying that Chris Howard is to be applauded for Seaborn's unique (or at least rare) in urban fantasy setting of the sea. Though I don't know if the term is mentioned, it is some form of mermaid novel. So this will suit readers who've had enough of vampires, shifters, witches, psychics, fae and whatnot. Originality is the key selling point here, as is Mr Howard's startling array of talents: not only an author, but quite an artist too. Some people just hog all the good stuff ;-)

Let me preface this review by saying I didn't know it was book number 2 in a series, so perhaps my complaints would be invalidated by reading book number 1.

With that being said, I quit reading after about chapter 5. While things are supposed to be mysterious so that you can be "led" into the book, this was just too mysterious and weird. I enjoy fantasy. This one was just not understandable. It was seriously fragmented. The plot jumped around between characters with no lead-in or explanation for why they were there.

This is now my favorite fantasy series. Seaborn was the first book of the three I read and I have since read it again. It is beautifully written. I love the the way the story moves between the surface and underwater world, brilliant magic, feuding families. The characters are complex and Corina is especially dear to my heart. I won't give anything away but I will say the final struggle and resolution in Sea Throne is perfect, but I really didn't expect it.

Here is the Seaborn series:

Saltwater Witch (Book #1 of The Seaborn Trilogy)
Seaborn (Book #2 of The Seaborn Trilogy)
Sea Throne (Book #3 of The Seaborn Trilogy)

Kassandra from Seaborn shows up in the newest book Teller:
Teller (The Rootworld Cycle)

It's rare that I don't finish a book, but I'm giving up a quarter of the way through this one. The premise is great and the characters are intriguing; the problem is with the structure. The book switches back and forth (at least, it does so far) between two interlocking plots, which would be fine but each of the plots seems to be moving back and forth in time and it's difficult to fit them together. For instance, in the initial scene Kassandra seems to be moving into her powers and isn't entirely comfortable with them - then we see her a scene later and she's confident, skilled with a sword, and aware of exactly who she is (and who all those voices in her head are). The Corinna plot is similarly confusing. I feel like Corinna, actually, drifting in the ocean while a bunch of apparently unrelated stuff floated by me, and it didn't feel deftly handled enough to give me confidence that all the parts would fit together smoothly.

Read the 1st book and it was "ok". The last 5% of the first book was intriguing, so I thought I would try the second book. A quarter of the way through the book I had to give up. Just not well written and could NOT get into it. Save your time.