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Searching For John Ford: A Life [Hardcover]

Joseph McBride (Author)
4.4 out of 5 stars  See all reviews (11 customer reviews)


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Book Description

0312242328 978-0312242329 June 23, 2001 1st
Hollywood has given us no greater director than John Ford. Between 1917 and 1970, Ford directed and/or produced some 226 pictures, from short silent films to ambitious historical epics and searingly vivid combat documentaries. His major works-- such as Stagecoach, The Grapes of Wrath, How Green Was My Valley, They Were Expendable, The Quiet Man, The Searchers, and The Man Who Shot Liberty Valance-- are cinematic classics. Ford's films about American history are profound explorations of the national character and the crucibles in which that character was forged. Throughout his long and prolific career, Ford became best known for redefining the Western genre, setting his dramas about pioneer life against the timeless backdrop of Monument Valley.

Ford's films earned him worldwide admiration. As a man, however he was tormented and deliberately enigmatic. He concealed his true personality from the public, presenting himself as an illiterate hack rather than as the sensitive artist his films show him to be. He shrewdly guided the careers of some of Hollywood's greatest stars, including John Wayne, Henry Fonda, James Stewart, Maureen O'Hara, and Katharine Hepburn, but he could be abusive, even sadistic, in his treatment of actors. He began his life steeped in the lore of Irish independence and progressive politics; by the end a hawkish Republican and rear admiral in the U.S. Navy, he was lionized by Richard Nixon for creating films that extol the "old virtues" of heroism, duty, and patriotism. Little wonder that those who have written about Ford have either strained to reconcile the daunting paradoxes of his work and personality or avoided them entirely. They have printed the legend and ignored the facts-- or printed the facts and obscured the legend.

In its depth, originality, and insight, Searching for John Ford surpasses all previous biographies of the filmmaker. Encompassing and illuminating Ford's complexities and contradictions, Joseph McBride comes as close as anyone ever will to solving what Andrew Sarris called the "John Ford movie mystery." McBride traces the whole trajectory of Ford's life, from his beginning as "Bull" Feeney, the near-sighted, football-playing son of Irish immigrants in Portland, Maine, through to his establishment as America's most formidable and protean filmmaker. The author of critically acclaimed biographies of Frank Capra and Steven Spielberg, McBride interviewed Ford in 1970 and co-wrote the seminal study John Ford with Michael Wilmington. For more than thirty years, McBride has been exploring the interconnections between Ford's inner life and his work. He interviewed more than 120 of the director's friends, relatives, collaborators, and colleagues. Blending lively and penetrating analyses of Ford's films with an impeccably documented narrative of the historical and psychological contexts in which those films were created, McBride has at long last given John Ford the biography his stature demands. Searching for John Ford will stand as the definitive portrait of an American genius.

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Editorial Reviews

From Publishers Weekly

After being called the "greatest poet of the Western saga," film director Ford responded, "I am not a poet, and I don't know what a Western saga is. I would say that is bullshit." Yet Ford--who made such classic westerns as Stagecoach, She Wore a Yellow Ribbon and The Man Who Shot Liberty Valance--helped define the idea of the western as a quintessential American story for audiences around the world. This first full-length critical biography presents a complex, fascinating portrait of a troubled and conflicted artist and man. Born John Feeney, he was an Irish outsider in Yankee New England. He began working in the film industry in 1914 as a studio ditch digger, but was soon acting in films and, a few years later, directing them. By the early 1930s, he had achieved considerable artistic and commercial fame with The Informer. McBride (Frank Capra) elegantly and cogently weaves Ford's personal life into the fabric of his career. He is at his best describing how Ford's political sentiments emerged in his work (especially the antiracism of Steamboat Round the Bend and The Searchers) as well as the director's move from liberal to conservative politics during Hollywood's red-baiting years and the HUAC hearings. He gives an equally astute delineation of Ford's emotional life--a tempestuous marriage, a possible affair with Katharine Hepburn, his reputation as a tough guy and his alcoholism. Drawing upon a wealth of critical material plus more than 125 interviews with Ford's colleagues, family and friends, McBride has produced a fine, long-needed biography of a pivotal American artist.

Copyright 2001 Cahners Business Information, Inc.

From Library Journal

"My name's John Ford. I make Westerns." Ford preferred to let his work speak for itself, and his abrasive encounters with film scholars have become legendary. In fact, "Pappy" Ford, who fancied himself a journeyman director, would probably have been perplexed by these two recent additions to the rapidly growing library of Ford film criticism. Arriving hard on the heels of Scott Eyman's comprehensive Print the Legend: The Life and Times of John Ford (LJ 10/1/99), McBride's weighty tome, several decades in preparation, paints a similar portrait: Ford was an insecure alcoholic whose gruff, even sadistic treatment of family, friends, cast, and crew masked his sensitive, sentimental nature. Complex and contradictory like many of his films Ford was a man who stood up to McCarthyite blacklisters but later churned out crude propaganda in support of the Vietnam war. He celebrated tradition, family, and community but was a miserable failure as husband and father. As Eyman did, McBride (Frank Capra; Steven Spielberg) draws on exhaustive research and interviews, but he has the advantage of a few memorably brief meetings with the Great Man himself. Ford left an impressive if uneven body of work, and McBride does it justice, examining each film in illuminating detail. Still, although McBride's book is very deserving, public and academic libraries that cannot collect both biographies should stick to Eyman's more streamlined telling. Studlar (film and English, Univ. of Michigan) and Bernstein (film, Emory Univ.) take readers into academic territory, offering nine essays on the work plus a "dossier" of articles on the man and filmmaker. Robin Wood leads off with a classic critique, questioning whether Ford's late films measure up to his early work. Other essays discuss the role of women and religion in Ford's film universe, and the hotly disputed controversy about whether his last epic Cheyenne Autumn was a "mea culpa" for previous insensitive portrayals of the American Indian. Westerns is recommended for academic collections. Stephen F. Rees, Levittown Regional Lib., PA.
Copyright 2001 Reed Business Information, Inc.

Product Details

  • Hardcover: 838 pages
  • Publisher: St. Martin's Press; 1st edition (June 23, 2001)
  • Language: English
  • ISBN-10: 0312242328
  • ISBN-13: 978-0312242329
  • Product Dimensions: 9.6 x 6.5 x 2.1 inches
  • Shipping Weight: 3.1 pounds
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (11 customer reviews)
  • Amazon Best Sellers Rank: #1,126,726 in Books (See Top 100 in Books)

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Customer Reviews

11 Reviews
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Average Customer Review
4.4 out of 5 stars (11 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

16 of 16 people found the following review helpful:
5.0 out of 5 stars A great biography of a great director, June 3, 2001
By 
Dave (Los Angeles) - See all my reviews
This review is from: Searching For John Ford: A Life (Hardcover)
As a fan of the master filmmaker John Ford, I was enthralled to find this wonderful biography. It is both entertaining and scholarly, filled with fascinating anecdotes that provide the reader with an in-depth view of Ford's complex personality. In spanning Ford's life and career, this book also provides a panoramic overview of Hollywood itself and the dramatic changes it went through over the years, many of which are reflected in Ford's work. I really enjoyed the analyses of Ford's films which provide many new insights and perspectives. A must-read for anyone interested in film.
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11 of 11 people found the following review helpful:
5.0 out of 5 stars "Searchin' Way Out There"..., January 14, 2004
By 
Michael Welch (Tempe, AZ United States) - See all my reviews
(REAL NAME)   
I don't know why anyone interested in the seminal American director, John Ford, would not find this book utterly fascinating. McBride illuminates Ford's early life and the beginnings of his long career with detailed care. He explores his problematic character with skill, compassion and insight without ever being patronizing and without ever holding back about the darkest aspects of Ford's personality and behavior. For instance, McBride makes it very clear that Ford does not deserve as much credit as he usually gets for what was really an ambivalent attitude toward the notorious Hollywood "blacklist" during the anti-communist hysteria of the 1940s and '50s.

McBride's book is packed with vivid anecdotes from associates, observers of Ford and members of the legendary "Stock Company" (Harry Carey, Jr.'s stories are really wonderful!), and his own critiques of the films are sophisticated and augmented by quotes and assessments by other major "Fordians." McBride is generous with his inclusion of other critics' views and when he disagrees he himself is never mean or dismissive. His illuminations of the significance of the post-WWII western, his accounts of the intricacies of the "blacklist" and his sympathetic understanding of Ford's last films and what they represented are especially valuable.

There may indeed be other biographies just as good as McBride's but this is a captivating, comprehensive and intellectual volume for the Ford aficionado. It is immensely satisfying!

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9 of 9 people found the following review helpful:
5.0 out of 5 stars A Monumental Job, September 9, 2002
By 
Michael Samerdyke (Big Stone Gap, VA USA) - See all my reviews
(REAL NAME)   
This review is from: Searching For John Ford: A Life (Hardcover)
This is a very good biography of Ford. Yes, McBride relies on Sarris and Carey Jr. a good bit of the time, yet this book remains very interesting and does a thorough job covering the many films Ford made.

Strengths of the book include an eye-opening look at Ford's WWII service, (How many other guys were at both Midway and D-Day and managed to get to Burma and Yugoslavia as well?) a clear presentation of Ford's relations with the different studios (the list of "better" titles for The Quiet Man the head of Republic tried to force on Ford is hysterically funny) and an evenhanded evaluation of Ford's behavior during the blacklist era.

Perhaps the evenhandedness of McBride's tone is what I liked the most about the book. One could take Ford's life and turn it into a straightforward case of hero-worship, or one could take an axe to him up and down the line, pointing out his failures in family life, his bigoted comments, his questionable actions in some controversial issues. McBride avoids falling into either extreme camp. We get Ford warts and all here, and it is left up to us to decide.

My only complaint is that the book is too short. I would have liked more discussion on a few films, and I would have liked a chapter on Ford's posthumous reputation. McBride raises the issue in his introduction that Ford is being forgotten by the new generation of writers and filmmakers, but he never quite tells why.

Still, this was a fine book, one that I read quickly despite its length.

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Inside This Book (learn more)
First Sentence:
ONE PARISH OVER" from America, as they saying goes, is the barren, windblown west coast of Ireland, the region of Connemara. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
John Wayne, New York, The Quiet Man, United States, Field Photo, Monument Valley, Fort Apache, Cheyenne Autumn, Liberty Valance, Harry Carey, Los Angeles, The Grapes of Wrath, John Feeney, Pearl Harbor, The Iron Horse, Dan Ford, Rio Grande, Henry Fonda, They Were Expendable, Ward Bond, Jack Ford, Maureen O'Hara, Frank Capra, The Sun Shines Bright, Dudley Nichols
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