From Publishers Weekly
If Savarin weren't a writer of entertaining, old-fashioned international thrillers, he could probably be a maker of fine watches. His series about a pair of Berlin policemen—at first glance an unlikely match—ticks away as smoothly and professionally as ever, with nary a missed beat or a letdown. In the seventh episode (after 2005's
Summer of the Eagle), the supercool Hauptkommissar Jens Müller, a wealthy, titled young man who drives a customized Porsche and wears his hair in a ponytail, and his deputy, the chubby, chain-smoking and defiantly working-class Sergeant Pappenheim (Pappi to his friends), remain hard at work keeping the New Germany safe for democracy. A threat from the secret fascist group known as Semper (perhaps a nod to Ian Fleming's Smersh?) shifts the action from Europe to Australia, allowing Müller and his ace female colleague, American CIA agent Carey Bloomfield, to see action in some interesting new territory. Back in Berlin, Pappi and electronics expert Hedi Meyer do most of the heavy brainwork. The result is another valid claim to the throne of Fleming, Deighton and Elleston Trevor.
(Jan.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
German detectives Pappenheim and Muller are back for a seventh adventure. Muller, with his American compatriot, agent Carey Bloomfield, is still hot on the trail of the deadly secret organization, Semper, whose members have infiltrated the highest levels of German society. Semper seems particularly interested in Jack and Maggie Hargreaves, an elusive couple who live in the Australian outback. To protect the Hargreaves, Carey and Muller have already had to kill a Semper agent, and the group is intent on revenge. Aided by his Berlin-based cohort, Pappenheim, and computer-whiz Hedi Meyer, Muller tries to elude the new agents Semper has sent to kill him. But at the Hargreaves'Australian ranch, he experiences a strong sense of deja vu and wonders whether the mysterious couple have played a role in his past. First-time readers may be confused by Savarin's often--unexplained references to events and characters from previous books, but that flaw--and the occasional plot stumbles--are offset by fast-paced action and steadily building suspense.
Emily MeltonCopyright © American Library Association. All rights reserved