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Amazon Best Books of the Month, June 2012: Family reunions are ripe for farce and surreal events—especially when you add a wedding to the mix. Seating Arrangements takes place over the course of a three-day weekend that culminates with the wedding of the eldest Van Meter daughter, Daphne; a wedding hastened by Daphne’s unexpected pregnancy. Add in the grudges, longings, and lusts of the rather peculiar Van Meter family, which isn’t entirely secure with its old-money status, and you have a weekend teetering on the brink of familial implosion. The relationships between characters are handled deftly, and each misstep the characters make feels as inevitable as it does realistic. The end result is clear: this is an author to watch out for. --Malissa Kent
“Write what you know” is easily the most frequently quoted piece of writing advice. When I’m asked to describe my book (which, for the record, I’m extremely bad at), I usually mumble something about a dysfunctional WASPy family having a wedding on an island, and people either nod sagely and affirm, “Write what you know,” or ask, puzzled, “I thought you were supposed to write what you know?”
It’s an odd window on what other people think I know, and, to be honest, I don’t always know what I know. I’ve spent seventy percent of my life in California, including years zero to eighteen when I lived in beachy, suburban SoCal and was utterly oblivious to the existence of New England prep schools and social clubs.
Twenty percent of my life has happened in Massachusetts, including eight months on Nantucket, where I wrote the first draft of Seating Arrangements. (Let it be said that I do know about Atlantic resort islands, especially, and unhelpfully to my book, in the winter.) Miscellaneous, irrelevant locations get the last ten percent.
Depending on how literally someone interprets the commandment to write what you know, here are some questions that come up: as a Californian, how much can I really know about upper crust New England families like Van Meters? I’m not married, so how much can I really know about weddings? I’m not a sixty-year-old man, so is it wise to write from the point of view of one?
But I have an easy out. It’s that I don’t happen to be a believer in writing what you know. The idea of a world where people only write what they know sounds flat, grim, and unimaginative to me. I don’t believe in writing in ignorance, either.
Instead, I try to write what I wonder about. When I lived in the East, I wondered about the people I met who knew how to dress for garden parties when they were still in their teens, who had vast webs of generationally intertwined family friends, whose style of dress was crisp and culturally regimented and was in no way inspired by surfers or skaters or movie stars grocery shopping in velour sweatsuits. I wondered what it would have been like to go to boarding school, to use “summer” as a verb, to know how to sail.
For a while, I thought maybe these people could be categorized and diagrammed as neatly and pleasingly as in The Official Preppy Handbook. Then I met my friend Bailey’s grandmother, a formidable grand dame who was one of Jacqueline Kennedy’s bridesmaids. At first glance, she seems like the distilled essence of High WASP. She has a gift for fun of the drinking-and-dancing variety, a plummy voice, memberships in clubs of the long-established and selective variety, a house on the North Shore of Massachusetts full of ancestral oil paintings and classic wallpaper patterns, and a house in Maine full of hardback thrillers and ingredients for Bloody Marys. But what I loved about this particular woman was her surprisingly fantastic closet, which resembled what might have happened if the wardrobes from Dynasty and The Love Boat had been shut inside the Copacabana to breed in isolation for several decades. Behind the classic wallpaper, she kept a pirate’s horde of sequins, jewel-tone silks, shoulder pads, towering heels, heaps of bedazzled dresses and sweaters, and one very special zebra-print jumpsuit with matching belt.
In the end, I set about writing a character, Winn Van Meter, who doesn’t wonder much about anything and so misses out on a lot. I know him, even though he doesn’t exist. He spends his life in pursuit of correctness and an illusory social status, but there are a few zebra-print jumpsuits, metaphorically speaking, lurking behind his staid exterior. We all have our secret sequins.
J. Courtney Sullivan is the author of the New York Times best-selling novels Commencement and Maine. Her writing has appeared in The New York Times Book Review, the Chicago Tribune, New York, Elle, Glamour, Allure, and Men’s Vogue, among others. She lives in Brooklyn, New York.
Seating Arrangements is bursting with perfectly observed characters and unforgettable scenes. This gorgeous, wise, funny, sprawling novel about family, fidelity, and social class is the best book I’ve read in ages.
Beautifully set on an exclusive island off the coast of Cape Cod, Shipstead’s debut sparkles with all the enticements of summer: you can practically smell the sea salt and see the ferries coming into harbor overflowing with weekend guests and their brimming bags of sunscreen and champagne. With an irresistible mix of wit and tenderness, the novel tells the story of what happens when the illustrious Van Meter family—Winn, the obtuse and perennially optimistic patriarch; his wife Biddie, and their beautiful daughters Livia (recently jilted by the son of Winn’s oldest rival) and Daphne (the bride, seven months pregnant)--plan a wedding at their beloved island retreat. Shipstead captures a family on the brink of implosion, brilliantly contrasting the novel’s placid setting with the hilarity and chaos that ensue when Winn embarks on a dangerous game of seduction with his daughter’s most lissome bridesmaid.
Maggie Shipstead is a born novelist, and Seating Arrangements is both wickedly smart and impossible to put down, a true summer pleasure.
“Maggie Shipstead is an outrageously gifted writer, and her assured first novel, Seating Arrangements, is by turns hilarious and deeply moving.”
—Richard Russo, author of That Old Cape Magic
“Seating Arrangements is bursting with perfectly observed characters and unforgettable scenes. This gorgeous, wise, funny, sprawling novel about family, fidelity, and social class, is the best book I've read in ages.”
—Courtney Sullivan, author of Maine
“A pitch-perfect debut from a master storyteller, Seating Arrangements is a rich and deep work: a smart, consuming novel that manages also to be delightfully funny. A romp of a book, with whales and weddings and wealth, it is, at its heart, a warning against the empty seductions of status and exclusivity.”
—Justin Torres, author of We the Animals
“Smart and frothy…Beneath the surface of this summery romp lie animosities, well-paced sexual suspense and a clash between appearances and authenticity…waltzlike.”
—New York Times Book Review
"A sophisticated summer romp...Shipstead's weave of wit and observation continually delights. I wouldn’t be surprised if someday she trades her Lilly Pulitzer for something from Joseph Pulitzer."
"Whipsmart and engaging...the best kind of smart beach read."
“Dead-on delightful…a champagne-fueled, saltwater-scented comedy of upper-crust New England manners and mores.”
—National Geographic Traveler
"Irresistible [and] joyously good."
—Daily Mail (UK)
“Elegant, delightful…Shipstead’s sentences simmer and crackle on the page.”
—San Francisco Chronicle
“This is one of those rare debut novels that neither forsakes plot for language nor language for plot. It is gratifying on every scale…The novel is teeming with the sort of casual philosophizing that encourages passage-underlining and earnest recommendation.”
—The Boston Globe
“Funny and dark and poignant—sometimes all at once. Shisptead is a gifted storyteller whose richly realized characters and sweetly flowing prose coalesce into a tale that is by parts sweet and sharp, humorous and heartbreaking. It’s an auspicious debut by an undeniably talented writer.”
—The Maine Edge
“Zestful yet acerbic…for all its madcap quirkiness, Shipstead’s adroit escapade artfully delivers a poignant reflection on the enduring if frustrating nature of love, hope, and family.”
“Vibrant prose and moments of keen insight.”
“Delightful…Shipstead writes with clarity and confidence, nimbly dropping into multiple characters’ heads, giving each a distinct voice and point of view but always with great wit and heart. Seating Arrangements brims with sharp observations about love, lust, family, and the real meaning of marital bliss.”
—Entertainment Weekly, A- review
“Impressive…Shipstead’s characters…feel totally true to life.”
—People, Style Watch
“Shipstead seems at home in the Waspy milieu of private schools and their preening, privileged attendees…a keen-eyed rendering of America’s self-invented caste, its members’ revelry in an illusory ‘axis of perfect exclusivity’ and their pitiful strivings ‘to be aristocrats’ in a country that was built on anti-aristocratic conventions.”
—The New Yorker
“Seating Arrangements delightfully and poignantly upends the WASP idyll, poking holes into the studiously shabby carpets to reveal the limitations of a privileged world that revolves around the same plummy prep-school pedigrees, club memberships and summer havens…through prose that sparkles while it slays.”
“By turns poignant and laugh-out-loud funny (thanks to Shipstead’s gimlet eye and terrific comic timing), Seating Arrangements is a tremendous debut.”
“A wedding held at a family retreat off the New England coast explodes into a weekend of deliciously scandalous behavior.”
—Parade 2012 Summer Reading Guide
“Told from the wry perspective of the father of the (very pregnant) bride, this spicy debut tracks the goings-on at a Cape Cod wedding where endless drama unfolds.”
—Real Simple, Addictive Summer Novels
“In Shipstead’s talented hands this WASP wedding weekend becomes the perfect occasion for a pointed social satire that is both a comedy of manners and a thoughtful reflection on the things that matter most in life—family, marriage, and status. At once laugh-out-loud funny and emotionally compelling, Seating Arrangements marks the arrival of an exceptional new voice.”
“A wonderfully juicy, frothy and delightful story of a family reunited on a small New England island during a wedding…Shipstead executes the genre perfectly.”
—Cape Cod Times
“[Shipstead’s] book places a magnifying glass over classic New England upper-crust culture…excellent character development and family intrigues galore. Whether reading Seating Arrangements is like looking into a mirror or peeking through the window, the gin-soaked escapades are difficult to turn away from.”
—The Phoenix (Portland, ME)
“A delicious comedy of manners, set on a New England island, that has fun with all things rich, all things wedding and all things inappropriate.”
—Asbury Park Press
“[Seating Arrangements] is really good, funny, and so involving. It’s so well observed, and I couldn’t believe it was written by a 29-year-old author, and that she’s not from a Northeastern WASP family. She captured all these people who are in a different generation from her.”
—R.L. Stine, author of Goosebumps series
“This debut novel is just as full of startling insights as it is of voyeuristic intrigue.”
“Told from the perspective of the father of the bride, this novel encompasses family, scandal, humor, and a heck of an East Coast beach house that we want to go to! You’ll laugh, you’ll cry, and you’ll cringe at the raw family dynamics that comprise this social satire.”
This book was a little too predictable for my taste. The characters were more like caricatures...a bit unbelievable and over-the-top.Published 3 days ago by Queenie
John Cheever Light. Upper-class wedding weekend on an island off the Connecticut coast. The hail-fellow friendliness and decorous behavior of the Father of the Bride is not all... Read morePublished 12 days ago by CAI
Some lovely writing, but I found myself curiously unmoved by the characters and their stories.Published 12 days ago by Bethany Staelens
Boy, are weddings stressful. It's hard to believe that almost without exception people chose to put themselves through the process.Published 17 days ago by D. Lewis
not my type of read. There was way too much finite details of scenery and what seemed as unimportant stuff. Nothing seemed to be on the track of being meaty. Read morePublished 1 month ago by Zarg