Second Coming [Import]

Little Richard | Format: Audio CD

Product Details

• Audio CD (July 1, 1999)
• Number of Discs: 2
• Format: Import
• Label: Charly UK
• ASIN: B000024P8J
• Also Available in: Audio CD  |  Vinyl  |  MP3 Download
• Average Customer Review: 3.2 out of 5 stars  See all reviews (4 customer reviews)
• Amazon Best Sellers Rank: #1,008,121 in Music (See Top 100 in Music)

Track Listings

Disc: 1

1. Whole Lotta Shakin' Going On

2. Hound Dog

3. Money Honey

4. Lawdy Miss Clawdy

5. Good Golly Miss Molly

6. Groovy Little Suzie

7. Short Fat Fanny

8. Jenny, Jenny

9. Lucille

10. Long Tall Sally

See all 22 tracks on this disc

Disc: 2

1. Going Home Tomorrow

2. Goodnight Irene

3. My Wheel's They Are Slippin' All the Way

4. Something Moves in My Heart

5. It Ain't What You Do

6. Without Love

7. Talkin' 'Bout Soul

8. I Don't Know What You've Got (But It's Got Me), Pt. 1-2

9. Cherry Red

10. Only You

See all 20 tracks on this disc

Customer Reviews

Most Helpful Customer Reviews

2 of 2 people found the following review helpful:

3.0 out of 5 stars +1/2 -- Little Richard's final album on Reprise finds New Orleans funk `n' roll, June 27, 2009

By 

hyperbolium (Earth, USA) - See all my reviews

This review is from: Second Coming (Audio CD)

After the Muscle Shoals swamp-rock of 1970's The Rill Thing and the misfire mélange of `50s rock and `70s R&B on 1971's King of Rock `n' Roll, Richard third's and final album for Reprise splits the difference. The rock `n' roll sides, recorded with many of the New Orleans players who backed Richard's 1950s sessions, are shorn of the dated neo-disco touches H.B. Barnum added to the preceding album, and though the grooves never cut as deep as the earlier Muscle Shoals session, there's a good helping of funk here. Lee Allen provides fat sax tone, and Earl Palmer anchors the second line beats with greatest of ease.

Producer Bumps Blackwell's work is more huskhy here than on his and Richard's seminal mid-50s sides, mixing the funky jazz sounds of New Orleans with a bit of Stax soul. As on the Muscle Shoals sessions, Richard sounds comfortable, if not always as energized. "When the Saints Go Marching In" is ignited by Richard's revival-pitch vocal and superb playing by both Palmer and Allen, and the funk continues on the mostly instrumental "Nuki Suki," with Richard's clavinet and the saxophone's yelps giving way to short, lascivious vocal breaks.

A wah-wah-and-bass groove provides the foundation of "Prophet of Peace," and the closing "Sanctified, Satisfied Toe-Tapper" is a seven-minute instrumental. The album's most unusual track is a co-write with Sneaky Pete Kleinow, "It Ain't What You Do, It's the Way You Do It," featuring Kleinow's steel guitar. Richard and Blackwell's original rock `n' roll grooves show themselves on "Rockin' Rockin' Boogie" and "Thomasine." While this isn't as inventive or forward thinking as The Rill Thing, it's a great deal more solid than King of Rock `n' Roll, and deserved larger commercial success at the time. 3-1/2 stars, if allowed fractional ratings. [©2009 hyperbolium dot com]

2 of 2 people found the following review helpful:

2.0 out of 5 stars For the most serious completist, June 25, 2009

By 

Phil S. (USA) - See all my reviews

This review is from: Second Coming (Audio CD)

There's alot of great music on Little Richard's third Reprise album - too bad he's not very involved with it - only 5 *singing* cuts - others are instrumentals or monologues.

If you love to hear Richard really open up his voice box to show off his olympian octave leaps and powerful vibrato, this is the last Richard CD you need.

Best track, a sensational 10 minute instrumental where the '50s meets the '70s, in the best tradition.

(Excellent liner notes; improved sound).

1 of 1 people found the following review helpful:

5.0 out of 5 stars Little Richard at his best!!!, June 21, 2011

By 

Mehaudy S. Roberto (Buenos Aires, Argentina) - See all my reviews
(REAL NAME)   

Amazon Verified Purchase

This review is from: Second Coming (Audio CD)

Firstly, I don't share many people's opinion about which period in Richard's musical carreer is his best. I'm convinced that the seventies were the years when he fully developped all his talent and inspiration to write polished and mature rock & roll songs singing them extraordinarily well. The King of rock and roll in one of those albums he recorded then. By the way, I suggest another original Penniman's record that is an absolute must to me: The Rill Thing.