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Jazz trumpeter and all-round music maestro Terence Blanchard puts his magical spin on 9 movie themes on this album from 1999 and I found it a delight all the way through. Some of the themes ("A Streetcar Named Desire", "The Pawnbroker", "Taxi Driver", "Clockers") I was already quite familiar with but most of the others were completely new to me. Blanchard's production is spot on and his arrangements and his lush, swelling orchestrations (conducted by J.A.C. Redford & Steven Mercurio) are just spellbinding. The whole affair is not quite on the same level as his recent A Tale of God's Will (A Requiem for Katrina) album (I still feel that that one is nothing less than a masterpiece) but it still very much merits a whole five stars.

He's joined here by (the legendary) Joe Henderson on tenor saxophone, Donald Harrison on alto saxophone, Steve Turre on trombone, Kenny Kirkland on piano, Reginald Veal on bass and Carl Allen on drums. The band is simply awesome, both as a rhythm section but also on their improvisations. I can't say I have any favourites songs; it's all good stuff, but "Degas' Racing World" is particularly charming and "Man With The Golden Arm" is great fun. I haven't seen the movie in question, but I'm guessing that it's some form of caper flick. I'm going to go seek the movie out, just to see if I'm right or wrong.

If this was Blanchard telling filmmakers what he's capable of when it comes to arranging really moving movie scores, surely he must've had them lining up at his door after this. Fantastic. I definitely need more Terence Blanchard CDs!

PS. This album is dedicated to the memory of pianist Kenny Kirkland, who tragically died towards the end of 1998. (May he rest in peace).

Another painfully under-rated trumpet player. Terence has a wonderful sound, great technique and is an extremely creative player and composer. He has written the music for an unbelievable number of films and yet still is overlooked far too often. I met Terence in February with Quincy Troupe and also saw him perform live that previous night. The guy was on fire, and just put his guts into the horn the whole night. It was really amazing. Terence also makes great albums, and this is probably my favorite of those that I've heard. Here, he plays a bunch of movie themes and plays them in a jazz idiom. There are great players by his side on this album as well, including Joe Henderson, Steve Turre, Kenny Kirkland, Donald Harrison (great alto playing) and others. I particularly loved the rendition of "Chinatown", because it is a wonderful trumpet feature with its huanting melody and Terence adds a great modern jazz flavor to it. Also, Chinatown with Jack Nicholson is one of my all-time favorite movies. Kenny Kirkland has a great introduction on the piano. This is one of my favorite performances, and probably my favorite performance of a film theme. However, the rest of the album is also excellent. The swinging version of "A Streetcar Named Desire". The swing in the middle is great and Steve Turre takes an awesome trombone solo, quoting "It Don't Mean A Thing" and hinting at lots of excellent motifs. Terence finishes off the song very well. He takes an accurate tribute to Duke Ellington with the big band-flavored "Anatomy Of A Murder", which is Ellington at its finest. Like "Chinatown", he modernizes an already classic composition and updates it. Another track I absolutely love is the rendition of Quincy Jones's "The Pawnbroker" theme. Terence plays the theme with heart and beauty and it swings like no other when Donald Harrison takes a perfect alto saxophone solo. An absolute knockout. Terence also takes a great solo on this song, and the backgrounds during the alto solo are perfectly written in. The theme to "Taxi Driver" is also emotionally played and will make you want to hear it again. Another definite favorite of mine is "The Man With the Golden Arm". The orchestra in the background is a perfect setting and Terence plays extremely heroically, absolutely pasting some double high G's throughout his solo and the ending (what a great note to end on!). Joe Henderson stops by and solos on tenor saxophone with amazing quality. The album ends with Terence's own "Clockers" composition, and this is a slow, winding piece that will make you not want to get up off the couch. Terence shows some great trumpet playing skills here, as he does in the other songs.

This album is very under-rated, I would recommend anyone who likes jazz or wants to hear more of the man behind the music to movies like Malcolm X, Mo' Betta Blues, Jungle Fever, and so many others it would take forever to name them all. Get it!

Will all the talent on this CD, a jazz fan can't go wrong.

For those fans of the late piano genius, Kenny Kirkland, this is a must-have CD. Not only was it the last recording he made, but his performance is so sensually exquisite. Oh, how he is missed by all who knew and loved him.

When I was listening to some one over the phone while this CD was playing on the other end, I did not hear anything he said because Terence Blanchards "Jazz on Film" was captivating my attention, so I rudely asked him in mid-conversation, "who is that". Needless to say I bought the CD within a few hours. A wonderful CD to add to your collection.

I had the priviledge of seeing Terence and his excellent current quintet play this music with the Louisiana Philharmonic Orchestra at our newly refurbished concert hall in New Orleans last night. Terence said he was very glad to see it back as he used to come hear the orchestra there as a kid, never really thinking he'd be onstage playing with them some day... It was a treat to hear this beautiful music live and it was great to be back in the Mahalia Jackson Theater, a sign of the continued recovery in New Orleans.

Before going, I found the CD here in my collection and it is a real good one. I have always had a soft spot for jazz combined with strings, "Charlie Parker With Strings" and "Chet Baker With Strings" two of my favorite recordings ever (as well as Clifford Brown's), but Terence has taken orchestration to new levels, totally and seemlessly integrating a jazz combo with an orchestra.

Sophisticated music of the first order and highly recommended.

There are three compelling reasons to buy Jazz in Film.
Firstly, Terence Blanchard has enhanced his considerable reputation as a creator and arranger of great music. Listen to his elegant solo on Streetcar Named Desire.
Secondly, this cd showcases probably the last recorded work of two incredible musicians: pianist Kenny Kirkland, and saxophone giant Joe Henderson. Henderson's solo on Duke Ellington's almost-forgotten theme Degas' Racing World is a masterpiece of improvisation. Like wise Kirkland's playing is superb throughout.
Thirdly, the work of long-time Blanchard associate Donald Harrison. Harrison is featured on three tracks. Check out his solo on Quincy Jones' The Pawnbroker.
Blanchard's goal of wanting to use a jazz ensemble to drive an orchestra has certainly been achieved. Buy it!

Jazz In Film (Film Score Anthology)

The scores in this CD are some of the best for any films. Terence Blanchard powers such movie scores as: Chinatown, A Streetcar Named Desire, Taxi Driver, and without a doubt the best with Anatomy of a Murder. If you love movies and jazz, this CD is no better fusion of the two. If you buy it for only one song, Anatomy of a Murder would do, but there is so much more to this. One of tbe better buys on Amazon.com

Great musicians, exquisite arrangements, magnificent sound recording. A jewel in his field, of course under the direction of a fantastic artist : Terence Blanchard.

Terence Blanchard is so smooth and sultry in this wonderful CD of some noted classic film scores. This is a must have if you love Jazz. So glad I didn't miss this one, once again Great Job Terence!

My title says it all and I won't go into a long review because listening (to the cd) will make you a believer. I bought the CD back when it was first released and somehow lost it. This soundtrack has been haunting me for years. And now amazon gave me the opportunnity to download it in MP3 format. There are just so many memories this cd stirs from a time I was easily imppresionable. Listening to it again brings all the memories running back into my head. This isn't the only great work Mr. Blanchard has done. My hats off to a a man who is a true professional at his art. There is simply no one better.