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A Second Life: German Cinema's First Decades (Amsterdam University Press - Film Culture in Transition)
 
 
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A Second Life: German Cinema's First Decades (Amsterdam University Press - Film Culture in Transition) [Hardcover]

Thomas Elsaesser (Editor)

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Book Description

Amsterdam University Press - Film Culture in Transition June 1, 1996
German cinema is best known for its art cinema and its long line of outstanding individual directors. The double spotlight on these two subject has only deepened the obscurity surrounding the popular cinema. German Cinema performs a kind of archaeology on a period largely overlooked: the first two decades of German cinema. This collection of essays by established authors refocuses the terms of a debate that will develop in the years to come concerning the historical and cultural significance of popular cinema in Wilhelmine Germany.





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About the Author

Thomas Elsaesser is Professor of Film and TV Studies at the University of Amsterdam and General Editor of the series 'Film Culture in Transition'. Among his publications are New German Cinema: A History (1989) and, as editor, Early Cinema: Frame Space Narrative (1990).

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Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
new film history, cinema reformers, scene dissection, mysterious sisters, detective films, cinema owners, exhibition sector, film propaganda, early cinema, shot space, film pioneer, film relations, advertising film, cinematic space
Key Phrases - Capitalized Phrases (CAPs): (learn more)
World War, Stuart Webbs, Asta Nielsen, Nordische Films, Oskar Messter, Franz Hofer, Henny Porten, David Oliver, Oliver Films, Urban Gad, Stellan Rye, Ernst Reicher, Max Mack, Pathé Frères, Navy League, Heinrich Lautensack, Paul Davidson, Broncho Billy, Der Kinematograph, Deutsche Bioscop, Emilie Altenloh, German Reich, Heide Schlüpmann, Julius Pinschewer, Luna Film
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