From the New York Times best-selling author of The Dovekeepers, Second Nature tells the story of a suburban woman, Robin Moore, who discovers her own free spirit through a stranger she brings home to her perfectly ordered neighborhood. As Robin impulsively draws this beautiful, uncivilized man into her world-meanwhile coping with divorce and a troubled teenage son-she begins to question her wisdom and doubt her own heart, and ultimately she changes her ideas about love and humanity.
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Beguiled by her seductive prose and her imaginative virtuosity, readers have always been willing to suspend disbelief and enjoy the touches of magic in Hoffman's novels ( Illumination Night ; Turtle Moon , etc). Here, credibility is stretched not by magical intervention but by the implausibility of a major character. When a feral young man is discovered living with wolves in a remote area of upper Michigan, he cannot speak and can barely remember his early life. Transferred to a hospital in Manhattan, he does not utter a sound and is on his way to being incarcerated in a mental institution until divorced landscape designer Robin Moore impulsively hustles him into her pickup truck and carries him to the sanctuary of her home on an island in Nassau County. There the Wolf Man reveals that his name is Stephen and that he was the sole survivor of a plane crash that killed his parents when he was three-and-a-half years old; thereafter he lived with a wolf pack. Within three months Robin teaches Stephen to read; soon afterwards they begin a passionate affair. How Stephen can so easily expand the small vocabulary he had mastered at a tender age but has never used since, how suddenly he can deal with sophisticated concepts, speak in grammatical sentences and even observe the social graces, is the central flaw that undermines what is otherwise a highly engaging tale. Stephen's presence in the community causes various people to reassess their lives; then there is a tragedy involving a child, (a device that is beginning to be a pattern in Hoffman's novels, as are strange changes in climate that herald a significant event). Hoffman's keen appraisal of human nature and her graceful prose do much to keep this novel appealing; but the bedrock implausibility may deter readers from whole-hearted enjoyment. Copyright 1993 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Library Journal
Hoffman continues her sensitive portrayal of outcasts, growing more bizarre with each book. Here she introduces Stephen, raised by wolves and about to be declared incurably insane, who is rescued by a woman in the midst of a messy divorce. This small Long Island town is complete with pettiness, busybodies, and interrelated lives. Robin's estranged husband is on the police force, her brother is Stephen's psychiatrist, and her teenage son dates the girl next door, whose sister is murdered. It is one of many murders (first animals, then humans), all easy to blame on you-know-who. An interesting premise and fascinating characters, but the story itself borders on mystery, and as such it promises more than it delivers. The finest writing is on the first tape where descriptions of Stephen's return to humanity are startling; by the second cassette, we've guessed who the villain is. The ending is so unsatisfying that listeners may feel that they've missed something. For larger collections. Rochelle Ratner, formerly Poetry Editor, "Soho Weekly News," New York Copyright 1994 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
Alice Hoffman was born in New York City on March 16, 1952 and grew up on Long Island. After graduating from high school in 1969, she attended Adelphi University, from which she received a BA, and then received a Mirrellees Fellowship to the Stanford University Creative Writing Center, which she attended in 1973 and 74, receiving an MA in creative writing. She currently lives in Boston and New York.
Hoffman's first novel, Property Of, was written at the age of twenty-one, while she was studying at Stanford, and published shortly thereafter by Farrar Straus and Giroux. She credits her mentor, professor and writer Albert J. Guerard, and his wife, the writer Maclin Bocock Guerard, for helping her to publish her first short story in the magazine Fiction. Editor Ted Solotaroff then contacted her to ask if she had a novel, at which point she quickly began to write what was to become Property Of, a section of which was published in Mr. Solotaroff's magazine, American Review.
Since that remarkable beginning, Alice Hoffman has become one of our most distinguished novelists. She has published a total of eighteen novels, two books of short fiction, and eight books for children and young adults. Her novel, Here on Earth, an Oprah Book Club choice, was a modern reworking of some of the themes of Emily Bronte's masterpiece Wuthering Heights. Practical Magic was made into a Warner film starring Sandra Bullock and Nicole Kidman. Her novel, At Risk, which concerns a family dealing with AIDS, can be found on the reading lists of many universities, colleges and secondary schools. Her advance from Local Girls, a collection of inter-related fictions about love and loss on Long Island, was donated to help create the Hoffman (Women's Cancer) Center at Mt. Auburn Hospital in Cambridge, MA. Blackbird House is a book of stories centering around an old farm on Cape Cod. Hoffman's recent books include Aquamarine and Indigo, novels for pre-teens, and The New York Times bestsellers The River King, Blue Diary, The Probable Future, and The Ice Queen. Green Angel, a post-apocalyptic fairy tale about loss and love, was published by Scholastic and The Foretelling, a book about an Amazon girl in the Bronze Age, was published by Little Brown. In 2007 Little Brown published the teen novel Incantation, a story about hidden Jews during the Spanish Inquisition, which Publishers Weekly has chosen as one of the best books of the year. In January 2007, Skylight Confessions, a novel about one family's secret history, was released on the 30th anniversary of the publication of Her first novel. Her most recent novel is The Story Sisters (2009), published by Shaye Areheart Books.
Hoffman's work has been published in more than twenty translations and more than one hundred foreign editions. Her novels have received mention as notable books of the year by The New York Times, Entertainment Weekly, The Los Angeles Times, Library Journal, and People Magazine. She has also worked as a screenwriter and is the author of the original screenplay "Independence Day" a film starring Kathleen Quinlan and Diane Wiest. Her short fiction and non-fiction have appeared in The New York Times, The Boston Globe Magazine, Kenyon Review, Redbook, Architectural Digest, Gourmet, Self, and other magazines. Her teen novel Aquamarine was recently made into a film starring Emma Roberts.
Reading over some of the other customer reviews, I notice that many people criticized this book for being too unrealistic. I think those people are missing the point. This is a modern fairy-tale, and fairy-tales are meant to be lessons about what it means to be human, and how we are supposed to live our lives. Using the "Wolfman", Stephen, as a metaphor, Hoffman manages to show how our modern world can cause us to forget our connection to the rest of nature. Using the events in the story, she shows how fragile and precious love is, and how grief and tragedy can cloud our vision and cause us to place blame on innocent people.
This is the third novel by Hoffman I have read, and it is by far the most poignant and most philosophical. Hoffman is a magnificent writer, one whom I strive to emulate. If you are looking for a touch of magic, a story which might illuminate for you what it means to be human in the last part of the twentieth century, Hoffman is the author you should read. And this book would be a great place to start!
I may be biased, because I just love this author, but this was truly a great book. You begin reading it like it is a fairy tale, and soon forget the unlikeliness of the story line -it becomes utterly real to you. This was truly an excellent book - I don't know if I would have read it if I was unfamiliar with the author, but I am so glad I did. I recommend it to all of my friends.
I've read several of Ms. Hoffman's books and enjoyed them all. Second Nature, however, stole my heart. I loved it.
Then I read the reviews and comments from some of the other readers and had to sit back and wonder why it moved me so much while other readers clearly found it unbelievable. I'm a published author myself, and as such, a very critical reader. So, yes, there were plot holes, things that couldn't possibly have happened. But Ms. Hoffman's weaves a spell of magic with her writing that forced me to suspend disbelief. Her books take me back to when I read for the pure pleasure of the story rather than how she plotted a scene or developed a character. Her writing is simple and beautiful, and I couldn't have cared less whether Robin could have actually walked out of that hospital with Stephen. Or whether a she-wolf would in reality take in a human child and raise her as her own. I wanted to believe, and for the space of this very special book, I did. To me, that's pure magic.