Age Level: 8 and up | Grade Level: 3 and up | Series: The Tapestry
GRAVE FORCES ARE converging to seize control of the Book of Thoth, a hidden artifact whose pages hold the key to creating—or unraveling—the very threads of existence. Under the care and tutelage of Cooper, Rowan’s most lethal Agent, Max McDaniels and David Menlo embark on a quest to protect the book from the demon Astaroth, who would exploit its secrets with dire consequence. And with Astaroth free after centuries of imprisonment, the world outside Rowan’s gates has already become hostile.
Far from home, cut off behind enemy lines, Max and his allies must journey across Europe, descend into the fabled Frankfurt Workshop, brave the tangled corners of the Black Forest . . . and cross beyond the veils of our very world.
ISBN:9780375938962Grade 5–8—Fans of The Hound of Rowan (Random, 2007) will love this sequel. Those who haven't read the first book will simply be puzzled. In their second year at Rowan Academy, Max McDaniels and his roommate David Menlo, a mystic, discover that they must live with the Witches to fulfill a pact made years before they were born. To keep them and the Book of Thoth safe from the demon Astaroth and in the hands of Rowan agents, they are "kidnapped" by an ally. While on the run, the Red Branch offers to activate Max to be its newest agent. Initially, Max demurs but after dodging danger in Europe, finding his mother in the land of the Sidh, discovering his real father's identity, and having several harrowing encounters with Astaroth, he embraces his identity as the reincarnation of Cuchulain and joins as a full-fledged agent. The Second Siege is chock-full of magic, myth, and adventure, and has some fun and interesting characters and an intense, engaging plot. That said, without the background information from the first book, it will be hard for readers to follow.—Lisa Prolman, Greenfield Public Library, MA
It’s Max McDaniels’ second year at Rowan Academy, a contemporary American boarding school where students are trained to fight against supernatural foes. He and his sorcerer roommate, David, along with several others, human and non, are embroiled in a quest to stop the demon Astaroth from finding the Book of Thoth, which holds the key to all creation. As governments fall to Astaroth, Max and David travel across Europe and beyond in search of the book’s location. Proud, emotional Max and frail, calculating David suffer realistic setbacks and humbling experiences that change them, while Astaroth is delightful in his sly, polite wickedness. Neff’s writing is infused with history and myth, and a sense of adventure: add well-rounded characters, and this makes for a captivating read. New readers should start with the first book, The Hound of Rowan (2007) as this one doesn’t look back, but the dark conclusion and its potential consequences will ensure an eager readership for the third. Although Neff will not escape Harry Potter comparisons, in this volume he moves into his own distinctive voice. Grades 6-9. --Krista Hutley
It's hard to write about one's self without being too cute or clever by half. When in doubt, keep it simple: here are a few insights into who I am and how I work. Ultimately, it's all about the words and pictures and how they come to be.
Today, I write books in Brooklyn, but I'm a Chicago boy at heart. In the late-1970s, at the age of four, I moved to the Chicago suburbs. My formative memories are generally pretty pleasant; a mishmash of baseball, bikes, and bad haircuts while I navigated the social labyrinth of public schools. As a history teacher, I now realize that my childhood was typical of an American kid growing up in the 1980s: middle child of divorced parents, microwaving fish sticks, and watching too much television.
Thankfully, it wasn't all fish sticks and TV. There were always books and I was a big reader. My parents were art historians and there was a lot of strange stuff to spark and stoke an inquisitive mind-books on Bosch and Beowulf, surrealist paintings, visiting artists, and mounds of comic books. It was rich fodder for a young mind and while I didn't always understand what I was looking at, I knew I liked it.
I was an artist before I was a writer. We had a big drawing board at the Neff house-a battered, scribbled-over panel of wood that I would lay out on the floor. With pencil, pen, crayon, or markers, I would create whole worlds-taped together panoramas of monsters and knights and smoldering ruins. I loved monsters-from Grendel lurking outside Hrothgar's hall, to the Minotaur, to the motley host in Sendak's, Where the Wild Things Are. If it had claws and teeth and malicious intent, I wanted to draw it. Still do.
My love of words came later. I don't know exactly what triggered it, but I love the sounds, shapes, and mental snapshots that words can conjure. From the roar of creation myths to the quiet precision of a poem, there's magic in words. The written word makes me feel a fierce connection to other people-I get to experience life through the soul and vitality of another human being. Even as you read these words, a connection is forming between us. We might be separated by great gulfs of distance or time, but still the connection exists. If that's not magic, I don't know what is.
While I love words and art, I didn't make a go of them right away. As a senior at Cornell University, I planned to attend law school when I was contacted by a consulting firm and encouraged to apply for an interview. Upon further inspection, McKinsey & Company sounded like heady stuff-a chance to work with smart people while tackling big problems. I decided law school could wait.
I spent five years in the business world and it was fine, but it just wasn't me. Despite some brilliant colleagues and intriguing projects, I was plagued by the nagging suspicion that I was wasting my life. The real me wasn't all that interested in a corner office-I wanted to be back at my drawing board, creating monsters and knights and ruins. Some might call such an impulse "geeky" or "childish," but the older I get, the more I realize that we're all strange little creatures and you have to build a life around whatever strange little things make you tick. It took nearly 30 years, but I finally concluded that I am a storyteller. I quit the corporate life cold turkey and took up teaching. During my first year teaching high school, I began to write The Tapestry.
The Tapestry is a story that I would have loved as a boy. I don't know how to write for an audience other than myself and I think the story would ring false if I tried. A fair amount of personal history is interwoven into the tale and its characters. For example, vyes are the byproduct of bad dreams I had as a boy, involving tall, wolfish creatures with squinty eyes. The nightmares were recurring and I would run into my parents' room, insisting that the "vyes" were after me. Naturally, when I needed a monster for The Tapestry, I put a call into the vyes. It was the least they could do after tormenting me so.
There are other bits and pieces of my life scattered throughout the books. An elderly married couple that I knew during college inspired the characters of Mum and Bob. A girlfriend's father once asked me if I had read Dante in the original Italian (I had not). The presence of Old Tom at Rowan-its clock tower and its chimes-are a nod to Cornell's Uris Library where I spent many an hour drowsing and watching snow settle onto the campus below. The list could go on. While personal anecdotes are nice, historic epics and mythology play a far greater role in shaping The Tapestry.
I must have been 10 or 11 when I first stumbled upon a book of Irish myths. Compared to the familiar fare of Greek and Norse mythology, the Irish tales seemed very exotic. Ireland's stories and heroes possessed a beauty, savagery, and poetry that were magical, as were the names, which I still find a challenge. Central to Irish mythology is the hero, Cuchulain, and I could not ask for a more heroic or human persona on which to base Max McDaniels. In many ways, Cuchulain is the epitome of the tragic hero-he possesses both supernatural power and human foibles and thus makes for a fascinating character study. The myth of the Tain Bo Cualnge, or, The Cattle Raid of Cooley, likewise offered intriguing opportunities to explore heroism and hubris side by side.
The series also incorporates other genres-fantasy, science fiction, and real history-and the mix of these elements will shift from book to book. As a writer, I find the variety energizing as each new volume presents fundamentally new challenges and opportunities. To date, I've fleshed out detailed plans for over half a dozen books-some of which precede The Hound of Rowan by centuries-and I can safely say that no two are alike. I'd find each a joy to write because I'd find each a joy to read. This same mentality is applied to the illustrations.
When it comes to the drawings, I'm of the old school. Each of The Tapestry's illustrations is a piece of original art. There is no PhotoShop-an application that has its uses, but is as pervasive these days as cosmetic surgery. I'd rather have a flawed drawing with a bit of sweat and fingerprints than a super-slick image that lives only on a server. The latter makes me sad. I have tremendous admiration for the work of some earlier illustrators-artists like Sydney Paget, Thomas Nast, and Arthur Rackham. I still pore over their drawings or political cartoons with love and awe and I'm firmly of the belief that the craft hit its zenith in the 19th and early 20th centuries. I try to emulate these old masters, employing the same tools-if not quite the same skills-in the illustration process. The drawings are created with an old-fashioned dip pen, paintbrushes, and washes of India ink applied to hot-pressed watercolor paper. Someday I'd like to work with color, but I don't see that happening within this series.
There you have it-a little glimpse into my background, the stories I tell, and the pictures I make. I hope it's just the beginning and that I will have the opportunity to spend the rest of my life writing books and teaching young people. I can't imagine anything better.
This review is from: The Second Siege: Book Two of The Tapestry (Hardcover)
Wow. What a great story. For those of you who read Neff's first installment, "The Hound of Rowan", you will really enjoy this book. Right from the beginning, the story line grabs you as we find a more mature Max McDaniels using his newfound powers to get out of a tight situation. Max now has more control of his formidable physical gifts and immediately demonstrates why he is such a threat to "The Enemy". And the book doesn't slow down from there. The battle of good versus evil pitched in Neff's first book intensifies as Max, David Menlo and the rest start a quest around the world to gather critical resources to aid their fight. As the enemy closes in and starts to reshape the world around them, Max and crew must travel to Europe, relying on a network of allies to stay hidden, all while Max continues to learn more about himself, his family, and his responsibilities for the future. After a variety of toe-to-toe interactions with the enemy, a visit to Rassmussen's Workshop, the Second Siege culminates in an epic standoff in the fight for who will control earth as we know it.
This story has the epic feel of "Lord of the Rings", the youthfulness of "Harry Potter", and the sophistication and modernity of "Mission Impossible." I highly recommend this to readers of the first book and encourage new readers to pick up the Hound of Rowan to get started with this great new series.
I cannot wait for the next book to see what happens...
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This review is from: The Second Siege: Book Two of The Tapestry (Hardcover)
As compellingly exciting and funny as The Hound of Rowan is, book two of The Tapestry takes the series to a thrilling and sophisticated new level. The story expands exponentially--geographically across the globe, with significant consequences for the world, and an indication of the tremendous challenges to be faced by the chosen young heroes Max and David. To meet these demands, they must grow up strong and fast, and their personal development is as fascinating as the circumstances in which they find themselves. The Second Siege is filled with exciting action, mythological grandeur, and much to think about in terms of both the formation of personal character and the larger stage of history.
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This review is from: The Second Siege: Book Two of The Tapestry (Hardcover)
"The Second Siege" is book two of The Tapestry that takes the series to a thrilling and sophisticated new level. You become deeply involved with the two main characters Max and David as they grow and develop. You can't help but personally feel their highs and lows throughout. I am a serious Harry Potter fan but may have found its rival. This is a great book! I can't wait for the next one in the series.
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