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24 of 24 people found the following review helpful:
4.0 out of 5 stars
Good "old fashioned" espionage..., November 20, 2001
Set in the mid-sixties when "cold war" activity was intense, "Danger Man" presents a "street level" view of espionage. Here there are no grandiose plots by megalomaniacs out to rule the world. No wild gun battles, secret underground hideouts or pyrotechnic explosions. Down in the trenches, the action is less spectacular and the objectives are far less ambitious.Patrick McGoohan as British agent John Drake, is strictly business. Serious, competent and efficient. A tightly wound man, without much of a sense of humor, and underneath perhaps a very nasty temper. McGoohan's short, and clipped manner of speaking adds to the impression of an impatient man with a short fuse. Fortunately he always finds street parking when reporting for duty at "World Travel". "Danger Man" is decidedly "low tech". John Drake does not employ any cutting edge, James Bond type gadgets, relying instead on his wits to survive. No computers, or tricked out vehicles here. The most "advanced" device used, is closed circuit television. Messages are passed in matchboxes and folded newspapers. Flashing back on an obsolete technology, how about the microdot? "Danger Man" features well developed plots, rather than excessive violence or gunplay, and the body count is low. In the six episodes, the total number killed personally by Drake is exactly "00". Don't be dissuaded by this, there is still plenty of tension and suspense even without the dramatic fireworks. The change is refreshing. Regarding this first "Danger Man" collection, the quality of the episodes steadily improves. Volume 1 opens with "The Battle of Cameras", probably the weakest offering in the collection. McGoohan is not quite convincing, in the role of a suave playboy on the Rivera. He's no Roger Moore. This episode features the closest thing to a stereotypical "cartoon villain". The second episode, "A Room With A View" is a little better. With the somewhat over dramatic plot revolving around Drake's efforts to free a captured friend held prisoner in a foreign embassy. Things start to improve with "Fair Exchange", an episode featuring a delusional former agent bent on killing the man who tortured her. He just happens to be an official in East Germany. Drake must stop her. Moving to Volume 2, we find three winners. In "Fish On The Hook", Drake searches for the mysterious "Fish", the head of an espionage cell in Egypt, who is in danger of being exposed. This episode features Zena Marshall who appeared in "Dr. No". Drake plays a butler in "No Marks for Servility". Mervyn Johns is truly obnoxious as Drake's unscrupulous employer. Here we can plainly see Drake's restrained anger spotlighted. "Yesterday's Enemies" is a fitting finale, the conclusion catches even Drake by surprise, and causes him to question the very authority he serves. The spy game does have some harsh rules. Drake barely avoids having his eye used as an ashtray. Composer Edwin Astley's use of music for "Danger Man" is very reminiscent of his work on another series, "The Saint". Though the instances where music used is somewhat reduced, the style is similar, and effective. The "Danger Man" theme is quite energetic and engaging, and the sound of the harpsichord appears with regularity throughout the episodes. As a bonus, the opening clip of the American incarnation featuring the song "Secret Agent Man" by Johnny Rivers, is included. All in all a very well rounded opening collection. Hopefully the first of many to come. "Danger Man" is certainly dated, but if you want a more realistic, somewhat "gritty" taste of espionage set in those times, this set is highly recommended. John Drake may not leave you feeling warm and fuzzy, but he gets the job done. Like A & E's previous collections for "The Saint" and the "The Avengers" there isn't much in the way of bonus materials. This is disappointing, but hardly unexpected at this point. Get this set!
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