From Publishers Weekly
How smart of Random House Audio to hire as a reader noted British stage and television actress Fielding, whose prowess brings to life Rimington's own stint as director of the British spy outfit called MI5. (If Remington were brought to the screen, Judi Dench would play her as she plays M in the recent James Bond movies.) With perfect British reserve, Fielding catches the hard-driving Liz Carlyle-Rimington's alter ego-without sacrificing any of Carlyle's energy or excitement. Fielding does the same cool job on all the other characters, from an Islamic bookseller nicknamed Marzipan (no jokes about him being a sweet guy: he's not) to Liz's young assistant, Peggy Kinsolving. This well-edited abridgment cleverly removes some of the book's talkier sections. The result is a perfect choice for listeners who love political thrillers but have only a limited time to enjoy them. A simultaneous release with the Knopf hardcover (Reviews, Apr. 30).
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Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Rimington, the former head of Britain's MI5, follows up her spy-novel debut, At Risk (2005), with this fast-moving thriller. We rejoin intelligence officer Liz Carlyle as she gets a hot tip that a terrorist cell is operating in London. But before she can begin her investigation, Liz is pulled off the case by her boss, the director of counter terrorism, who blindsides her with a startling revelation: there is a mole in British Intelligence. Racing against time to expose the traitor before he (or she?) can reveal more secrets, Liz realizes that her colleagues' success in busting the new terrorist cell may depend on how fast she can accomplish her mission. Rimington continues to deliver on the promise of spy fiction written not only by a former spy but also by the head of British intelligence. This is a smartly constructed, sharply written thriller that exudes realism and a professional's eye for detail. More surprisingly, Rimington also proves adept at building characters and constructing plots. David Pitt
Copyright © American Library Association. All rights reserved
Copyright © American Library Association. All rights reserved







