There is an old, empty house in Devils Cleave, a deep gorge that leads from the high moors down to the harbour village of Hollow Bay. The house is Crickley Hall and its large and grim, somehow foreboding. Its rumoured to be haunted. Its thought to hold a secret. Despite some reservations, the Caleighs move in, searching for respite in this beautiful part of North Devon, seeking peace and perhaps to come to terms with whats happened to them as a family. But all is not well with the house. They hear unaccountable noises. A cellar door they shut every night is always open again in the morning. They see things that cannot be real. The house is the last place the Caleighs should have come to, for the terror that unfolds is beyond belief. Soon they will discover the secret horror of Crickley Hall . . .
The Secret of Crickley Hall
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James Herbert is not just Britain's No. 1 bestselling writer of chiller fiction, a position he has held since publication of his first novel, but is one of our greatest popular novelists, whose books are sold in thirty-five other languages, including Russian and Chinese. Widely imitated and hugely influential, his twenty novels have sold more than fifty million copies worldwide.
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Secret of Crickley Hall, The
THEN
They scattered into a darkness scarcely tempered by oil lamps, the soft glow easily repressed by the deep shadows of the house.
The shrieks and cries of the fleeing children rose above the noise of the storm outside. The sound of their stockinged feet was soft on the hard stone floor of the cavernous hall.
Some of them took to the stairs, scurrying past the tall, almost ceiling-high window at the turn, rain beating at its glass, the fierce wind rattling the frames, lightning flickering outside and casting darker shadows across the stone floor.
The children found refuge wherever they could - behind furniture, beneath tables, inside cupboards, anywhere they might sink into the umbra and be hidden while they prayed they would not be found. There in their hopeless sanctuaries they held their whimpers but were unable to control the chattering of their teeth and the nervous fidget of their limbs, for they knew that eventually he would find them, that he would seek them out one by one.
Silent tears drenched their cheeks and glacial fingers seemed to squeeze their small hearts.
He would snatch them from their hideaways and punish them. And this time, a cruel knowing voice whispered in their minds, this time it would be the worst punishment of all ...
They heard his approach even though he wore no shoes, for he swished something through the cold damp air, each swishending in a sudden violent thwack, the beating of cane against bare flesh. Swish, then thwack, cane on flesh, swish, then thwack, two individual sounds that could be clearly heard over the raging storm outside. Swish-thwack! Louder, swish-thwack! Louder, coming closer. Swish-thwack! Almost becoming one sound.
They tried to be very, very quiet ...
1: ARRIVAL
Although the rain had ceased for the moment, single thick globules, as if too heavy to be held by the blanket cloud overhead, splattered against the windscreen like miniature water bombs, and were quickly reduced to smears by the intermittent sweep of the wipers. Eve's spirits had felt as low as the weather during the earlier part of the five-hour journey (including the break for lunch) from London, and now they dropped to an even lower level.
The big grey-stone house on the other side of the narrow rushing river looked grim, more like an ancient sanatorium or resthome for the indigent elderly than a family home.
Gabe had parked the Range Rover in a small clear area beside the lane that led a mile or so downhill to the harbour village of Hollow Bay. Despite the miserable weather, Eve had felt her heart lift a little (as much as it was capable of lifting these days) once they'd left the motorway - interstate, Gabe, her American husband, kept calling it - and reached the West Country; she had almost enjoyed travelling through sheltered lanes with close beech hedges that frequently gave way to wide sweeping moorlands of fine heather and bracken, distant woodland-clad hills their pastel backcloth, not even the dark louring skies spoiling the splendour. Rather than announce nature's retreat towards winter, the autumn colours- the reds, greens, browns, golds and yellows - of woodlands and fauna boasted their glory as the Range Rover sped through deep valleys and crossed rough-stone bridges over tumbling streams.
Gabe had promised them healthy long walks (much to the exaggerated groans of their daughters, Loren and Cally), especially along the beautiful deep-sided and tree-lined gorge - he called it a ravine and the map called it Devil's Cleave - in which their new temporary home was situated; they would either follow the river down to the sea or climb towards its source on the high moors. It would be fun. On weekends they could explore the craggy coastline, the rugged clifftops and the small sheltered bays and sandy coves. Weather permitting, they could even take out a sailing boat and ride the waves. Or maybe do some horse riding (because his homeland was the States, Gabe had convinced their youngest daughter, Cally, that he had once been a cowboy, a fib for which he would have to answer when she discovered he'd never been on a horse in his life, Eve had thought wryly). If the weather was bad, they could just explore the countryside by car.
There'd be plenty to keep them occupied on weekends, he had assured them. And it might help the healing, he told Eve when they were alone.
Now they were here and this was her first sight of Crickley Hall, which was not quite large enough to be called a manor, but was much too big for a normal home. Gabe had visited twice before, the first time in summer when he'd scouted the locale for a property close to the job to which his engineering company had been sub-contracted, and a second time a week ago when he'd hired a van and, with Vern Brennan, a fellow-American buddy of his, had delivered most of the bulky items the family would need for their stay (thehouse itself was already furnished with old-fashioned stuff, according to Gabe, which was good enough to get by with).
Through the Range Rover's windscreen, Eve saw that a sturdy wooden bridge traversed the swift-moving, boulder-strewn Bay River, which Gabe had described as no more than a wide, gentle stream when he had returned from viewing the property a couple of months ago. But then, it had been late August; now the boisterous waters threatened to overspill the raised banks. The bridge itself was made of rough timber, the sides crosshatched with thin lengths of rustic logs beneath thick rails; while it appeared strong, the structure was not wide enough to accept the Range Rover - nor any other largish vehicle - hence the parking bay on this side of the river.
On the opposite bank, the house - or Hall, as it was called - occupied a level expanse of cut grass and shrubbery with the odd tree here and there (one tree near the front had a child's swing dangling from a stout branch). The far thickly foliaged side of the gorge loomed impressively steep, high over the stark building.
'It looks a bit grim,' she found herself saying, immediately regretting the criticism; Gabe had tried so hard.
Her husband looked across at her from the driver's seat, his wide tight-lipped smile concealing any disappointment.
'Guess it looked a little different in summer,' he said.
'No, the weather doesn't help.' She touched his hand on the steering wheel and made herself return the smile. His wonderfully blue eyes, darkened by the gloom of the car's interior, examined her own for reassurance.
'It's just a change, hon,' he almost apologized. 'We all need it.'
'Can we get out now, Daddy?' came Cally's impatient voice from the back seat. 'I'm tired of sitting.'
Switching off the engine and thumbing open his seatbelt, Gabe turned and gave his younger daughter a grin. 'Sure. It's been a long haul and you've been pretty good all the way.'
'Chester's bin a good boy too.' The five-year-old squirmed in her seat, searching for the seatbelt button.
The black, lean, coarse-haired dog, who slumped on the back seat between the two sisters, sparked to attention at the sound of his name. When Gabe and Eve had picked him out at the south London dogs' home six years before, they had been told that the year-old puppy was a crossbreed, something of a Patterdale in there somewhere, but Gabe reckoned the scruffy orphan was all mongrel, without an ounce of breeding in his runty little body.
Chester (Gabe had chosen the name) had grown to almost fifteen inches high: he was cow-hocked with turned-out feet, back and front, and there was too little angulation to his hind legs for dog show events; there were now grey and brown hairs among his short black fur, especially under his muzzle, chest and the untidy tufts around his neck. Seven years old, those dark-brown eyes still held their puppy appeal and, even though he was generally a happy-natured dog, his turned-down mouth gave him a perpetual cast of sadness. When they lost Cam almost a year ago, Chester had howled for three nights running as if he knew more than they did, as if he were aware their son was gone for ever.
Gabe acknowledged the now-alert dog with a slight upward tilt of his chin, the opposite to a nod. 'Yep. Chester's been pretty tight. Not even a small leak all this way.'
'Only because I told you every time he looked uncomfortable,' reminded Loren, who had that pretty but gangly appearance of many twelve-year-old girls, pre-teenage and just beginning to take a greater interest in what was worthy of 'cool', be it in music, clothes, or Mother's make-up. Sometimesshe assumed a maturity that should not yet have been learned, while at other times she was still his 'princess' who loved her dolls and frequent hugs (the latter more occasional than frequent these days).
Loren had been adamant that no way was she leaving her friends and school in London to live in a place thousands of miles from anywhere, a place where she didn't know anybody, a place she'd never even heard of. It took some persuasion, plus a promise of having her very own cell phone so that she could keep in constant touch with all her girlfriends, to convince her things would be okay down in Devon. That and the quiet one-to-one chat Gabe had with her where he'd explained that the deal was to get Mummy away from their regular home and its constant reminders of Cameron for a while, just long enough maybe to allow Eve some closure to a year that had been horrendous for them all. Loren had understood immediately and had put aside her reluctance to leave - until the last few days, that is, when imminent departure had drawn out long goodbyes and floods of tears between her and her closest friends.
'Good thing you decided to come along then,' Gabe responded with only mild te...
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Most Helpful Customer Reviews
13 of 14 people found the following review helpful:
4.0 out of 5 stars
"The evil that men do lives after them",
By Nolene-Patricia Dougan "Dougs" (Ravara, Ireland) - See all my reviews
This review is from: Secret of Crickley Hall (Hardcover)
James Herbert's latest book, The Secret of Crickley Hall, uses an old and established formula - an ageing, deserted Gothic house that has been left to decay because of some tragic event whose circumstances have been clouded by the passage of time. The villagers in the neighbourhood all have their own theories about what happened but no one really knows the truth. However, when a family - in this case the Caleighs's move in, they find the house has been haunted by these past events, and is inhabited by ghosts with 60 years of repressed anger to vent.Even though this is an old, established formula, it is also a very good one. Most horror writers use it at some point in their writing careers. (Herbert has used it at least once before with Haunted.) An old Gothic mansion is a great starting point for a ghost story, with wind and rain crashing against the windowpanes, and strange noises and visions that have either ghostly explanations or, for the more cynical in the story, more rational explanations, such as tricks of light, and wind rattling through the floorboards. (Cynics are always the idiots in these stories: in this book the Dad of the family, Gabe Caleigh, insists that nothing is wrong, and there are no such things as ghosts, while everyone else - even you, the reader - is yelling at him just to get the family into the car and drive away!) But that's what we love about these stories - the atmosphere, and the stupidity of the people being haunted. (Personally, if I saw ghostly spectres dancing around my house or if my child insisted she had a new set of friends to play with who I couldn't see, I would be out of there!) James Herbert's new book is a refreshing visit back to this old formula and fails to disappoint. It builds atmosphere, while recounting the tragic circumstances surrounding the happenings in the house, leaving you, the reader, to figure out the truth behind the mystery of what actually happened to the characters. This book has all the elements a good horror novel should. (An array of suspicious villagers, a psychic and a few covered up murders.) In sum, The Secret of Crickley Hall is a good read - a must for Halloween, when the wind and rain are pelting against the windowpanes, and the only sound you can hear is the wind rustling through the floorboards... ...
9 of 10 people found the following review helpful:
1.0 out of 5 stars
Things that go (very gently ) bump in the night,
By
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This review is from: The Secret of Crickley Hall (Paperback)
This here's a haunted house novel. I read Herbert's "Once..." and thought it was kind of ok, and was willing to give him a shot at the classic haunted house story. The author has a very simple style of writing that reads like a young adult title. He repeats himself constantly, as if he's talking to a young child. Not sure if he's just padding the page count or what. As well as the simplistic style that repeats itself constantly, the characters are stock and thin, and the plot a yawner. This one adds nothing to the haunted house genre. Try Jackson's "The Haunting of Hill House" or Matheson's "Hell House" instead.
7 of 8 people found the following review helpful:
4.0 out of 5 stars
Swish-Thwack and Puddles from Hell,
By
This review is from: Secret of Crickley Hall (Hardcover)
Out in Hollow Bay, a gloomy house (in fact, the entire neighborhood is pretty grim) is rented by a family who have recently suffered the tragedy of a missing son. But there's something wrong with this rental property. The dog hates the place. A cellar door won't stay shut. The tree swing has ideas of its own. Closets make an unearthly racket. Teeny disembodied footsteps are heard. And a naked man walks down the stairs with a wooden switch. Switch-thwack.I'm a big fan of James Herbert and this is a departure from his usual fare. Its an old-fashioned (in a good way) ghost story. Complete with a 70-year-old caretaker who supplies the back story of this former "orphanage," the psychic who's afraid of readings, a spook hunter, and spectacularly stormy weather (Herbert's setup of atmos can't be beat). There's some surprising twists and tragic turns (especially where the orphans and the lost son is concerned.) And unusual too, is the treatment of hauntings which are not grounded. (Ghosts following people . . . away from the place of the original haunting). I won't reveal anymore other than I gave it a 4 because the father, Gabe, took more than half the book to believe his house was haunted!! Engineers, what to do??? This is the perfect book to curl up in an armchair with your sharp-eyed dog in your lap. And better yet, if the branch of that birch or oak is banging on the glass panes of your window and and the rain and wind is beginning to sound like soft whispers . . . eek
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