From Publishers Weekly
This thorough if lackluster biography charts the career of Leslie McFarlane, who penned the first 16 books of the famous Hardy Boys series under the pseudonym Franklin W. Dixon. In 1926, the enterprising New Jersey book packager Edward Stratemeyer created the series: formulaic fiction strategically marketed to newly leisured adolescent boys. McFarlane, a young journalist in northern Ontario, regarded his ghostwriting as hackwork. He neither sought nor received credit or financial gain proportionate to the series' popularity. A proud Canadian, McFarlane harbored unrealized ambitions to write a Canadian epic novel and found gratification only in publishing his stories in literary magazines. Striving to support a growing family, McFarlane eventually found success in Canadian broadcast writing and directing. A professor of journalism at Ohio University and biographer of Charlotte Curtis (
A Woman of the Times), Greenwald writes straightforwardly about the ethnically stereotypical, sex-free world of the Hardy Boys. Although she records debates over the literary value of popular children's fiction, Greenwald concentrates on the business details of the Stratemeyer Syndicate, on McFarlane's professional and family life, and on the lasting influence of his smalltown Canadian childhood. While her study reflects meticulous factual research and will inevitably appeal to Hardy Boys fans, others may be frustrated by the lack here of a thesis about the books' cultural legacy. 33 illus.
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For this reviewer--and for thousands of other young readers--the discovery that Franklin W. Dixon, author of the Hardy Boys novels, didn't really exist was a blow and a bad one, almost on a par with the unwelcome news that Santa Claus, too, was a fictional character. Now comes the satisfying albeit tardy revelation that, yes, Virginia, there is a Franklin W. Dixon (sort of). In telling the story of Canadian journalist Leslie McFarlane, who wrote the first 16 Hardy Boys novels from outlines supplied by Edward Stratemeyer, Greenwald shows that the success of the series was in large part due to the characters McFarlane created. Critics of contemporary children's literature would never describe Frank and Joe Hardy as quirky characters, but compared with their peers in the series fiction of the time, they were exactly that. Greenwald effectively intercuts McFarlane's biography--the melancholy story of a writer who dreamed of writing the great Canadian novel but created the Hardy Boys instead, for which he was paid a flat fee of about $100 per book--with the more intriguing saga of Edward Stratemeyer, the godfather of series publishing, whose syndicate published the Hardys as well as Nancy Drew, the Bobbsey Twins, and numerous others. A fascinating slice of publishing history and a lease on life for Franklin W. Dixon fans.
Bill OttCopyright © American Library Association. All rights reserved