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Most Helpful Customer Reviews
15 of 15 people found the following review helpful:
4.0 out of 5 stars
Underrated classic,
By A Customer
This review is from: Secret Messages (Audio CD)
SECRET MESSAGES was originally slated to be a double album. That didn't happen; it was released in 1983 as a single album. As it stands, it's a very concise pop statement free of filler and loaded with killer hooks. Jeff Lynne, the "guiding light" behind ELO, is rightfully regarded as a genius when it comes to his production wizardry...and certainly, SECRET MESSAGES is a brilliant marriage of studio sheen with lively, superb musicianship. However, Jeff rarely gets the credit he deserves as a lyricist. On SECRET MESSAGES, Jeff paints vivid word pictures that ring true time after time. The title track is one of those vintage ELO performances; intricate wordplay, tight harmonies, memorable melody. A sense of loneliness and loss pervades such songs as "Bluebird," "Take Me On," "Stranger" (which is somewhat reminiscent of Al Stewart), and the beautifully delicate "Letter from Spain." All of these are so radio-friendly that I cannot understand why they weren't big hits. ("Letter" was used to promote the 1992 Barcelona Olympic Games.) "Loser Gone Wild" is quirky and took some time to grow on me...but I love it now (especially the barking dog bits). (Please excuse all the brackets.) "Danger Ahead" is a great rocker; another incredible melody and hook. This track reminds me a bit of Cheap Trick; it's no secret that the guys in Cheap Trick are big Move and ELO fans. Then, there's "Rock and Roll is King," which hit #19 on the pop charts. It still resonates, thanks to a timeless rock arrangement and feel-good lyric. Mik Kaminski makes a welcome return on that track with a sizzling violin solo. "Four Little Diamonds" is a gem of a track in the "Don't Bring Me Down" mode. This tongue-in-cheek tale of love gone wrong features one of Jeff's better vocal performances. ELO's sales faded during the 1980's, due in large part to the prevailing "hair band" ethic of the day. But many of those heavy metal "artists" have come and gone, leaving behind a sad legacy of bad albums, worse videos, and totally embarrasing spandex. On the other hand, ELO's music has endured and grown in stature, thanks to the vision and gifts of Jeff Lynne, Bev Bevan, Kelly Groucutt, Richard Tandy (and the Professor and Mary Ann). (Sorry.) You've heard the brilliant OUT OF THE BLUE, but don't miss a sleeper like SECRET MESSAGES...and for the price that Amazon.com is offering, you'd be silly not to order it right now
3 of 3 people found the following review helpful:
5.0 out of 5 stars
Time After Time E.L.O Aimed To Please,
By
This review is from: Secret Messages (Audio CD)
It's obvious that a lot of people were a little taken aback by the strongly disco inflectedDiscovery and the heavy electronic glossiness of Time. This was that albums follow up and you couldn't be in denial:it was 1983 and a lot of the synthesizer arrangements and production gloss that were ELO's trademark in the 70's were now par for the course. One of the things that have always helped ELO along,even though they are one of the more critically underappreciated rock bands is the fact that....well they have in many ways one of the most exciting pop/rock sounds to come along since The Beatles. Jeff Lynne always had the very good sense,knowing his music was considered to be prog rock to rely not on long winded instrumental solos and arrangements and rather on inventing melody and having the arrangements built on those. Most prog rock bands were already beginning to go in this direction in the early 80's anyway so ELO didn't have much to concern themselves with musically but keep writing great tunes. Of course there are three very basic rock n roll songs here the same as with any ELO album such a "Four Little Diamonds","Danger Ahead" and the hit "Rock & Roll Is King". All of these songs are good and catchy and all that but they all xerox the big hits from their previous few albbums. Much more interesting of the uptempo tunes are the title track,"Loser Gone Wild" and "Train Of Gold" which all owe more to new wave electro than progressive rock and pull off the concept with gusto. But these aren't exactly Duran Duran-they all manage to still be distinctively ELO. More intricate songs that take time to develop (always my personel favorite type of song anyway) such a "Blue Bird","Take Me On And On" and the beautiful,stripped down electronica of "Letter From Spain" are super examples how a band like this developed artistically when the tempo wasn't quite as fixed and drummer Bev Bevan,used to using a lot of fills in his sound rises to occasion with a lot of understatement here,to the point of sometimes barely playing at all. Some fans of ELO's mid to late 70's sound or classic rock fans in general might find this album possessed of more lightness of playing and delicate melodies (even on many of the faster songs) than they're used to but this is definately one of those ELO albums that is more than worth giving a chance if it doesn't instantly grab you.
1 of 1 people found the following review helpful:
4.0 out of 5 stars
Take Me On And On,
By
This review is from: Secret Messages (Audio CD)
This is one of those albums I've liked ever since it was first released on vinyl back in '83. I never could understand why it wasn't more popular. The band decides to have some fun with all of those groups who were going around claiming that there were "secret hidden backward messages" on certain rock albums. Unfortunately, this mental instability also lead to things like record burnings and ELO was one of the groups targeted. The album starts with the fun and upbeat title song. Loser Gone Wild has a very surrealist sound to it. Bluebird is the band in classic ELO mode. Take Me On And On is a great ballad. Time After Time is okay but really isn't a standout for me much like Letter From Spain and Train Of Gold. Four Little Diamonds is a classic ELO rock song with a driving beat and cool lyrics. Stranger is a nice upbeat ballad while Danger Ahead and Rock And Roll is King takes us back to rock and roll mode. The three bonus cuts are made up of two single b-sides and an unreleased version of Endless Lies which would turn up rearraged on Balance of Power. I like this version on here better No Way Out is good but the instrumental After All is better. The only real complaint is: this was originally planned as a two record set and I wish, rather than dribbling some of the unreleased stuff out on the box sets, they could've put it all out on here as bonus tracks.
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