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What's remarkable about this film (which Sayles adapted from Rosalie Fry's novel Secret of the Ron Mor Skerry) is that it's not told as a cute fantasy for children, but as a straightforward, unsentimental story of a young girl's family history. That gives the film--which was beautifully photographed by master cinematographer Haskell Wexler--an understated charm that is completely absorbing in its atmosphere and subtle tone. There's magic as well, to be sure--you could almost swear that the seals and seagulls in the film took direction from Sayles as well as any human actor! --Jeff Shannon
Fiona's grandfather and cousins are only too happy to tell her tales about the family and Roan Inish, maintaining their strong ties to the island at least in memory and recitation. Finally, one cousin, Tadhg--a "dark one" (dark of hair and eye like her brother was)--tells the story of how an ancestor captured a selkie, a seal-woman. The selkies are said to swim ashore in seal form and then strip off their skins to bask in the sun as beautiful women, but if you can grab their skin before they slip away they are bound to you. The family then is descended from this selkie, though one of her children eventually told her where to find the skin and she immediately swam off.
Fiona takes to visiting the island and spots Jamie herself, running naked and picking flowers, but he runs away and sails off in his cradle. She then convinces Eamon that the seals are keeping Jamie to make the family move back to the island, so the two set about secretly restoring the dilapidated huts and gardens, all the while trying to figure out how to coax the grandparents back to Roan Inish.
The film is beautifully shot, by Haskell Wexler, with a lilting Celtic soundtrack, and the cast, apparently professional but largely unknown here in the States, plays it straight down the line, as drama not fantasy. Mr. Sayles never treats the audience as if we need convincing, nor stoops to treat the material ironically. It is simply assumed that we will abandon reason and suspend disbelief, and we're quite happy to do so. The whole is infused with a sentimental longing for tradition, a sense that life has a proper order and we our proper places in that order, and a disdain for change that is positively reactionary and very refreshing. The viewer has no doubt that it is necessary for the Coneelly family, the descendants of the selkie, to live on Roan Inish and that the world is a better place with this balance restored. It's all as anti-modern as can be and makes for a splendid old-fashioned movie experience, for the whole family or just for the adults.
GRADE: A+
The lure of Ireland is hardly new, but the beauty of this sometimes difficult land shines through the foggy mist that permeates the film. It is the financial hardships the Irish have often faced that create the backdrop for this movie. Some may say Sayles has romanticized penury, when in reality he has simply shown what is most important to the human spirit - that hard work can sometimes make dreams come true, and that faith and magic are as important as tangible things. The delightful acting and strong characterizations bring the moody and mystical Irish coast to life.
Whether you are a fan of the selkie myth, Ireland, or are looking for a film that you, your children, and your parents can watch together, I heartily recommend this one.
TTFN, Laurie Likes Books
Publisher, All About Romance