The Secret Supper [Paperback]

Javier Sierra (Author)

Book Description

Publication Date: March 31, 2007

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Product Details

• Paperback: 336 pages
• Publisher: Simon + Schuster Uk; New Edition edition (March 31, 2007)
• Language: English
• ISBN-10: 1847390048
• ISBN-13: 978-1416522027
• ASIN: 1416522026
• Product Dimensions: 5.2 x 7.9 x 0.9 inches
• Shipping Weight: 7 ounces
• Average Customer Review: 3.6 out of 5 stars  See all reviews (71 customer reviews)
• Amazon Best Sellers Rank: #9,184,011 in Books (See Top 100 in Books)

More About the Author

Javier Sierra, whose works have been translated into thirty-five languages, is the author of The Lady in Blue and the New York Times bestseller The Secret Supper. His newest novel is The Lost Angel, a breathtaking thriller that explores mankind's eternal quest to discover the truth of our origins -and of our destiny.
A native of Teruel, Spain, Sierra currently lives in Madrid.
Please visit www.javiersierra.com and www.thelostangelbook.com.

Customer Reviews

Most Helpful Customer Reviews

105 of 111 people found the following review helpful:

5.0 out of 5 stars An Enthralling Blend of History, Art, and Intrigue, March 21, 2006

By 

Grady Harp (Los Angeles, CA United States) - See all my reviews
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This review is from: The Secret Supper (Hardcover)

Javier Sierra originally published this book in Spain in 2004 as 'La Cena Secreta' and it rapidly became a best seller in Europe. At last it is translated into English by Alberto Manguel as THE SECRET SUPPER and the book is bound to find its way onto the bestseller list rapidly! It is a tightly woven, suspense driven, elegant story of a secret that lay hidden in the Leonardo Da Vinci's painting 'The Last Supper', that secret threatening to undo to status of the Catholic Church in the 15th century.

Sierra is a scholar as well as a fine novelist and his previous investigative works on the Templars, the mystical nun Maria Jesus of Agreda as well as his thought provoking book on the Inca king Arahualpa's missing treasure serve him well as background in writing a credible novel about a controversial subject. Yes, the world is still reeling from the scandal of 'The Da Vinci Code', and some readers my think that here is yet another round of data about Christianity that is slipping along the success d'estime of that work. But be aware that this novel is wholly different and for this reader is far superior in the final resolution of the intial premise.

The year is 1497 and Javier Sierra accompanies us back in time to an era when the wealthy leaders of the communities of Milan and Florence and Rome had an unimaginably huge impact on the course of the great Roman Catholic Church. In Milan the church of Santa Maria delle Grazie is being renovated under the guidance of the Duke of Milan. But Pope Alexander VI is concerned that heretical elements favoring the threatening schism within the Church will be established in the politically important and highly visible sanctuary. Among the many intrigues surrounding Milan's new structure is the one concerning the popular painter Leonardo Da Vinci whose painting of The Last Supper is found to exclude the holy icons of the Grail and the Eucharistic Bread. The painting also is found to include known heretics as models for some of the disciples who look away from the Christ figure, one suggestive of Leonardo himself. How the Pope's investigators and the perpetrators address these issues and the places of secrecy revealed by the gradually unfolding discoveries serves as not only an informative survey of history, but also a fascinating, immensely readable suspense thriller that keeps us riveted to the book until the final page where the ultimate secret is revealed.

If Alberto Manguel's English translation is sound (and since it was sanctioned by author Sierra himself it must be), then we have every reason to believe that here is a very important writer entering the English-speaking marketplace with one fine novel! Whether the reader is looking for a book of historical fiction, a novel of 15th century intrigue, or simply a fresh view of Da Vinci and of a new author, THE SECRET SUPPER is bound to please. The book design by Atria Books is splendid and enhances the reading experience. Graciously for those whose historical background needs some refurbishing, the book includes a 'Cast of Characters', outlining in a very readable fashion all of the 'players' of the period (Botticelli, Lorenzo the Magnificent, Ludivico Sforza, Pope Alexander Vi, etc) and for many, reading this terse glossary would be a fine way to begin this novel's woven tapestry of history. Highly Recommended. Grady Harp, March 06

40 of 44 people found the following review helpful:

5.0 out of 5 stars A provocative, eye-opening, utterly fascinating novel, March 21, 2006

By 

Daniel Jolley "darkgenius" (Shelby, North Carolina USA) - See all my reviews
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This review is from: The Secret Supper (Hardcover)

Readers will not want to dismiss this novel out of hand as "yet another da Vinci book," for The Secret Supper is truly an entity unto itself, a well-written, incredibly provocative thriller of dazzling proportions. The product of three years of extensive research, The Secret Supper purports to solve an intriguing, centuries-old mystery, a mystery most of us had no idea even existed. Can it be that Leonardo da Vinci hid a secret, heretical message inside his celebrated painting of The Last Supper, an open secret that only those with eyes to see could identify as an anti-Roman Catholic missive in no less a holy place than the Dominican Church of Santa Maria delle Grazie?

I think most readers will be amazed to learn that they have never truly looked at this most familiar work of art. Certainly, as Sierra shows us, there are strange qualities if not outright anomalies in the painting. Why are there no halos above Christ and his disciples? Why do you see no representation of the Eucharistic bread or the Holy Grail? Why are two of the disciples looking the other way, seemingly ignoring Jesus' fateful revelation that He is to be betrayed by someone at that very table? And why, for goodness' sake, is Peter clutching a knife behind his back? Sierra soon leads us to additional oddities: the disciples bear the images of heretics, Judas Thaddeus is represented with Leonardo's own face, Simon's face is modeled on the Greek philosopher Plato, a knot on the tablecloth is indicative of Mary Magdalene. These are just a small sample of the issues Sierra raises about The Last Supper over the course of his incredible novel. And, just so you know, he does have answers awaiting you at the end of the novel, including the secret message and its significance as discovered by the author. You may or may not believe Sierra's conclusions about the painting and Leonardo himself, but, my goodness, it's more than worth your time and consideration. True or not, this certainly makes for one humdinger of a story, one that will completely captivate those with any interest in history, a good puzzle, and/or the history of Christianity (and, specifically, the Roman Catholic Church).

Set in 1497, during the final weeks of Leonardo's work on The Last Supper, The Secret Supper mixes historical characters with those of the author's own creation to reveal the mystery of the painting. The narrator is the fictional Friar Agostino Leyre, a Dominican Inquisitor sent to Milan for two purposes: to identify the anonymous insider who has been writing letters to Rome claiming that Leonardo's The Last Supper contains a secret message that brands him a heretic, and to discover what that hidden message actually is. The anonymous source, who calls himself the Soothsayer, has provided a seven-line puzzle that will identify him, and this is basically all that Leyre has to go on initially. During his stay at Santa Maria delle Grazie, he comes into contact with a variety of men, both inside and outside the Church, eventually including Leonardo himself, who provide him with tantalizing new clues about both subjects of his investigation. He also, of course, has the actual painting to study in its almost-completed state. Leyre's investigation eventually takes him places he would never have dreamed - but I won't go so far as to reveal any of those details. Suffice it to say that the sources of information Sierra draws upon in putting all of his historical pieces together are incredibly broad and exceedingly impressive (and, I should note, all of the ancient books referred to in the novel did actually exist). It makes for uncommonly powerful suspense as you join Friar Leyre in pursuit of the secret mystery at the heart of everything - Sierra calls this an "investigative novel," and so it truly is.

The Secret Supper is a bit more challenging than your typical novel. Those unfamiliar with the history of the Catholic Church may face a bit of a learning curve, as many of the key themes center on the symbolic rites and history of the Roman Catholic Church, and I'm sure non-Catholics will find some of the heretical notions addressed here less significant than those of the Catholic faith. In addition, the reader will doubtless encounter a number of historical figures they are completely unfamiliar with - but the author has provided a most helpful description of each of them at the back of the book. The one recommendation I do have for the reader is to have a reproduction of Leonardo's The Last Supper at your disposal, as you will surely want to refer to the complete painting on numerous occasions.

19 of 19 people found the following review helpful:

5.0 out of 5 stars An Intriguing Adventure, May 13, 2006

By 

John R. Lindermuth "J. R. Lindermuth, author ... (Coal Township PA) - See all my reviews
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This review is from: The Secret Supper (Hardcover)

This is not a novel for those who want a quick thrill, an easy read spiced with action and sex (though those elements are there). This is a novel concerned with great and intriguing questions, art and scholarship.

It should be noted, Sierra was not riding on the coat tails of Dan Brown when he wrote this book. Though he was working from many of the same sources, he began his research and without knowledge of what Brown was doing before publication of "The Da Vinci Code." Sierra's novel is more intellectual, more sophisticated and a deeper presentation of a society vastly different from that we know today.

There are great differences between the two books, though both are revelations of a hidden, or secret, faith.

There is nothing in his notebooks or any of the scholarship about Da Vinci to affirm he was a Cathar. In fact, in his will, he requests Masses by deacons of Saint Florentin and Saint Gregoire before his burial within the church of Saint Florentin at Amboise, France, which would indicate adherence to the faith of Rome. Still, he was several times suspected of heresy and his beliefs indicate he may have been sympathetic to the bonhommes.

Already a bestseller in Europe, "The Secret Supper" is a historical mystery focusing more on the spiritual than the corporate aspects of religion. It is definitely worth the time it takes to read it.

And, after reading this, one can never look at the works of Da Vinci and his contemporaries in the same way again.