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Secularism in Antebellum America (Religion and Postmodernism) Hardcover – December 15, 2011


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Editorial Reviews

Review

“Modern has done something very important in this smart, generous, and beautifully written book. He has shown why and how evangelicals, liberals, and spiritualists, perennial actors on the American religious stage, actors who are often viewed as competitors, even enemies, inhabit the same secular space, now and in the past, and share responsibility for the peculiar and powerful formation that is American religion and politics. We learn how they have together created the taken-for-granted immediacy of ‘true religion’ out of Scottish common sense philosophy and faith in technology, systematicity, and progress, all through a bewildering amount of surveillance, self-culture, and media production. We both recognize and gasp at the strange but always energetic feats of our forbearers and the dangerous circularity of their never-ending networks and feedback loops.”

(Winnifred Sullivan, SUNY at Buffalo)

“Reading Secularism in Antebellum America brings pleasure on many levels, not least in the knowledge that in our age of sound bites, tweets, and branding there remain books this intellectually satisfying and meticulously made. Modern’s commanding, often inspired analyses of penitentiary reform, the primitivist strain in American anthropology, and the beginnings of our preoccupation with spirituality are deft and elegantly rendered. This subtle, substantial, venturesome book raises the stakes for all of us who read and write about American religion.”

(Tracy Fessenden, Arizona State University)

Secularism in Antebellum America transforms our understanding of evangelicalism in the nineteenth century through its meticulous documentation of ideas and lives as well as through its pointed critical commentary on the last thirty years of evangelical history. Imaginative and rewarding, this is an exemplary instance of interdisciplinary historical inquiry. A brilliant, groundbreaking book.”

(John Corrigan, Florida State University)

“A creative challenge to standard religious histories of the period.”
(Choice)

“Fascinating and complex.”
(Anthropology Review Database)

“A luminous study of the discursive terrain and affective engagements of secularism in the first half of the nineteenth century. . . . Modern’s book expands critical methods for approaching style no less than it provides an enlightening and frankly engrossing articulation of the elusive but powerful force that is secularism in United States culture, past and present.”
(Common-place)

 “The line between opaque and evocative is a fine one, and John Lardas Modern walks it with dark delight in these ruminations on modernity, circa 1851.”
(Church History)

“Modern thoroughly executes the thesis laid out in the book’s introduction, offering a refreshing treatise on historiography of American religion through textual analysis and theoretical employment.”
(Journal of American Culture)

“Modern proffers a trenchant argument about the myriad contours of religiosity and secularism in nineteenth-century America. He provides a metanarrative for understanding the multivalence of antebellum religion and how the practices of Protestant Christianity were framed and informed by secularism. He not only expands our understanding of antebellum Protestantism but also thoroughly interrogates the prevailing historiography to present a startling and cogent statement about secularism and modernity in Victorian America. This short review cannot do justice to his sagacity. The systematic labyrinth delineated in this book encompasses several lines of inquiry for others to haunt and be haunted by.” 
(Journal of American History)

"Secularism in Antebellum America is a rich, densely theoretical account of scenes of American religious life and a powerful critique of how much religious history is done.”
(American Literature)

"Modern combines ponderous research, fascinating vignettes, and depth of insight to create an argument that is equal parts exciting and challenging. His deft and critical handling of agency and consciousness offers a compelling model for history, religious or otherwise. Secularism in Antebellum America is thoughtfully crafted and subtly argued; historians of antebellum religion would do well to attend to its complexity."
(Journal of Church and State)

“Masterful. . . . [A] field-shifting book.” 
(American Literature)

About the Author

John Lardas Modern is associate professor and chair of religious studies at Franklin and Marshall College. He is the author of The Bop Apocalypse: The Religious Visions of Kerouac, Ginsberg, and Burroughs.


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Product Details

  • Series: Religion and Postmodernism
  • Hardcover: 352 pages
  • Publisher: University Of Chicago Press (December 15, 2011)
  • Language: English
  • ISBN-10: 0226533239
  • ISBN-13: 978-0226533230
  • Product Dimensions: 6 x 1 x 9 inches
  • Shipping Weight: 1.4 pounds (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #257,072 in Books (See Top 100 in Books)

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1 of 4 people found the following review helpful By Spry Scientist on May 25, 2013
Format: Kindle Edition Verified Purchase
HERE IS PART OF MY READING RESPONSE FOR A GRADUATE COURSE THAT I TOOK LAST SEMESTER...
In his book Secularism in Antebellum America, John Lardas Modern identifies the presence of secular influences in the mid-nineteenth century by analyzing several key stories with their context. To Modern, secularism is not that which is opposed to religion (as many instinctually see it), but rather the “conceptual environment…that has made ‘religion’ a recognizable and vital thing in the world” (7). Drawing heavily from Foucault, he sees the rise of secularism as overlapping tales of power and genealogies of ideas, including Common Sense philosophy, republicanism, phrenology, technology discourse, etc. Modern pulls off a herculean effort made tenable for the reader by its narrow scope. Though at first confusing, Modern also effectively threads the story of Herman Melville and his Moby Dick prose throughout the book. Like the whale, secularism (and its often hidden discourse) is "monstrous."
Modern’s method, framework, and writing style left me with an almost visceral breakthrough in how I apprehend the past and even the present. He states that evangelicals (though it is applicable to all of his subjects) “narrativiz[e] strange loops between epistemology and politics, religious and secular progress, the individual and the population” (116). Once I was accustomed to Modern’s thick prose, I began to see how this treatment of historical actors was fair to them but also to the times in which they lived. Though he is careful in subsequent chapters, Modern discloses in the introduction that he sees humans as, at least partially, powerless against the onslaught of an imperialistic secularism with a logic all its own (10).
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