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17 of 20 people found the following review helpful:
3.0 out of 5 stars
Seeing Red?--No kidding!, January 25, 2008
This review is from: Seeing Redd: Looking Glass Wars, Book Two (The Looking Glass Wars) (Hardcover)
This second volume in Beddor's "The Looking Glass Wars" series decides to pick up the story where the earlier volume left off. With a war-weary Alyss trying to consolidate and rebuild her kingdom and become accustomed to the responsibilities of rule while dealing with all the loss and pain of the past. Trouble is looming, all too clearly in the future and Alyss has many enemies and plotters to face that seek to dethrone her and claim Wonderland for their own. For those who haven't read The Looking Glass Wars, this book won't be easy to read without having the back story from the original.
Of course, there's no doubt with the title that the main villain of the first book will be back. Redd is now loose on Earth, gathering together a dark force of exiled Wonderlanders and villains who flock to her side. Like the first volume in the series, this one relies on some references to the classic work of Alice in Wonderland as well as other literature and mythology--but from there it departs into its own territory. Redd is out to retake her place as reining sovereign of Wonderland and to crush all resistance and goodness that might oppose her. King Arch of Boarderland is a scheming, chauvinistic tyrant who wants to undermine Alyss and Wonderland for his own ends--and has a weapon that threatens the destruction of both countries if used. Against them is Alyss, and her band of faithful Wonderlanders who seek to restore peace and white imagination to the land. In its way it is an interesting plot and characters, but it just doesn't completely work.
To be honest, this series has an identity crisis. The idea of basing a story on the original writings of Lewis Carroll but changing the original perception is intriguing and not without some merit. But Beddor takes only the surface images and suggestions--ignoring Carroll's deeper satire and symbolism and suggesting that, in fact, Carroll is a foolish man who keeps getting the story wrong. Granted, this is the author's prerogative to do--but it may put off admirers of Lewis Carroll who find the depiction unpalatable. Likewise, the original Alice stories tend to work without a sense of good vs. evil--everything is kept much more ambiguous. Beddor's work follows a much more strict aligning of good and evil and places the players in their assigned roles without much wiggle room. A bigger problem is the tone and setting: the prospect of Alyss being a princess, then Queen of Wonderland and the champion of White Imagination in a place where talking caterpillars live and tarty tarts are served sounds like something out of a kiddie story. There's a strange sense of naiveté about the fantasy background that is a bit like someone setting up a Disney animated movie--and then throwing live action battle scenes into it. The violence is overkill--quite literally. Beddor's story keeps trying to play two contrary tunes that don't mesh well and made reading it an uneasy experience.
There are deadly characters who sound more at home in an X-men movie. There are weapons of massive violence and death, pain, betrayal. There are dark plots that would be more at home in an epic fantasy for adults. Redd kills her own parents when they deny her the throne. Dodge Anders is trying to deal with his desire for revenge and love for Alyss. Hatter grieves for his lost love. Some of the depictions of these characters are quite good: the Jack of Diamonds being one of the more surprising, and Hatter coming into his own. But these are overshadowed by the two-dimensional depictions of the main villains and Alyss herself. Alyss is all good, white imagination. Redd is all bad, black imagination. The extremes of Redd and her band are caricatures--when so many of the other characters are trying to achieve a more rounded appearance. And then from the dark and violent--there are scenes like the one where Redd treats the caterpillars to Tarty Tarts for information and the whole tribe of them act like a group of lost boys from Peter Pan. It's too silly and trivial in a story that has become so dark. Likewise the constant presence of "cute" Wonderland references--dormouse snouts, chessmen, card soldiers, etc. -keep pulling the reader out of the story and disrupting the tension. Beddor's writing feels like it wants to leap out of the strict black/white, good/bad mentality, but doesn't quite know how to break down the child-like pardigm and put something more complex in its place.
The first book in this series was a bit on the questionable side for younger readers because of the violence inherent--this book really doesn't merit being termed a children's book at all. It is an adult fantasy novel that has some interesting ideas and plotting, but ultimately fails to be written to an identifiable audience or have a consistent tone. Unlike the previous story, that has a positive and defined conclusion, Seeing Redd doesn't wrap up all the outstanding storylines and readers will have to wait for the third book at least to see what happens between Redd and Alyss. Older readers of fantasy who have some knowledge of Lewis Carroll's work may find some enjoyment in these books, but they are not for readers who are uncomfortable with excessive violence. Those who like these books may want to look into Garth Nix's Keys to the Kingdom series and Shannon Hale's Goose Girl and Enna Burning.
Happy Reading! Shanshad ^_^
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13 of 15 people found the following review helpful:
4.0 out of 5 stars
Vicious & Bloody, August 22, 2007
This review is from: Seeing Redd: Looking Glass Wars, Book Two (The Looking Glass Wars) (Hardcover)
Now that Alyss Heart is restored as the rightful Queen of Wonderland, life is improving for its citizens. The long reign of Her Imperial Viciousness, Redd, smothered the spirit of the people. But now the future looks bright, and the amazing queendom seems to be on the road to recovery.
Alyss, her friend and guard Dodge, Homburg Molly, and all the other core characters know not to grow complacent. Not all of Wonderland's wonders are beneficial, and this becomes obvious when outlying forces are slaughtered with no warning. Besides fighting to keep Wondertropolis safe, they need to find the source of the attacks. The truth splits into many truths, with are sewn with lies, as layers of deceit are peeled away to determine the most frightening of prospects: Has Redd returned?
In the second installment of "The Looking Glass Wars" series, author and movie producer Frank Beddor expands yet again on Lewis Carroll's classic world of Wonderland, taking massive liberties as he goes.
In THE LOOKING GLASS WARS, Book One of the series, readers met Alyss Heart as a young child adopted into a London family after fleeing her murderous aunt, Redd. Once grown, she returned to Wonderland to battle for and regain the throne to the queendom. It was a bloody introduction with as much violence as wonderment.
In SEEING REDD, the violence soars to higher, more vicious levels, as befitting Redd's self-given title of Her Imperial Viciousness. It seems that for every few pages of plotting, character building, or other action, there's at least one page where people are beheaded, maimed, or otherwise killed.
The slowly developing love story between Alyss and Dodge seems to surge then halt and surge again, while another love story sprouts from nowhere. Other plot points seem to work in a smooth manner. The settings are wildly imaginative as the characters travel in places not seen in the last book.
The story is good and world solid, but the sheer volume and styling of violence end up detracting from an otherwise fine fantasy interpretation.
Reviewed by Christina Wantz Fixemer
on 08/22/2007
3.5-Books on WUAT = 4-Stars on Amazon
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3 of 3 people found the following review helpful:
5.0 out of 5 stars
Second in a fabulous fantasy series, October 9, 2008
Seeing Redd is the second book in the Looking Glass Wars trilogy by Frank Beddor.
Often the middle book of a trilogy is just filler between the introduction of the characters in the first book and the final conclusion of the third. This book is not filler. Beddor takes the world he introduced us to in the The Looking Glass Wars and adds levels of complexity. We see outside of the borders of Wonderland, and those lands are just as deliciously demented as Wonderland itself. As well the characters continue to grow and discover themselves. Alyss learns that it is harder to keep a throne than it is to win it.
The story picks up a few months after The Looking Glass Wars ended, Alyss has moved into a restored Wondertropolis and Heart Palace, but she has barely settled in before attacks begin on the outposts of her kingdom. Has Redd returned, or is this a new threat? Homburg Molly is a central character in the story as she tries to prove herself worthy of her post. Her ferocious loyalty is used against her and she finds herself a pawn in a plot to remove Alyss from her throne.
Like the first in the series, Seeing Redd starts off slowly. It is very much like setting up a line of dominos. When Beddor sets the dominos to falling, the story become a wild ride indeed to a conclusion that sets the stage for a terrific closing book to this delightful trilogy. I will be waiting impatiently for the last book in the trilogy to make its appearance.
Armchair Interviews says: Grab a seat in your favorite armchair and read this excellent fantasy series.
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