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Seeing Things [Paperback]

Jim Woodring (Author)
4.5 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

March 14, 2007

"A lovely, thought-provoking book that fans simply won't be able to live without."—Juxtapoz.

Jim Woodring's charcoal drawings take the otherworldly qualities of his comics (The Frank Book) to a higher level of clarity and nuance. These crisply rendered images reflect his life-long obsession with hidden worlds, alternate realities and the inexplicable resonance of the unprecedented and irrational in lucid art.

Seeing Things collects the most toothsome of these drawings and arranges them in four sections. "Lazy Robinson" is a series of portraits of forms taken by a cognizant object during the course of a specific and identifiable stream of thought. "Frogs" celebrates the tender proclivities of the most noble of all animals, by placing them in situations that would dismay a horde of saints. "The Visible World" is a roundup of appalling scenes of sub-rational political activity involving catalytic entities with a high ratio of motivation to altruism. And "The Portfolio in Color" appears like a rainbow at the end of all this exalted storminess to send readers out into the world whistling with delight. Many of these images were created for "Mysterio Sympatico," Woodring's multimedia stage collaboration with guitarist Bill Frisell. There is plenty of echoless, glowing furniture to add to that already crowded storeroom which is briefly, but brilliantly, illuminated in the pages of this stately book. Color and black-and-white illustrations throughout

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Seeing Things + Weathercraft: A Frank Comic + The Portable Frank
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Editorial Reviews

From Booklist

Woodring's wordless Frank comics are utterly distinctive, not least in each successive publication of them. Woodring has often taken the same images from black and white to flat, comic-book color to three-dimensional full-color in the transition from one kind of publication to another. This album of four thematic portfolios (rather than stories) in Woodring's most highly developed, volumetric style, however, confirms that what he does in color he can do in black and white. Three of its parts contain charcoal work as full of depth and lighting effects as any of Woodring's color stuff. Those three showcase "scenes of sub-rational political activity," "portraits of forms taken by a cognizant object," and frogs, respectively. The final, color section is a potpourri. Frank and Manhog drop in from Frank occasionally, but most of the figures here are, besides frogs, combinations of organic, inorganic, and artificial parts. Wood-ring introduces, sort of, each part with a "memoir" of his hallucinatory childhood that demonstrates that he is as cheerily, eerily masterful a wordsmith as an artist. Ray Olson
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.

Review

Add Jim Woodring's name to the front rank of alternative cartoonists, along with Crumb, Clowes, Ware, et al. -- Rain Taxi

Woodring is fantastic. His stuff will outlast all but one in a thousand of his peers. -- Scott McCloud, author of Understanding Comics

[Woodring] demonstrates that he is as cheerily, eerily masterful a wordsmith as an artist. -- Booklist, 1 June 2005 --This text refers to the Hardcover edition.

Product Details

  • Paperback: 104 pages
  • Publisher: Fantagraphics Books (March 14, 2007)
  • Language: English
  • ISBN-10: 1560978082
  • ISBN-13: 978-1560978084
  • Product Dimensions: 11.3 x 8.3 x 0.6 inches
  • Shipping Weight: 1.1 pounds (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #425,278 in Books (See Top 100 in Books)

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Customer Reviews

2 Reviews
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Average Customer Review
4.5 out of 5 stars (2 customer reviews)
 
 
 
 
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14 of 17 people found the following review helpful:
4.0 out of 5 stars oh god it's jim, July 18, 2005
By 
Stan North (Dead center California) - See all my reviews
This review is from: Seeing Things (Hardcover)
This tome is worth the price of admission for the chapter introductions alone. The rest is the algae on the pond water. If you're familiar with Jim Woodring, you know what to expect, which is that you don't know what to expect: a fresh, heaping gobbet of queasy delight around every page, a snapshot of that lushly sterile suburban landscape where deliciously canted reality keeps intruding like crusty mold fingering its way through the kitchen wall. If you're not familiar with Woodring, I suggest going to sleep immediately after viewing the contents, before they have time to take root in the febrile soil of your high pink garden. Either that, or don't sleep for three days after. Either way, it doesn't get comfortable. I would shower this with 5 stars, but Jim knows better than I that nothing is perfect, not even our own opinions. Once as a child, I chopped a centipede in half with a toy shovel (they were metal in those days); the back half kept walking while the front half stayed put, contemplating, no doubt, an afterlife where you'd need your ass more than your eyes.
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3 of 5 people found the following review helpful:
5.0 out of 5 stars Invites viewers to observe in a different light, June 22, 2006
This review is from: Seeing Things (Hardcover)
Jim Woodring's charcoal drawings are images that come from his interest in hidden worlds and lucid art - and SEEING THINGS gathers some of the most intriguing, arranging them in sections by topic: Visible World, Lazy Robinson, Frogs and Color. 'Color' by far seems the most exciting, dramatizing the drawings and providing eye-catching involvement in the symbolism of the unseen - while the black and white charcoal drawings might appeal most to artists who find color distracting. With its blends of surrealism and irony, SEEING THINGS invites viewers to observe in a different light.

Diane C. Donovan
California Bookwatch
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