4 of 4 people found the following review helpful:
5.0 out of 5 stars
Pylyshyn criticizes standard assumptions about vision, January 20, 2011
Seeing and Visualizing: It's not what you think, a new book by Zenon Pylyshyn due out in December , is a thorough review of what we know about vision with intriguing twists along the way. Pylyshyn articulates a point of view that he has developed, in a career spanning 40 years, about how people look at the world around them and think about what they see.
Pylyshyn's thesis - captured in the second part of his title - is that when it comes to vision, our ordinary everyday experiences "rest largely on a grand illusion" (x).
Pylyshyn's aim in this book is "to try to persuade you that when you look around, the impression you have that you are creating a large panoramic picture in your head is a total illusion" (xi). "But what is the problem?" you might say. "I'm sitting here at my desk, and I see my books, my papers, my computer screen and my coffee cup, I feel these objects when I reach out to touch them: What is illusory about that?" The problem is that scientific findings force us to accept that "there is more to vision than meets the eye" (5).
Pylyshyn unpacks the scientific evidence in Chapter 1, by asking us to consider what the brain has to work with. We have light-sensitive surfaces of the eye (the retinas), but they are two-dimensional, so our sense of depth must come from something else. We know that at least part of the information comes from the differences between the patterns that the two eyes receive, but how does this produce the experience of seeing a three-dimensional world?
The story gets even more puzzling as we look more closely at the information that the brain receives from the eyes. The retinas themselves are not uniform. Only a small central region (the fovea), about the size of the area covered by your thumb held at arm's length, has sufficient acuity to recognize printed characters at the normal reading distance. Outside of that region our ability to see clearly drops off rapidly, so that if we were trying to look from the corners of our eyes (rather than from the centrally located fovea) we would be considered legally blind. Color vision falls off rapidly too as we move away from the fovea, so we become color blind as well.
Then there is the problem of the blind spot (or blind spots, because we have one for each eye). Ten to thirteen degrees away from the fovea, retinal nerve fibers come together to form a cable to the brain. We should see two large oval-shaped discs that block our field of view, because this region has no receptors for vision. But we don't. We remain completely oblivious to the fact that we have these blind spots.
You might think this is bad enough, but it gets much worse. The eyes are in constant motion, jumping around in rapid leaps several times per second and generally spending only a fraction of a second gazing in any one direction. The retina, our primary contact with the visual world, is continually being smeared with moving information. And yet the world does not appear to move or flicker, and indeed, we are typically unaware that our eyes are jumping around.
So how do we see a rich and stable visual panorama in the face of such dynamic and impoverished information?
The standard answer is to say that while my eyes may have all these problems, I, the person doing the looking, don't suffer from these deficiencies. This is known as the "Cartesian Theater" reply, whereby the problem of seeing is "solved" by claiming that there must be an inner eye or inner screen onto which a complete view of the world is projected. Pylyshyn spends the rest of chapter 1 discussing the pros and cons of this view, and finally ends up rejecting it.
Pylyshyn is best known for his position in the mental imagery debate, which is a debate about whether mental images are real. Pylyshyn takes the view that they are not. To give you a flavor of this debate, just think of a rose for a moment. What color is it? Can you make it move by rotating it? Where is it? Is it in your mind? Your brain? Does it take up a certain amount of room inside your head? Is it real?
There have been some intriguing studies done by Roger Shepard on the nature of these mental images, which Pylyshyn discusses in chapter 6 of his book. In the most famous experiment, Shepard & Metzler (1971) showed subjects pairs of drawings of three-dimensional figures and asked them to judge whether the two objects depicted were identical except for orientation. Shepard & Metzler found that the time it took to make that judgment depended upon the orientation of the objects relative to one another, with more similar objects taking a shorter time to judge than less similar objects. That result, by itself, is no surprise. What really got people's attention, is that the time taken to make the judgment is a linear function of the angular displacement of the objects. In other words, the time taken to make the judgment and the orientation of the objects tracked perfectly.
These results have been interpreted to mean that mental images are rotated continuously and at a constant speed in the mind. But Pylyshyn argues that this interpretation is misleading because it implies that these images are real. His view is that the experience we have of these mental images is real, without the mental images themselves being real. To make this vivid, imagine you are listening to a story about unicorns or elves. Your experience of the story - boredom, enjoyment - is real enough, but the unicorns or elves are not real, in the sense of existing independently of our thoughts and imaginings. In a similar way, we can have the experience of "seeing" an image in "our mind's eye", or "speaking" in the "sentences" of our mother tongue when we think, without the images or sentences being real, or existing independently or our thoughts and imaginings.
For much of this book therefore, Pylyshyn criticizes standard assumptions that we have about vision, and introduces something new, often based upon his own work. One of his most original contributions is his theory about visual indexing, which he has been developing for the past 15 years. To understand this, ask yourself "When I look at an object, do I take in where it is?" For most of us, the answer is "Yes!" But Pylyshyn argues in Chapter 5 of his book that we don't. Instead our visual system just "points to" or "picks out" the object we are interested in, without encoding spatial location, using a mechanism called a "visual index". According to Pylyshyn, "indexing" or listing objects is enough to keep track of everything we see, without needing a coordinate system to specify each object's position in space. Most people will find this claim puzzling, so Pylyshyn does a very thorough job in Chapter 5 of describing the visual index mechanism and producing empirical support for his theory.
This new book will be an invaluable guide for professionals in the field due to its scope and thoroughness (it is about 500 pages long). It will also be of interest to others who simply find this topic fascinating, because Pylyshyn has a knack for taking disparate ideas and putting them together in unusual ways.
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No