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The Seen and the Unseen
 
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The Seen and the Unseen [Paperback]

Richard Marsh (Author)
5.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

April 16, 2007

Although he is most famous for his classic novel of supernatural horror, The Beetle (1897), Richard Marsh's best work is often to be found in his short stories. And in The Seen and the Unseen, he is at his best.

In "A Psychological Experiment," a man returns from the dead to exact a horrible vengeance on his killer. In "The Photographs," the officials at a jail discover ghostly images of a mysterious woman every time they attempt to photograph a certain prisoner. And in "The Houseboat," a married couple hires a houseboat for a romantic holiday cruise, but they get more than they bargained for when they learn a brutal murder was committed on the boat, a murder they see re-enacted before their very eyes. Nine other tales of mystery, murder, the supernatural, and the occult round out this thrilling volume.

The Seen and the Unseen was one of Marsh's greatest successes, going through several editions, all virtually unobtainable today. This new edition, the first in more than a century, reprints the extremely rare first edition, published by Methuen in 1900, complete with a reproduction of its cover.


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Product Details

  • Paperback: 244 pages
  • Publisher: Valancourt Books (April 16, 2007)
  • Language: English
  • ISBN-10: 1934555002
  • ISBN-13: 978-1934555002
  • Product Dimensions: 8.4 x 5.4 x 0.7 inches
  • Shipping Weight: 10.4 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,353,726 in Books (See Top 100 in Books)

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1 of 1 people found the following review helpful:
5.0 out of 5 stars "I drew the line at sleeping with a ghost.", August 24, 2011
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This review is from: The Seen and the Unseen (Paperback)
Richard Marsh really is a good writer, and these short stories, first published in 1900, have the easy confidence of a sure craftsman.

There are delightful characters: the tall bearded man with his pockets full of lizards, the feisty spirit that keeps popping up in photographs, the ghost who plays rugby. Fun dialog abounds. As one character remarks: "I drew the line at sleeping with a ghost." Occasionally a crime solves itself.

There are real ghosts, false ghosts, ordinary people afflicted with hallucinations, second sight and out-of-body powers - and cases of just plain humbuggery. Marsh mostly takes a humorous view of the odd doings of his characters.

Some researchers claim that Marsh was at one period a bit of a fraudster himself and did time for passing bad checks. Perhaps this enriched his understanding of the swindlers and hoaxers that pepper his fiction. But he's equally adept at portraying noble women, respectable gentleman and officious clerks.

If you like short stories with a vintage flavor, I would certainly recommend these. I'm slowly reading all the books I can find by Richard Marsh, who had quite a wild imagination and was justly popular among fin de siècle readers.
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