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Juana Molina set aside the budding musical career she'd pursued since childhood to become one of TV's most acclaimed comedians in her native Argentina. Her original muse may have been denied for seven years, but never forgotten; indeed, Molina has managed something of an unexpected musical delight here. Her breathy, gentle vocals haunt unusual song structures and the album's quiet, playful production sense like some restless ghost, wandering a sonic landscape that's as electro as it is Latin. That pan-cultural, less-is-more sense is rare on any collection, let alone on a sophomore album (
Rara was released in her native country in 96) cobbled together between club gigs while living in Los Angeles. Driven by an insistent, plaintive guitar and producer/collaborator Alejandro Franov's delicate, bubbling synth riffs, Molina's unusually structured songs often seem to float in on a breeze and escape on a daydream. She's claimed the album was recorded in moments near the edge of sleep, and that stream-of-unconscious tack variously involves rhythmic choruses of barking dogs, ticking watches, and rainforest soundscapes--most so delicately rendered they sometimes seem an auditory illusion--seasoned with impossibly plastic washes of synth and carried by Molina's sweetly somnambulistic vocals. More impressive, Molina's songwriting sense seems as inscrutably subconscious. A rare, true musical adventure from first track to last.
--Jerry McCulley
Product Description
Hailing from Buenos Aires, Argentina, Juana Molina is an extraordinary singer/songwriter/producer. Juana's music flows from her acoustic guitar, off-kilter electronic sounds and rhythms, while her voice is soothing and mesmeric. Segundo, her international debut album, is a wonderful collection that bubbles with joy and is underpinned by the gentle grace that paved the path for the lavish praise awarded to her subsequent albums Tres Cosas and Son and saw comparisons to the likes of Beth Orton, Lisa Germano and Cat Power fly.
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