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Selected Poems (New California Poetry)
 
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Selected Poems (New California Poetry) [Paperback]

Fanny Howe (Author)
5.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

0520222636 978-0520222632 April 11, 2000 1
One of the best and most respected experimental poets in the United States, Fanny Howe has published more than twenty books, mostly with small presses, and this publication of her selected poems is a major event.
Howe's theme is the exile of the spirit in this world and the painfully exciting, tiny margin in which movement out of exile is imaginable and perhaps possible. Her best poems are simultaneously investigations of that possibility and protests against the difficulty of salvation.
Boston is the setting of some of the early poems, and Ireland, the birthplace of Howe's mother, is the home of O'Clock, a spiritually piquant series of short poems included in Selected Poems.
The metaphysics and the physics of this world play off each other in these poems, and there is a toughness to Howe's unique, fertile nervousness of spirit. Her spare style makes a nest for the soul:

Zero built a nest
in my navel. Incurable
Longing. Blood too--

From violent actions
It's a nest belonging to one
But zero uses it
And its pleasure is its own

--from The Quietist

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Editorial Reviews

From Publishers Weekly

The author of more than 20 books of poetry and fiction, Howe is here revealed to be working out a project of enormous consistence, clarity and grace. In 16 serial poems culled from small-press releases over the last 20-plus years, Howe (One Crossed-Out, etc.) has staked out an idiom that permits an impressive range of experience to enter the simple church-like structures of the poems, allowing them to move back and forth between a transparent self and ideas of transcendence: "Every glance works its way to infinity./ But blue eyes don't make blue sky./ Outside a grey washed world, snow all diffused into steam/ and glaucoma. My vagabondage/ is unlonelined by poems." A religious metaphor is not inapt, as several of the poems directly concern or address a God, but do so with a mix of archaism and skepticism that purposefully makes the distance too big to bridge fully, as in "The Quietist": "Mad God, mad thought/ Take me for a walk/ Stalk me. Made God,/ Wake me with your words./ Believe in what I said." A feminist thinking-through drives poems like "Conclusively" ("I was eliminated as a locus of mothering") and "The Vineyard," which contemplates indentured servitude, "a workplace torn by a union" and how "Love's body and mouth lie down together/ It's hidden parts soft inside." "The Sea-Garden" looks autobiographically back to childhood, where "hottentot figs/ Burst green water." Sensuous and intellectual pleasures commingle beautifully here, showing most recent conventional lyric to be sorely lacking in imagination. This collection should bring Howe the readership she deserves. (Apr.)
Copyright 2000 Reed Business Information, Inc.

Review

Its quiet, forceful poems carry an existential weight that belies their small size. -- The New York Times Book Review, Melanie Rehak

Product Details

  • Paperback: 213 pages
  • Publisher: University of California Press; 1 edition (April 11, 2000)
  • Language: English
  • ISBN-10: 0520222636
  • ISBN-13: 978-0520222632
  • Product Dimensions: 8 x 4.9 x 0.7 inches
  • Shipping Weight: 9.4 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #255,881 in Books (See Top 100 in Books)

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12 of 14 people found the following review helpful:
5.0 out of 5 stars The assembled wonder, October 17, 2000
By 
crumbcake (Rhinebeck, NY United States) - See all my reviews
This review is from: Selected Poems (New California Poetry) (Paperback)
The title of this book deceives. Indeed it is a "selected" but is no mere anthology of works. The poems are chosen from books spanning decades, but are re-ordered, re-sequenced, in some cases even excerpted out of longer poems to create a new--completely new--book.

The poems are kept short. The compression serves to lull but release power at the same time. Imagine Fanny Howe whispering visions in your ear while you are in the dream-state between sleeping and waking.

I love Fanny Howe because she has simultaneous concerns that never outweigh each other: a commitment to a first-person lyric while engaging the experiments of modernism and language-poetics, a mystical attention to religious experience coupled with a very real and political engagement with daily material condition, a fiesty resistance to form, but a conquest of that same territory.

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