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Selected Poems Hardcover – April 12, 2011


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Product Details

  • Hardcover: 224 pages
  • Publisher: Farrar, Straus and Giroux; First Edition edition (April 12, 2011)
  • Language: English
  • ISBN-10: 0374258600
  • ISBN-13: 978-0374258603
  • Product Dimensions: 9.1 x 5.9 x 1 inches
  • Shipping Weight: 1.1 pounds (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #832,737 in Books (See Top 100 in Books)

Editorial Reviews

From Publishers Weekly

Since Sadness and Happiness (1975) Pinsky has rightly accumulated praise for his ambitious attempts to speak for America, traditional craft (iambic pentameters, couplet rhymes), and careful use of his own life. Pinsky's mentally ill mother, his extended family, and their urban Jewish roots inform many poems, though he ends up not so much confessional as representative, devoted to an American melting pot. This first selected in 14 years from the former U.S. poet laureate contains no new poems; it begins with recent work: a poem in the form of a prayer invokes a "Holy One who loves blood sacrifice/ And burnt offerings, commerce and the Arts"; "Rhyme" depicts "all the unsteady/ Chambered voices that share it,/ Each reciting I too was here." That sense of an American gathering extends throughout the volume, into the angry political poems of Gulf Music (2007), a reference to Hurricane Katrina, through the prose blocks of "An Alphabet of My Dead," and back to what may still be Pinsky's most famous poem, the book-length An Explanation of America (1979), excerpted here, whose clearly argued triads of blank verse compared the United States after Vietnam to the republic in earlier days—and to imperial Rome. However well Pinsky fits a wide modern audience, he is also someone whose poems should last. (Apr.)
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Review

“Simply said, Robert Pinsky is one of the few literary artists working in our language whose work is unquestionably major work.” —Louise Glück

“[Pinksy’s] poems are striking in their desire to open wide ... and contain everything, to refuse absolutely to reject anything ... Pinsky’s poems rarely lend themselves to easy and decisive interpretation. (For this reason they tend to grow rather than wither with rereading.) One might say of his work, as one would say of jazz, that the point is less to interpret or understand it than to enjoy the sound and energy and mad improvisation ... Sadness and happiness, beauty and ugliness, peace and violence—each has its place in Pinsky’s capacious poetry, for its universe is the one in which we all live.” —Troy Jollimore, The Washington Post

“One might say that Pinsky has attended well Hamlet’s advice to the players, and, in the very tempest of his passion and inspiration, acquires and begets a temperance to give all smoothness. The pleasures of Pinsky’s poems are found in their capable smoothness, their balance, and, here and there, little fillips that smack the ear and jar the mind.” —Donald Brown, The Quarterly Conversation

“Pinsky is an important figure. He is also, as Tony Hoagland has rightly observed, ‘a much stranger poet than is generally acknowledged.’ This abiding strangeness, this ability to perpetually surprise us with his jittery music, oddball catalogues, and outright collage-making—gestures that at the same time are impeccably crafted and as often-as-not shaped into stately couplets and tercets—are one source of Pinsky’s significance. He has also, as the new volume eloquently attests, remade himself several times as a poet, and with each change moved closer to a goal of being at once wholly idiosyncratic and highly accessible. He is an exceedingly personal writer—this trait especially manifests itself in his capacities as an elegist—while at the same time very concerned with public subjects that too many of his generational peers have chosen to neglect . . . he temples of the ancient Sumerians employed various priests and functionaries, but one of the most important occupations was that of ‘chief lamenter,’ the reciter and singer of hymns. The chief lamenters’ function and artistry were civic, but the best of them must have had voices and individual styles comparable to the idiosyncratic majesty of Robert Pinsky. The past, he tells us in one poem, is a ‘haunted ruin,’ like the ‘billion corridors / of the semi-conductor.’ And that is Pinsky: he stands with sandaled feet on the ziggurat steps, while under his arm he carries an iPad. And . . . this lamenter-in-chief knows that his story must also be our own.” —David Wojahn, Tikkun

“[A] sense of an American gathering extends throughout the volume, into the angry political poems of Gulf Music (2007), a reference to Hurricane Katrina, through the prose blocks of ‘An Alphabet of My Dead,’ and back to what may still be Pinsky's most famous poem, the book-length An Explanation of America (1979), excerpted here, whose clearly argued triads of blank verse compared the United States after Vietnam to the republic in earlier days—and to imperial Rome. However well Pinsky fits a wide modern audience, he is also someone whose poems should last.” —Publisher’s Weekly

 

“For 36 years, Robert Pinsky has been writing his exciting, musical poetry . . . his poems bubble up and dissolve like fireworks, like something written across a stretch of blue sky, seen from the warm sand. ‘What is Imagination,’ he asks in ‘Ode to Meaning,’ ‘But your lost child born to give birth to you?’ This is one exuberant collection. Baseball, desire, jazz—only poetry could hold them all.” —Susan Salter Reynolds, Los Angeles Times

 

“This edition of Pinsky’s poems is as satisfying as a cross-section of his remarkable 35-year career could be. Its inverted chronological order allows one to trace the emergence of a public, civic-minded poet to his early concerns about the human mind and heart, ‘the legendary muscle that wants and grieves.’ The poems in this book long ago established Pinsky as an ambassador for poetry, but this book reminds us that his poems still deserve the most attention of all.” —Dave Lucas, Plain Dealer (Cleveland)

 

‘Robert Pinsky’s Selected Poems invites us to read his career in reverse, to start with his most recent books and move back through the decades to his first . . . The book is therefore shaped more like a detective story than a traditional chronological narrative. The question is not where is the young poet is going, but rather, how did the older poet get to where he is. As Pinsky is one of the best American poets around, it is a question worth asking . . . Pinsky has gotten fiercer as he has gotten older, and the later poems suggest ways to read or reread the earlier ones. Pinsky has become something of a public figure . . . who has not sacrificed the complexities of poetic construction for a false, aw-shucks simplicity. His Selected Poems shows how this was always where he wanted to be. It is a generous selection in all senses of that word. It is a tribute to its quality that it is, at 200 pages, still too short.” —David Kaufman, Tablet


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3 of 3 people found the following review helpful By Farisa Khalid on October 7, 2012
Format: Hardcover
Robert Pinsky's 'Selected Poems' is a compilation of highlights from his past seven volumes of poetry: 'Gulf Music' (2007), 'Jersey Rain' (2000), 'The Figured Wheel' (1996), 'The Want Bone' (1990), 'History of My Heart' (1984), 'An Explanation of America' (1979), and 'Sadness and Happiness' (1975). Going back in time, the reader is able to get a sense of how Pinsky's tone and temperment as a poet has evolved over the course of thirty years. There's no question that Robert Pinsky has been one of the more well-known and visible of American poets in recent years. His three-term tenure as Poet Laureate has been a highly productive one resulting in many appearances and public service projects geared toward advancing the humanities in our lives, notably the Favorite Poem Project which he started in 1997.

Some of the familiar, great Pinsky poems are here, like "Samurai Song" and "Jersey Rain." The ineffably moving "The Night Game" from 'The Want Bone' is here as well. A poem like "The New Saddhus" from 'History of My Heart' has echoes of Allen Ginsberg in addition to its own unique melody. It's fascinating to be able to read an early poem, like "Sadness and Happiness," where Pinsky reflects on his youthful solipsim,

"crazy in love with my status as a sad young man: dreams of myself...
that romantic fantasy of my future bumhood..."

in relation to a later poem like "The Forgetting" from 'Gulf Music,':

"the forgetting I notice most as I get older is really a form of memory: the undergrowth of things to you young, that I have forgotten...
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0 of 3 people found the following review helpful By Alain on February 2, 2013
Format: Hardcover Verified Purchase
the product arrived in perfect conditions. it took the necessary time to get to my address. there was no need to contact the sender. i am really satisfied with this purchase.
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