Selected Prose 1909-1965 (New Directions Paperbook) [Paperback]

Ezra Pound (Author)

Product Details

• Paperback: 486 pages
• Publisher: New Directions Publishing (January 17, 1973)
• Language: English
• ISBN-10: 0811205746
• ISBN-13: 978-0811205740
• Product Dimensions: 7.9 x 5.2 x 1.3 inches
• Shipping Weight: 12.8 ounces (View shipping rates and policies)
• Average Customer Review: 3.7 out of 5 stars  See all reviews (3 customer reviews)
• Amazon Best Sellers Rank: #1,250,742 in Books (See Top 100 in Books)

More About the Author

Discover books, learn about writers, read author blogs, and more.

Customer Reviews

Most Helpful Customer Reviews

1 of 3 people found the following review helpful:

5.0 out of 5 stars Much great prose, October 10, 2005

By 

Eric Wagner ""Read more, learn more, chan... (Freetopia) - See all my reviews
(REAL NAME)   

Amazon Verified Purchase

This review is from: Selected Prose 1909-1965 (New Directions Paperbook) (Paperback)

I love a lot of the writing in this book: Pound's obit for Eliot, the opening note, the essays on Confucius and Mencius, the essay on Adams and Jefferson, etc. Robert Anton Wilson also highly recommends this book.

1 of 3 people found the following review helpful:

5.0 out of 5 stars Uncovering or rediscovering the unsainted., July 16, 2007

By 

Samuel Chell (Kenosha,, WI United States) - See all my reviews
(TOP 100 REVIEWER)    (HALL OF FAME REVIEWER)    (REAL NAME)   

Inarguably America's most prolific poet and essayist, Pound is probably the most influential of all American poets and possibly the best. This collection of essays gives a more representative view of the complete thinker in all fields of knowledge than does the collection assembled by T. S. Eliot. Pound comes out of the line of Donne and Browning--more musician than painter, more an inhabitant of time than of space, an awesome organic discourse machine (before word-processing, even!), whose syntactical energies, whether in verse or prose, are always fascinating if not compelling (the "content" is another matter).

Having survived Browning's Sordello (which I'm unconvinced Pound did, or he wouldn't be making ridiculous statements about moving on to a more "modern" form of poetic discourse), I thought I'd give its offspring some of my time. Too many discussions of Pound simply apologize quickly and awkwardly for his anti-semiticism, and move on. Given all the "suspected" and covert anti-Semites in the arts, give Pound credit, at least, for the courage of his convictions (like a suicide bomber), regardless of how wrong-headed they were. Also, it may be necessary to give more attention to his writings in this area (admittedly often ramblings) to come to a better understanding of the most notoriously difficult poem by an American poet, "The Cantos." Pound obsesses on the subject of "usury" for a hundred or more pages in this prose collection, enough to allow the reader to see in greater clarity the connection between the American and Italian authors of literature's two most famous "Cantos," since Dante provides a place for usurers in the eighth, penultimate circle of The Infernal.

Pound's view of modern economics, of course, is wildly reactionary and hopelessly fantastical in addition to the unfortunate (especially for him) scapegoating and personified demons that it gave rise to--whether metaphorical, literal, or a mixture of both often hard to say, though the effect remains the same: Pound's ranting against usury and its practitioners led to his being viewed not merely as anti-semitic, anti-free enterprise, unpatriotic, but criminally insane; similarly, D. H. Lawrence's incessant (and insistent) preaching about the glories of sex and his denunciation of all things WASPish led to his being branded little more than a pervert if not a dirty old man.

In both cases, it's not sufficient to ignore or "excuse" the distasteful parts. Without such dispositions, excesses, obsessions, etc., neither writer would have been the artist he was. In fact, perhaps with the exception of the few inferior creators who pass Tolstoy's morality test, bid the artist and his art goodbye. Commerce will always manage to fill the void.

5 of 22 people found the following review helpful:

1.0 out of 5 stars Diamonds mixed with mud dumped in Iceland, August 6, 2003

By 

Ben (Osaka, Japan) - See all my reviews

This review is from: Selected Prose 1909-1965 (New Directions Paperbook) (Paperback)

..The book does contain vaulable insights, and information, but mostly in reference to other books and or people. The section devoted to Confucius could be summed up as saying "Ezra Pound really liked Confucius for reasons he never seemed to get around to mentioning." Because of this book I am even more curious about the economics of Silvio Gesell and I plan to read the Adams-Jefferson letters. I also want to find out more about the economic history of the United States. But this book has only pointed me in these directions, but it provides frusteratingly little information on these subjects. In the early part of the book Pound uses the metaphor "diamonds mixed with mud and then dumped in Iceland" to describe, well I completely forget, but it's an apt metaphor for this book. There are gems there but you have to dig and dig and dig.
So it gets one star. So what is five stars? Those are books that in the humble opinion of the reviewer should be read by every man, woman, child, Irishperson, and dog on the planet. For example S.I. Hiyakawa's Language in Thought and Action or Robert Anton Wilson's Quantum Psychology... Thanks for your attention.