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Selected Sonnets: A Bilingual Edition (English and Portuguese Edition)
 
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Selected Sonnets: A Bilingual Edition (English and Portuguese Edition) [Hardcover]

Luis de Camoes (Author), William Baer (Translator)
4.0 out of 5 stars  See all reviews (5 customer reviews)

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Book Description

September 1, 2005
The most important writer in Portuguese history and one of the preeminent European poets of the early modern era, Luís de Camões (1524–80) has been ranked as a sonneteer on par with Petrarch, Dante, and Shakespeare. Championed by such influential English poets as William Blake and Elizabeth Barrett Browning, and admired in America by Edgar Allan Poe, Henry Wadsworth Longfellow, and Herman Melville, Camões was renowned for his intensely personal sonnets and equally intense adventurous life. He was banished for dueling and brawling at court, lost an eye fighting the Moors in North Africa, was shipwrecked off the coast of India, jailed in Goa, and exiled in Mozambique. Throughout these personal trials, he advanced poetry beyond the Petrarchin model of love won and lost to write of personal despair, history, politics, war, religion, and the natural beauty of Portugal.

The first significant English translation of Camões's sonnets in more than one hundred years, Selected Sonnets: A Bilingual Edition collects seventy of Camões's best—all musically rendered into contemporary, yet metrical and rhymed, English-language poetry by William Baer, with the original Portuguese on facing pages—and reintroduces the genius of a poet whom Cervantes called "the incomparable treasure of Lusus." A comprehensive selection of sonnets that demonstrates the full range of Camões's interests and invention, Selected Sonnets will prove indespensible for both students and teachers in comparative and Renaissance literature, Portuguese and Spanish history, and the art of literary translation.

Editorial Reviews

From Booklist

The Shakespeare, the Petrarch, of his nation, Camoes (1524-80) is Portugal's great sonneteer. He published only one sonnet in his lifetime, and many of doubtful authorship crept into the canon during their first century of great popularity. Baer presents 70 in Portuguese and his own English versions, formally faithful to the originals except that in the octaves Baer uses four (abba, cddc) rather than Camoes' two (abba, abba) rhymes. A sketch of Camoes' amazingly adventurous and colorful life, his works, and his reputation precedes the poems. Camoes fell in love above his station and was exiled because of it, eventually to Portugal's Asian colonies. He experienced warfare, shipwreck, jail, stranding in Africa, and, while he was gone, the death of his beloved. The sonnets, primarily inspired, as convention dictated, by the beloved, reflect his life and the reflections on it that his faith and literary education allowed. If the translations are rather less beautiful than one would want, the poems' great biographical interest makes them as fascinating, though differently so, as Shakespeare's. Ray Olson
Copyright © American Library Association. All rights reserved

Review

"Splendidly produced.... William Baer brings [Camoes's] sonnets forward as accomplished, indeed often beautiful, examples of this Renaissance invention." - Jeffery Hart, National Review"

Product Details

  • Hardcover: 176 pages
  • Publisher: University Of Chicago Press; Bilingual edition (September 1, 2005)
  • Language: English, Portuguese
  • ISBN-10: 0226092666
  • ISBN-13: 978-0226092669
  • Product Dimensions: 8.3 x 5.8 x 1 inches
  • Shipping Weight: 11.4 ounces (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #2,417,483 in Books (See Top 100 in Books)

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9 of 10 people found the following review helpful:
5.0 out of 5 stars You can never have too much Camoes, October 26, 2006
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This review is from: Selected Sonnets: A Bilingual Edition (English and Portuguese Edition) (Hardcover)
Luis de Camoes is generally considered the greatest writer in the Portuguese language - on a par with Shakespeare in English, or Goethe in German. His most famous work is a long epic poem entitled "Os Lusiadas" or "The Portuguese" which describes in verse Portuguese exploration of the world (see my review). Camoes also wrote several hundred sonnets, unpublished in his lifetime. Most scholars think somewhere from 200 - 300 of the current sonnets variously ascribed to Camoes are his, with a few collections having over 400. I personally like his sonnets better than his epic poem, which can be stylized and obscure.

This book is a collection of 70 sonnets with the Portuguese and English translation on facing pages. The translator, William Baer, not only translates well, but he manages to also write his translation in rhyme. This is a tremendous accomplishment because Portuguese, like all Romance languages, has few word endings and is easy to rhyme while English, a polyglot Germanic language, is not.

That is not to say that the translations are perfect. They are not. But they're pretty good and anything approximating Camoes is great. Camoes is rather a playful cynic and most of these sonnets bring out those qualities. There is a sense of wistfulness ("saudade" in Portuguese) in most of them regarding lost love and homesickness. Camoes was a world travelling ne'er-do-well who was banished from his homeland, lost an eye battling the Moors, was imprisoned, and shipwrecked near the Mekong Delta, saving only his manuscript poems. He returned to his homeland only to watch a young adventurous King lead an army of nearly all the young men of the country to a massacre by a vastly greater Moorish force. Since this King had no relatives, the country was taken over by Spain for nearly a century and lost its status as a world power.

Camoes, an ardent patriot, was devastated and you can feel that devastation in all his writings. This sense of loss in his works makes his writing almost modern. If you're new to Camoes, this book is the best single place to start. And if you've ever loved and lost, or left your home for long years, or even felt nostalgic for past places and people, these poems will go right to your heart. Highly recommended, and I don't give out many 5 star recommendations.

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4 of 5 people found the following review helpful:
5.0 out of 5 stars Revisiting a great poet, March 11, 2007
This review is from: Selected Sonnets: A Bilingual Edition (English and Portuguese Edition) (Hardcover)
This is a great anthology of Camoes lyric work. I'm a fan of bilingual poetry editions. These translations are very fine, even though not literal.
As a literary translator once told me "You write English literature." The notes are good and background information is helpful. Anyone interested in 16th century literature, I think, will treasure this volume.
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1 of 1 people found the following review helpful:
3.0 out of 5 stars I didn't read, but..., April 22, 2010
This review is from: Selected Sonnets: A Bilingual Edition (English and Portuguese Edition) (Hardcover)
I didn't read it, but I'm portuguese and I was looking for an English translation the other day of one of his sonnets so I stumbled upon this book.
Here's what I found [page 70, "Mudam-se os tempos, mudam-se as vontades..."]:

"E, afora este mudar-se cada dia,
outra mudança faz de mór espanto:
que não se muda já como soía."

This books translation:
"Yet even more
astonishing is yet another unseen
change within all these endless changes:
that for me, nothing ever changes anymore."

--

This is wrong, really wrong. It's without a doubt one of his top5 sonnets, one that every portuguese knows, and this translation completely misses it. I was in such shock I'm writing this review!
A quite accurate translation would be:

"But besides this daily vicissitude,
One further change is the greater woe
That it changes no longer as was its wont."

See the difference?

--

Now, I haven't read anything else on this book besides this sonnet, but even considering translating poetry is really tough, this translation is definitely poor. Again, judgind by this poem alone, one much better translation was the latter above, by Landeg White.
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