28 of 30 people found the following review helpful:
5.0 out of 5 stars
Genius Worth Rediscovering, April 3, 2002
This review is from: Selected Stories (New York Review Books Classics) (Paperback)
Although his novel "Jakob von Gunten" is a masterpiece, the maniacal genius of Walser is more easily discovered in his short fiction. If Kafka's vision is maddening and claustrophobic, Walser, who deals with a similar kind of surrealistic world, applies a lighter, more deftly playful touch. Sometimes, the puns and literary license Walser take can be willful and test a reader's patience, but the sheer force of his philosophy and world view contained in these miniaturist stories are awe-inspiring, and are on par with the delirious vision of Kafka. Walser is a kind of a writer who can turn from anger to unbearable tenderness within a sentence. Many of these stories will move you and frustrate you at the same time, but all the risks he takes are still, and I suspect always will be, thrillingly modern and relevant. I only wish his excellent reworkings of fairy tales (I'm thinking especially of 'Snow White') could have been included in this volume. Walser has been neglected for far too long, and the longer his work languishes in obscurity, the world is that much more at a loss.
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24 of 26 people found the following review helpful:
5.0 out of 5 stars
Unplug the Phone, January 31, 2004
Unplug the phone, cancel all your appointments, put the cat out -- okay, you can keep the cat. But Robert Walser's wonderful "Selected Stories" must be read in an atmosphere of silence, with complete attention. You owe it to yourself to have a chance to appreciate this utterly distinctive voice. Others have called him a "comic Kafka," and others have complained that he is not a "comic Kafka," so perhaps we can stipulate that he is "the writer who is not a comic Kafka." He is, indeed a good deal more hospitable and accessible than Kafka, but he is not always comic in "A Little Ramble," (which might be my favorite of these collected short items), he can stop you in your tracks. I haven't read Walser's novel, "Jakob von Gunten," yet (though I certainly plan to) but I wonder if Walser's peculiar talents aren't particularly suited to a form that is ephemeral, almost furtive.
Read "The She Owl," which has a gentle charm. Read "Parisian Newspapers," which has an edge. Oh, read them all, listening to catch Walser's extraordinary voice. And aboave all, read "A Little Ramble," which might be the best onc-page story in the language.
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14 of 15 people found the following review helpful:
5.0 out of 5 stars
Inconsequential/Profound, March 8, 2008
This review is from: Selected Stories (New York Review Books Classics) (Paperback)
"Wandering, what a brilliant, light blue joy you are!"
If the absolute inevitable truth of every word of that sentence isn't immediately clear to you, you may not be the kind of reader who will be knocked off your feet by Robert Walser, whose typical prose piece is always a kind of wandering. The most acclaimed piece (and the best, I think) in this collection is in fact titled "The Walk," a perfectly honest title that serves to summarize the plot.
If you're one who needs beginnings, middles, and ends...
If you insist on naturalistic dialogue...
If you want at least a modicum of happening...
you may not be the kind of reader who will rave about Walser to your friends, as I have been doing since I started reading him a couple years ago.
Walser was roughly a contemporary of Franz Kafka, who read and seems to have been influenced by Walser. Although Walser wrote four long pieces usually labeled as novels, his most characteristic works are short sketches, two to ten pages, only rarely resembling anything most people would call a story. Some of Walser's work was published in his lifetime, and he had a coterie of distinguished fans like Hermann Hesse. Then, after 1933, when he was committed to a "madhouse," he was as forgotten as a politician's promise. His rediscovery began with American and English readers, especially translator Christopher Middleton.
By our times, Walser is widely perceived as a pioneer surrealist; his work certainly has surreal effects, but his intentions, as I read him, were never to extend reality but merely to capture it as he alone saw it. That he was, perhaps, slightly mad and certainly eccentric did refract his vision in unexpected and original colors. His subject, even when writing in his not-fooling-anyone disguise as a simple man, was always his own strange, joyful, aimless personality.
Catch the word "joyful" there! Walser is NOT a depressing writer. He's a man enchanted with everything, from mustard to mountains. He's wry, salty, silly, satirical, and sooo penetrating.
The translations in this collection are close to the character of Walser's "wandering" German. There's another collection - Masquerade - translated by Susan Bernofsky. I prefer Bernofsky somewhat for syntactical cleverness in translating, but this collection includes The Walk, the most picturesquely brilliant of all Walser's prose.
Some critics have said that Walser was a columnist before there were columns, and it's easy to imagine Walser being a huge success reading his pieces on NPR, but for all their apparent inconsequentiality, Walser's works have a profundity that will accumulate as you read.
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