Selfish and Perverse is a captivating, hilarious, very gay and very unique book. Smith knows his quirky characters and his settings, Los Angeles and Alaska, inside and out, and manages to make Nelson Kunker endearing, even if he's not the most exciting character in the fabulous first novel. That mantle is reserved for his two love interests, the hard-to-read, smart and cynical yet romantic Alaskan fisherman Roy and the flashy, annoying, but hot movie star Dylan. Staring out with the lowly life of a writer's assistant on a show in Hollywood, with a pit stop sinking into the La Brea Tar Pits, then moving on to remote Alaska, Smith captures each milieu and its inhabitants.
This is also a brilliant book for anyone who's ever written, tried to write, or thought about writing a novel. Nelson's ongoing attempts to write, which we mostly hear about from him, and his agony over not having written, make for great fodder in Smith's hands. Nelson seems young at times, as he waits for the approval of those around him, and while he'll occasionally throw out a zinger or show his anger, for the most part he's cautious, taking his cues from those around him. He has big dreams of writing but is crushed when his boyfriend Roy doesn't ask to read his novel.
It's also the kind of book that, in the midst of joking around, will bust out with a truthful or heartfelt statement that makes you stop to reread it and fully absorb it. There's a tenderness to Smith's sex scenes, as he describes Nelson luxuriating in each vein of Roy's arms, that's sweet and sexy at the same time. Nelson seems like an average, insecure guy, and in some ways, he is--he lacks the flamboyancy of many of the other characters, and yet its his very fears and uncertainties, his mistakes and meanderings, that make him someone it's a pleasure to spend time getting to know. Smith doesn't make anyone here a tragic figure but lets us know that everyone, in their own way, is looking for wholeness, in love and in their careers.
It's to Smith's credit that he made this reader root for Nelson and Roy, but want Dylan to stick around if only to get in their way and be an annoying, showy, needy guy. He's a cheapskate movie star sex addict who needs constant approval and attention, yet I almost felt sorry for him for missing out on the real pleasures of life due to his shallowness. Even the more minor characters, like Roy's mom, Dee, and Nelson's bitchy/funny dyke friend Wendy, are vividly rendered. The unusual setting of a fishing town in Alaska makes for vivid imagery and all sorts of interesting details about things like salmon and nagoonberries. Smith plays up te drastic differences between Nelson's Alaskan life and LA life, the beauty and newness of one and the ludicrousness of the other.I got caught up in this novel and couldn't put it down, and I certainly hope there's more where that came from from Smith.