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Send in the Clowns (20 Bit Mastering)
 
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Send in the Clowns (20 Bit Mastering)

Count Basie, Sarah Vaughan, Sarah Vaughan And the Count Basie OrchestraAudio CD
4.8 out of 5 stars  See all reviews (9 customer reviews)

Price: $11.31 & eligible for FREE Super Saver Shipping on orders over $25. Details
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Customers buy this album with Crazy & Mixed Up $10.15

Send in the Clowns (20 Bit Mastering) + Crazy & Mixed Up
  • This item: Send in the Clowns (20 Bit Mastering)

    In Stock.
    Ships from and sold by Amazon.com.
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  • Crazy & Mixed Up

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Product Details

  • Audio CD (May 1, 2001)
  • Number of Discs: 1
  • Label: Pablo
  • ASIN: B000000XLN
  • Also Available in: Audio CD  |  Audio Cassette  |  Vinyl
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (9 customer reviews)
  • Amazon Best Sellers Rank: #8,136 in Music (See Top 100 in Music)

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Customer Reviews

9 Reviews
5 star:
 (7)
4 star:
 (2)
3 star:    (0)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.8 out of 5 stars (9 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

18 of 19 people found the following review helpful:
5.0 out of 5 stars 10 Fabulous Songs, July 2, 2004
By 
Jim Holtz (Madison, Wi United States) - See all my reviews
This review is from: Send in the Clowns (20 Bit Mastering) (Audio CD)
The correct song list is:
1.I've Gotta Right To Sing The Blues
2.Just Friends
3.If You Could See Me Now
4.Ill Wind
5.When Your Lover Has Gone
6.Send In The Clowns
7.I Hadn't Any One Till You
8.All The Things Are You
9.Indian Summer
10.From This Monment On
I've asked Amazon to list the tracks correctly. Now, to the cd review. Sarah out did herself. She was the perfect jazz singer. Pitch, lucidity, range, & "improvisation"! Pablo Records released 4 ***** albums by Sarah Vaughan: How Long Has This Been Going On, Duke Ellington Songbook v.2, Crazy & Mixed Up, & this one. V.1 of Ellington was only ****. This set of mainly older & lesser known songs were perfect for Sarah. She 1st grabbed us by doing the best jazz version of Send In The Clowns & then lavished us with jewels such as the swingers,(I Hadn't Anyone Till You & Just Friends) & laments (Indian Summer & If You Could See Me Now). With all 10 tracks, Sassy show her divinity by getting to the essence of every song. Sarah somehow puts all other jazz female singers to shame. They were all great in their own way! But, didn't Sarah only & truly make her voice an isntrument? Here, that voice is truly intergrated with the band. It's too bad that she was held back & unable to go whole hog. Pablo probably wanted to sell more copies. "Keep that Divine Sassiness in check" was probably thought. Although she complied, Sarah showed us all what the perfect jazz singer can do to 10 perfect songs. If I get to Heaven, may I greeted by the Divine One & The Count.
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7 of 7 people found the following review helpful:
5.0 out of 5 stars Divine, August 20, 2007
By 
Jazzcat "stef" (Genoa, Italy Italy) - See all my reviews
This review is from: Send in the Clowns (20 Bit Mastering) (Audio CD)
I have owned this record for more than fifteen years now. It is the perfect album to testify my philosofy that consists in the believing that when you spend your money in pure art, those are the money best spent, because you will enjoy them for all your lifetime. Albums like this one are so deep and wonderful that they stuck in your head immediatly and never get out of it! You find yourself coming back to them very often and everytime it is a fantastic experience. I don't know how many times I have listened to this album on my knees and with tears in my eyes in the past fifteen years. Unbelievable. With a very big collection like mine and with precious and rare beautiful recordings from the golden era coming in rapid sequence, often the older cds in the collection tend to be forgotten for some time to time no matter how fantastic they are. This one instead it's impossible to forget. It's a fantastic recording like ALL the Sassy's Pablo .... Pablo is not a company I particularly admire but Norman did it big with these Sarah albums. They are all masterpieces. Sarah Vaughan, I believe she's the first jazz artist I really fell in love with when I started to study jazz guitar more than twenty years ago (even before my Charlie Parker folgoration). I still think no singers in the world will ever catch her. It's simply impossible to compare. I love few other singers (Anita O'Day, Irene Kral, etc ...) but nobody like Sassy. In these Pablo albums her voice has matured and her technique and understanding of the music and of the repertoire reached the impossible. There is not a single "average" moment in this album it's like Beethoven's 9th in jazz. The opener, Just friends, an immense Send in the clowns, each tune is a gem. Sarah sings and soars, takes off and flies like a bird over these wonderful compositions and arrangements by the great Count Basie Orchestra. She owns the songs she sings in a way no other singers can do. She had an incredible array of effects she could use to colour a song and to share her emotions ... and her instrument was truly a unique gift from mother Nature. She was at her command explosive, tender, sophisticated, elegant, flashy, sensual, ethereal, earthy, hard, always with supreme taste..... She was really DIVINE and while I'm writing this review listening to this album for the thousand time in my life, I feel a shiver going down my spine. Thanks for such a divine beauty Sarah. There are not enough stars for a star like you.
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9 of 11 people found the following review helpful:
4.0 out of 5 stars sarah lets it fly again with basie band, December 10, 2000
By 
Jon H. (Seattle, WA) - See all my reviews
This review is from: Send in the Clowns (20 Bit Mastering) (Audio CD)
Some twenty years after the album "Count Basie and Sarah Vaughan," Sarah teamed up with the band again, and again, to our good fortune, decided to let her voice have free reign to fly through the auditory planes. No honey-sweet pop coatings (with one exception perhaps - the title track); nor does she try to please the critics. Instead, she challenges and ultimately persuades the listening ear to hear the rightness of her by-the-book, that is by-the-book-she-wrote, renditions.
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