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It should be noted these headphone have an impedance of 300 ohms. Most headphone are 16-32 ohms. What this means is to get the full potential out of them you will need some type of amplifier. Headphone.com offers a couple inexpensive sollutions to this problem, as does audioadvisor.com. Althought they are not true audiophile components, they will greatly enhance your experience with these headphones. If you are planning on travelling with them, you can almost bet you won't be content with their sound when powered only by a portable CD player. I use a Audio Valve RKV Mark II Headphone Amplifier at home, and the headphone.com Airhead on the road. Buy these headphones if you are looking for true audiophile sound, or just the best dynamic headphone, but be aware of their limitations without am amplifier.
Consider it this way: Let's call a CD 10 dollars. Let's say you get a certain amount of pleasure from a new CD: new sounds, new music, a new experience to last you a few weeks before it gradually inches its way into the dusty corners of your collection.
Now, let's say you have about 100 CDs.
These headphones are now worth about ... because you have never heard any of those CDs before. These are headphones that revolutionize all the music YOU ALREADY OWN!
But be warned: remember how when CDs first came out there were all those pretentious warnings about how the superior quality of the recording may expose flaws in the master that you could never make out before? I always thought there might be some audiophile somewhere who could hear some "flaw".
But with these headphones you can hear a good studio from a cheap one. I can hear the buzz of unshielded electronics in the second rate studio on some indy cds. Some of my beautiful old classical music suddenly sounds muffled and dead, flattened by an unflattering production job that my speakers could not convey.
The clarity is unreal. Guitar strings are made of gold and they ring clear as crystal; layers of techno pile atop each other in multicolor, multidimensional textures that knock you breathless; the exotic reverberant groan of a cello solo that you have heard a thousand times will bring tears to your cheeks.
And all of this at a fraction of the volume you might play music on your speakers with: these headphones are brilliant and clear and perfect at low volumes. Given their open air construction these things may well preserve your hearing for an additional decade.
I cannot recommend these highly enough.
Prior to owning the HD-600s, I used the fantastic HD-580s for about one year. One thing that surprises me (well, actually, it doesn't) is how quickly audiophiles pronounce the HD-600s leagues better than the HD-580s. I listened to each set profusely under careful conditions and came to the realization that the HD-580s offer about 95% of the performance of the HD-600s. The most notable difference is that the HD-600s remove a very thin veil of "sonic haze" from the music. But they both share the same character and personality and I would expect them to generate very similar test lab results. In my experience, many audiophiles will consider that extra 5% "a tremendous improvement". As to avoid being hypocritical, I did enjoy the HD-600s more and decided to keep them over the HD-580s, but take all superlatives and Grand Statements with a grain of salt, as you should in audiophiledom. If the HD-600s are priced out of your league, the discontinued and discounted HD-580s are a can't miss baragin.
But even at [price], the HD-600s are a surprising value.
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